100 Films and a Funeral is both a memoir by Michael Kuhn and a 2007 documentary film adaptation by filmmaker Michael McNamara about the rise and fall of PolyGram Filmed Entertainment (PFE), the company that produced Four Weddings and a Funeral, The Usual Suspects, and Trainspotting. Kuhn headed PFE from 1991 till 1999, when Philips sold it to the Seagram conglomerate. The selling of PFE also ended the prominent role of the company in the British film industry revival of the 1990s.
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There are 40 films with the same actors, 8862 with the same cinematographic genres, 715 films with the same themes (including 473 films with the same 2 themes than 100 Films and a Funeral), to have finally 70 suggestions of similar films.
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, 1h43 GenresComedy, Documentary ThemesDocumentary films about business, Documentary films about the film industry, Documentary films about films ActorsPhillip Adams, Christine Amor, Steve Bisley, Glory Annen Clibbery, Jamie Blanks, Graeme Blundell Rating75% Not Quite Hollywood documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including Alvin Purple, Barry McKenzie Holds His Own, Dead-End Drive In, Long Weekend, Mad Max, The Man from Hong Kong, Patrick, Razorback, Road Games, Stork and Turkey Shoot. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over. "Ozploitation"—writer-director Mark Hartley's own portmanteau of "Australian exploitation"—was a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history". The film addresses three main categories of "Ozploitation" films: sex, horror and action.
The first filmmaker arrived in Equatorial Guinea in 1904. The last movie theatre closed in Malabo in the 1990s. In 2011, during the II African Film Festival of Equatorial Guinea, the Marfil Movie Theatre reopened its doors. Florencio, Ángel and Estrada tells us how cinema has been, and is still, present in their lives.