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Akō gishi is a japonais film of genre Drama directed by Ryōhei Arai with Yatarō Kurokawa
Akō gishi (1954)
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Add to a movie listAkō gishi (赤穂義士, literally, "virtuous men of Ako") is a 1954 Japanese black-and-white period drama (jidaigeki) directed by Ryohei Arai.
^ Infobox data from "赤穂義士 (1954)" (in Japanese). MovieWalker. Retrieved 2013-01-22.
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Suggestions of similar film to Akō gishi
There are 16 films with the same actors, 2 films with the same director, 61683 with the same cinematographic genres (including 3952 with exactly the same 2 genres than Akō gishi), 10445 films with the same themes (including 127 films with the same 5 themes than Akō gishi), to have finally 70 suggestions of similar films.If you liked Akō gishi, you will probably like those similar films :
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, 1h29Directed by Teinosuke Kinugasa
Origin Japon
Genres Drama, Historical, Romance
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During a rebellion in 1159 the samurai Morito desires the lady-in-waiting Kesa but she's already married to Wataru. Morito decides to get rid of his rival. He makes Kesa explain to him how he can kill her husband while he sleeps. Kesa provides very precise instructions, yet when Morito follows through on her plan it is Kesa herself who gets killed. Morito understands that Kesa has sacrificed herself because she was determined to save Waturu's life and her honour.
, 1h23Genres Drama
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Sansho the Bailiff (1954)
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Sansho the Bailiff is a jidai-geki, or historical film, set in the Heian period of feudal Japan. A virtuous governor is banished by a feudal lord to a far-off province. His wife and children are sent to live with her brother. Several years later, the wife, Tamaki (Kinuyo Tanaka), and children, Zushiō and Anju, journey to his exiled land, but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in Sado and the children are sold by slave traders to a manorial estate in which slaves are brutalized, working under horrific conditions and branded when they try to escape. The estate, protected under the Minister of the Right, is administered by the eponymous Sanshō (Eitarō Shindō), a bailiff (or steward). Sanshō's son Tarō (Akitake Kōno), the second-in-charge, is a much more humane master, and he convinces the two they must survive in the manor before they can escape to find their father.
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Rating74%
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Hidetora Ichimonji, a powerful warlord, experiences a dream reminding him that he's showing his age and decides to divide his kingdom among his three sons: Taro, Jiro, and Saburo. Taro, the eldest, will receive the prestigious First Castle and become leader of the Ichimonji clan, while Jiro and Saburo will be given the Second and Third Castles. Hidetora will retain the title of Great Lord and Jiro and Saburo are to support Taro.
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, 1h44Directed by Haruki Kadokawa
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In 1876, U.S. Army captain Civil War veteran Nathan Algren is traumatized by his participation in atrocities during the Indian Wars, and has become an embittered alcoholic. Algren is approached by his former commanding officer, Colonel Bagley, on behalf of Japanese businessman Omura, who wishes to hire distinguished U.S. soldiers to train the Imperial Japanese Army to suppress a samurai rebellion, led by Katsumoto Moritsugu. In exchange, Japan would ratify a lucrative trade agreement that would grant the U.S. exclusive rights to supply arms to the Japanese government. Although Algren despises Bagley for having ordered atrocities during the Indian wars, he accepts the job for the money and sails to Japan. Most of the soldiers being trained are little more than inexperienced peasants and farmers.The training is interrupted when the samurai rebels attack a railroad owned by Omura; Bagley orders the regiment to mobilize, overruling Algren's objection that the soldiers are not ready. Algren is proved correct: during a battle in a foggy forest in Yoshino Province, the undisciplined and intimidated soldiers panic and are quickly routed by the samurai horsemen. Algren kills several samurai with his revolver and saber but is eventually knocked from his horse. Algren desperately fights using a spear tipped flagstaff with a flag of a white tiger until he collapses from complete exhaustion. As he is about to be vanquished, he kills his would-be executioner with the staff's spear tip. His ferocity and refusal to surrender, as well as the image of the white tiger on the flag he is fighting with, reminds Katsumoto of a recurring dream. As a result, Algren is spared and taken captive to the rebels' village in the mountains.