Search a film or person :
FacebookConnectionRegistration
Home > All films > Films Documentary > Calle 54
Calle 54 is a espagnol film of genre Documentary directed by Fernando Trueba released in USA on 11 may 2001 with Gato Barbieri

Calle 54 (2000)

Calle 54
If you like this film, let us know!
Released in USA 11 may 2001
Length 1h45
Directed by
OriginEspagne
Genres Documentary,    Musical
Rating73% 3.6884253.6884253.6884253.6884253.688425

Calle 54 is a 2000 documentary film about Latin jazz by Spanish director Fernando Trueba. With only minimal introductory voiceovers, the film consists of studio performances by a wide array of Latin Jazz musicians. Artists featured include Chucho Valdés, Bebo Valdés, Cachao, Eliane Elias, Gato Barbieri, Tito Puente, Paquito D'Rivera, Chano Domínguez, Jerry Gonzalez, Dave Valentin, Aquíles Báez, and Michel Camilo. The film takes its name from Sony Music Studios, where much of the film was shot, which are located on 54th Street in New York City.

Synopsis

Un film présentant les performances de plusieurs stars de la scène musicale Latin Jazz.

Actors

Gato Barbieri
Trailer of Calle 54

Bluray, DVD

Streaming / VOD

Source : Wikidata

Comments


Leave comment :

Suggestions of similar film to Calle 54

There are 2 films with the same actors, 11 films with the same director, 14444 with the same cinematographic genres (including 679 with exactly the same 2 genres than Calle 54), 8313 films with the same themes (including 0 films with the same 6 themes than Calle 54), to have finally 70 suggestions of similar films.

If you liked Calle 54, you will probably like those similar films :
Chico & Rita
Chico & Rita (2010)
, 1h34
Directed by Fernando Trueba
Origin Espagne
Genres Drama, Musical, Animation, Romance
Themes Seafaring films, Films about music and musicians, Transport films, Jazz films, Musical films
Actors Peter Appel, Jay Benedict
Rating71% 3.59913.59913.59913.59913.5991
In present-day Havana, Chico, a shoe-shiner, tunes his radio to the Radio Progreso station, which is playing old Cuban hits on a program called Melodies from Yesterday. As he listens, the station begins to play a romantic arrangement of A Taste of Me (Sabor a Mí) by Mexican composer Álvaro Carrillo (1921–69) which causes him to remember his life back in 1940s Cuba. In 1948 Havana, Chico and his best friend Ramón are struggling dandies in a low-life bar. Ramon arranges a double date for the both of them with two American tourists. They take the women to a bar where Chico falls in love with the band's beautiful lead singer, Rita. Chico attempts to talk to her, but an American tourist refuses to let Rita leave him. Chico and Ramón go to the Tropicana Club with their lady-friends, and sneak in through the performer’s entrance. While walking around, Chico sees upon Rita and her gentleman friend arguing. The Maitre d' overhears that Chico is an accomplished pianist and persuades him to substitute for the main event's missing pianist. Chico fills in, playing at first sight a new piece—Ebony Concerto by Igor Stravinsky. Chico, initially nervous, ends up performing the piece with aplomb, to the delight of the band. Rita finally agrees to ditch her date and flee with Chico on Ramón’s motorcycle and sidecar, along with the Americans. After a dangerous chase, the American man finally crashes into a car dealership, and the others escape. Rita and Chico leave the rest of the party and go to a bar where Chico introduces her to bebop music, which she takes up quickly. Afterwards they go to Chico’s place and spend the rest of the night together. The next day Rita wakes up to find Chico playing a new composition on the piano, which he names "Rita". As they play and kiss, Juana, Chico’s former girlfriend, walks in and picks a fight with Rita. The two women angrily leave Chico, feeling betrayed. However, Chico is still smitten with Rita and begs Ramon to convince her to perform with him for an upcoming radio contest. Ramon pays Rita to sing with Chico but after the contest, Rita leaves Chico without speaking to him. He follows her to the house of a santera, who predicts that Chico will cause her much suffering. That night, the station announces that Chico and Rita have won a month's engagement at the Hotel Nacional. A few weeks later, Chico and Rita are having great success in their performances. Rita’s beauty mesmerizes all the men, which ignites Chico’s jealousy. One of the admirers, Ron, asks Rita to his table to discuss business. He offers to take Rita to New York City to make her a star, where jazz and Latin music are a burgeoning scene. However, Rita insists that the offer must include Chico. Meanwhile, Chico has been watching from a distance and becomes jealous, believing Rita wishes to leave him for Ron. Rita attempts to explain that she is fighting for both of them to go to New York together, but Chico storms off. Rita goes to his apartment and waits for Chico, but falls asleep in the courtyard. She is awakened by Chico stumbling home with Juana. Hurt, Rita agrees to go to New York with Ron, alone. After her departure, Chico becomes depressed and he and Ramon eventually secure the means to go to New York to seek their fortunes as well. Chico and Ramón give Chano Pozo a letter of recommendation they received from his sister in Cuba. Chano is receptive and excited to meet fellow Cubans. However, he is involved in drugs and has a short temper. After discovering he was sold oregano instead of marijuana, Chano attacks the dealer, who later finds him in a bar and kills him. Chico finds work as a party musician, and Ramón as an usher at the Plaza Hotel. At one of his party gigs, Chico runs into a successful Rita again, who is hurt by the racist doubts of her fellow party goers about her upcoming film project. Chico and Rita run away in her new car and spend the night together again. The next day, Ron locates Ramón and proposes a deal to finance his artist-agency business, as long as Ramon finds jobs to keep Chico away from Rita. Ramón complies with his end of the bargain and signs Chico with Dizzy Gillespie, who gives him a gig in Paris and a European tour. Rita becomes a big film star while Chico finds a new girlfriend in Paris. One morning, while playing "Rita" at the piano, the girlfriend's dog, Lily, comes in and sits by Chico. He decides to change the name of the song to "Lily". Back in New York, despite her wealth and success, Rita is still mistreated socially due to her skin color. While being driven to a set, the radio plays a new Jazz hit that she instantly recognizes as the piece Chico composed for her. She is moved to tears when she learns Chico renamed the song. In New York, Rita goes into a bar and sees Chico playing "Lily". She waits for him outside the bar and demands to know who Lilly is. He teases her about the mystery female's identity, but finally reveals that he renamed the song after a dog. The two passionately kiss and make up. A paparazzo captures the kiss in a photograph that appears in the newspapers. Chico and Rita agree to marry that New Year’s Eve, after Rita’s debut in Las Vegas. Chico tells Ramón, who worries that their reunion will ruin his business. Ramón slips a packet of drugs into Chico’s coat, which police discover during a search after a raid on his gig at the Palladium in New York. They arrest Chico, and won't let him make a phone call to Rita, who waits in vain in a Las Vegas motel. Chico is soon deported back to Cuba. Upset, Rita becomes drunk before her New Year's Eve performance, believing that Chico left her again. Despite Ron's urging to not "spoil it all now", Rita deliberately sabotages her career by denouncing the racism of the Hollywood industry and the hypocrisy of being a celebrated black artist. Meanwhile, Chico enters Cuba right at the beginning of Castro's regime, and the new Cuban revolutionary authorities seize his passport. All venues are now forbidden to play jazz because it is "capitalist music." Disappointed with life, Chico gives up music altogether. Sixty years later, when Chico is shining shoes for a tourist, a young man rushes to him and tells him that a famous young singer and her entourage are eagerly asking for him and his jazz music. He reluctantly agrees to meet them and for the first time in years he plays his music for an audience. The singer asks him to record a song with her and Chico agrees. It becomes a big hit and takes him on a world tour, giving him success for the second time. After the tour, Chico is allowed re-entry into the United States. He searches for Rita, starting in New York. He eventually finds Ron in a nursing home and discovers that his friend Ramón has died and learns Rita is in Las Vegas. He goes there and knocks on her door and she reveals that she has stayed for 47 years in the same motel room, working as the motel's housekeeper and waiting for him. The film ends with their reunion.
The Cry of Jazz
The Cry of Jazz (1959)
, 34minutes
Origin USA
Genres Documentary, Musical
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Documentary films about cities, Jazz films, Musical films
Actors Melinda Dillon
Rating61% 3.0934453.0934453.0934453.0934453.093445
The Cry of Jazz is set in Chicago at the meeting of a jazz appreciation club of musicians and intellectuals, both Black and White. It is broken up into seven parts. Parts one, three, five, and seven center around conversations between the jazz club members. Parts two, four, and six are done in a documentary style and utilize footage of life in Chicago as well as of Sun Ra’s band performing the music. Alex, the film’s main character, serves as narrator during these sections. Although the film is nominally about jazz, jazz is utilized primaily as a metaphor through which to understand the African American experience.
Return to Gorée
Return to Gorée (2007)
, 1h52
Origin Suisse
Genres Documentary, Musical
Themes Films about slavery, Films about music and musicians, Documentary films about law, Documentary films about music and musicians, Documentaire sur une personnalité, Jazz films, Musical films
Rating67% 3.377693.377693.377693.377693.37769
Retour à Gorée raconte le périple du chanteur africain Youssou N'Dour sur les traces des esclaves noirs et de la musique qu'ils ont inventée : le jazz. Son défi: rapporter en Afrique un répertoire de jazz et le chanter à Gorée, l'île symbole de la traite négrière, en hommage aux victimes de l'esclavage. Guidé dans sa quête par le pianiste Moncef Genoud, Youssou N'Dour parcourt les États-Unis et l'Europe.
Let's Get Lost
Let's Get Lost (1988)
, 2h
Directed by Bruce Weber
Origin USA
Genres Musical theatre, Documentary, Musical
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Jazz films, Musical films
Actors Michael Peter Balzary, Chris Isaak, Lisa Marie, Rodney Harvey, Robbi Chong, Scott Coffey
Rating77% 3.8880253.8880253.8880253.8880253.888025
A group of Baker fans, ranging from ex-associates to ex-wives and children, talk about the man. Weber’s film traces the man’s career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference kept him in Europe. By juxtaposing these two decades, Weber presents a sharp contrast between the younger, handsome Baker — the statuesque idol who resembled a mix of James Dean and Jack Kerouac — to what he became, “a seamy looking drugstore cowboy-cum-derelict,” as J. Hoberman put it in his Village Voice review.
Buena Vista Social Club
Buena Vista Social Club (1999)
, 1h45
Directed by Wim Wenders
Origin German
Genres Documentary, Musical
Themes Seafaring films, Films about music and musicians, Transport films, Documentary films about music and musicians, Documentaire sur une personnalité, Musiques du monde, Musical films
Actors Ry Cooder
Rating75% 3.7985853.7985853.7985853.7985853.798585
The film documents how Ry Cooder, long-time friend of Wenders, brought together the ensemble of legendary Cuban musicians to record an album (also called Buena Vista Social Club) and to perform two times with a full line-up: in April 1998 in Amsterdam (two nights) and the 1st of July 1998 in the United States (at the Carnegie Hall, New York City). Although they are geographically close, travel between Cuba and the United States is restricted due to the political tension between the two countries, so many of the artists were travelling there for the first time. The film shows their reactions to this experience, as well as including footage of the resultant sell-out concert. It also includes interviews with each of the main performers.
Thelonious Monk: Straight, No Chaser
Thelonious Monk: Straight, No Chaser (1988)
, 1h30
Directed by Charlotte Zwerin
Origin USA
Genres Documentary, Musical
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Jazz films, Musical films
Actors Samuel E. Wright
Rating74% 3.739023.739023.739023.739023.73902
Entre 1967 et 1968, les freres Michael et Christian Blackwood suivent et filment pendant six mois Thelonious Monk pendant sa tournee europeenne. Il en resulte une emission pour la television allemande d'une heure. Douze ans plus tard ils en parlent a Bruce Ricker qui contacte aussitot Charlotte Zwerin, la realisatrice. Le financement est difficile mais grace a l'aide de Clint Eastwood, le film peut se realiser. Aux documents des freres Blackwod ont ete ajoutes des documents d'archives et des interviews recentes de ses musiciens.