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Suggestions of similar film to Who Killed Amir?
There are 34 films with the same actors, 47447 with the same cinematographic genres (including 2713 with exactly the same 2 genres than
Who Killed Amir?), to have finally
70 suggestions of similar films.
If you liked
Who Killed Amir?, you will probably like those similar films :
, 1h30
Directed by Kiumars PourahmadOrigin IranGenres Drama,
Comedy,
CrimeThemes Political filmsActors Giovanna Mezzogiorno,
Khosrow Shakibai,
Valerio Mastandrea,
Ennio Fantastichini,
Elnaz Shakerdoust,
Anna RomantowskaRating66%
Pendant la guerre Iran-Irak, un jeune combattant iranien a la mission de livrer des prisonniers irakiens à un poste de garnison derrière le front. La tâche s’avère moins évidente qu’on le croyait. Le jeune doit affronter certaines difficultés sur le chemin. Puisque personne ne veut pas l’aider, il se débrouillera tout seul., 1h44
Directed by Masoud DehnamakiGenres Drama,
War,
Comedy,
ActionThemes Political filmsActors Akbar Abdi,
Mohammad-Reza Sharifinia,
Amin Hayai,
Merila Zarei,
Javad Hashemi PouraslRating49%
The movie, set in 1988 begins when Majid (Kambiz Dirbaz), a local thug from Southern Tehran is freed from prison along with his friend Amir (Arzhang Amirfazli). To avoid embarrassment, Majid and his friends have told his family and neighborhood that Majid is returning from Hajj at Mecca. His lie though is revealed after some mistakes by Amir and his other friend Bayram (Akbar Abdi)., 1h50
Directed by Parisa BakhtavarOrigin IranGenres Drama,
ComedyActors Baran Kosari,
Saber Abar,
Mehran Modiri,
Mohammad-Reza Sharifinia,
Hamed Behdad,
Amin HayaiRating68%
La jeune Shirine (Baran Kosari) a seulement deux jours pour réunir 3 000 000 rials pour faire réparer la voiture de son père qui a été endommagée dans un accident de la route lorsqu'elle était au volant sans l'en avoir averti. Elle demande l'aide d'un jeune ami naïf, Mohammad (Saber Abar), qui lui donne un coup de main pour réunir cet argent en entrant dans un immeuble d'appartements pour installer des systèmes de réception satellite dans diverses résidences et ..., 1h30
Origin IranGenres Comedy,
FantasyActors Mahnāz Afshār,
Mohammad Reza Golzar,
Merila Zarei,
Mohammad-Reza SharifiniaRating5%
Sur une planète imaginaire, Soumaray, le souverain fait un pacte avec le Diable : en échange de fécondité de la reine et la possibilité d’avoir une fille, il laissera le Diable choisir un mari pour sa fille. Diable fait un choix plutôt stratégique afin de garder le contrôle sur le royaume: un raté peureux nommé Oudka. Ce dernier s’en fuit et se rend sur la planète terre. Un envoyé spécial ira à sa recherche…, 1h32
Directed by Abbas KiarostamiOrigin IranGenres Drama,
War,
Documentary,
HistoricalThemes Films about films,
Documentary films about the film industry,
Documentary films about filmsActors Niki Karimi,
Taraneh Allidousti,
Golshifteh Farahani,
Mahnāz Afshār,
Juliette Binoche,
Zahra Amir EbrahimiRating66%
Cent-quatorze spectateurs, essentiellement féminins, assistent à la projection de l'adaptation cinématographique d'un classique de la littérature perse du XII siècle. Ces spectateurs s'émeuvent de l'histoire d'amour qui se déroulent sous leurs yeux : le film n'apparaît dans la mise en abyme qu'à travers sa bande son et les réactions du public. Néanmoins, le réalisateur trompe le spectateur puisque les actrices n'assistent pas réellement à une représentation filmique., 1h50
Origin IranGenres Drama,
ComedyActors Khosrow Shakibai,
Hedieh Tehrani,
Jamshid Mashayekhi,
Jamileh Sheykhi,
Niku Kheradmand,
Afarin ObeysiRating67%
The film starts with a scene of a sitting room, empty of people, at some two minutes to 7 o'clock in the morning, and ends with a scene of the same empty room at some two minutes past 7 o'clock in the morning of some weeks later; this passage of time is accurately depicted by the brightness of the natural light that is reflected on the wall of a corridor, that leads to this sitting room, in the initial and final scenes. The meticulous attention that Taghvā'i has given to the accurate representation of even the most mundane aspects of the film would at first sight seem to be at odds with the fact that with the exception of the opening and closing scenes, in all other scenes where the clock on the wall of the sitting room is in sight, its pendulum is conspicuously motionless. The opening scene depicts some moments before the family starts a very active day (the day at which the two children of the family, Shangul and Mangul, have their first school-day after the summer school-holiday) and the closing scene, the end of a protracted Friday night, during which Jahāngir and Royā have spent an intellectually and emotionally exhausting night. The motionless pendulum suggests that the events in the intervening period have taken place out of time, or only in imagination. Although the work presented by Taghvā'i certainly qualifies as a surrealist art-form, this motionless pendulum serves as a more profound tool than a means that solely hints at surrealism. Taghvā'i conveys a number of unobtrusive verbal and visual messages to his viewers. Briefly, Taghvā'i and Ms Minoo Farsh'chi, the co-author of the film script, variously refer to the theory of eternal recurrence, as revived by e.g. Friedrich Nietzsche, with a strong emphasis on the importance of having a creative mind thereby to forge room for free will in at least an imaginative world.Directed by Masoud KimiaiOrigin IranGenres Drama,
Crime,
RomanceActors Ezatollah Entezami,
Khosrow Shakibai,
Leila Hatami,
Bahram Radan,
Merila ZareiRating50%
Mohsen (Poulad Kimiai), Foroozandeh (Leila Hatami) are two former couple.They and Sahand (Bahram Radan) who is their friend go to an Engineer manager's house to rob his safe. After that they go to Reza Maroufi (Ezzatollah Entezami), an old retired gangster to take a fake passport for Foroozandeh. Mohsen and Forozandeh struggle in the way and Foroozandeh returns to Tehran. Maroufi and Sahand also come back to Maroufi's house in Tehran and They see Foroozandeh that is injured by Mohsen .....