In Utah, Nancy Breyers (Kelly Lynch) is a defense lawyer who is inexplicably in love with client Michael Bosworth (Mickey Rourke), a sociopathic convict. During a break from a courtroom hearing, Nancy sneaks a gun to Bosworth. After Bosworth snaps a guard's neck, Bosworth and Nancy slip away.
Shekhar (Arvind Swamy) is the son of an orthodox Hindu Narayana Pillai (Nassar) living in a coastal village in Tamil Nadu. A journalism student studying in Bombay, Shekhar visits home to be with his family. On one of his return trips, he notices Shaila Banu (Manisha Koirala), a Muslim schoolgirl in the village and loses his heart to her. Initially shy, Shaila seeks to distance herself from Shekhar, but after frequent run-ins, and days of pursuit, Shaila begins to like Shekhar. Eventually, they both fall in love.
Parkland weaves together the perspectives of a handful of ordinary individuals suddenly thrust into extraordinary circumstances: the young doctors and nurses at Parkland Hospital; Dallas’s chief of the Secret Service; an unwitting cameraman who captured what became the most famous home movie in history; the FBI agents who were visited by Lee Harvey Oswald before the shooting; the brother of Lee Harvey Oswald, left to deal with his shattered family; and JFK’s security team, witnesses to both the president’s death and Vice President Lyndon Johnson’s rise to power.
A hobo (Rutger Hauer) arrives by boxcar in Hope Town, its welcome sign repainted to read "Scum Town". Scum Town is ruled by a man known as "The Drake" (Brian Downey) and his sadistic, murderous sons Ivan (Nick Bateman) and Slick (Gregory Smith). Just as he arrives, the Hobo witnesses an amateur film maker (Pasha Ebrahimi) shooting a "Bumfight" movie. While pushing his shopping cart of recyclables through the streets, he sees a distressed, bloodied man wearing a manhole cover stockade screaming for assistance. Two cars approach the man revealing Ivan, Slick and The Drake. An argument ensues and it is revealed the man in the stockade is The Drake's younger and disliked brother, Logan (Robb Wells). The Drake explains to the townspeople that his brother will serve as an example of his control and carries out the public decapitation of Logan with a barbed-wire noose attached to The Drake's truck.
Cam (Taylor Lautner) is a bike messenger in New York City struggling to make ends meet. He rents from a woman, Angie, and her young son. He is accosted by thugs who warn that he has missed two payments on a $15,000 loan. After he crashes his bike when a stranger named Nikki (Marie Avgeropoulos) lands on him, he becomes intent on finding her. Intrigued by the leaps, bounds and physical prowess of parkour (or "tracing") demonstrated by her and her friends, Cam begins practicing and training. After a particularly daring stunt proves his abilities, Cam is introduced to her crew, a team that uses parkour to pull off heists.
Maurice Castle (Nicol Williamson) is a mid-level bureaucrat in MI6 whose life seems completely without peculiarity, peccadillo, or any highlighting quality to suggest he’s anything but a dull bureaucrat, except for the interesting, casually introduced detail that he has an African wife, Sarah (Iman), and son, Sam (Gary Forbes). Meanwhile, the company regime, represented by corpulent, bluffly cheery Dr. Percival (Robert Morley), who’s actually an expert in assassinations and biological toxins, and grey eminence Sir John Hargreaves (Richard Vernon), advise newly appointed security chieftain Daintry (Richard Attenborough) that, thanks to a source they have cultivated in their Moscow enemy headquarters, they believe they have a traitor at the MI6 African desk. The duo determine that the mole must be quietly killed, rather than be allowed publicity in a trial or a flight to Moscow. They determine quickly that the most likely candidate for the traitor is Arthur Davis (Derek Jacobi), Castle’s playboy office partner. Actually, Castle is the mole, but the information he leaks is entirely unimportant financial documents. He became involved in leaking to the Soviets when he was an MI6 agent in South Africa, seven years earlier: he met and fell in love with Sarah, and when their affair was discovered by the authorities, Castle was all but thrown out of the country, and he entrusted Sarah’s smuggling out of the country to a mutual communist acquaintance. Ever since, he’s been repaying the favor by filtering insignificant data to the Soviets. Castle makes one last informational drop to his communist handlers and he is summarily whisked off to Moscow for protection. However, Castle's primary problem is that he is not a communist, is not a communist sympathizer, and has absolutely no interest in politics, socialism, the Russian language, Slavic history or culture, geopolitical power plays, Moscow nor the Soviet Union. His only interest is in his wife and his son, who are left in London — where they will remain separated from him.
John Ellman (Boris Karloff) has been framed for murder by a gang of racketeers. He is unfairly tried and despite the fact that his innocence has been proven, he is sent to the electric chair and executed. Dr. Evan Beaumont (Edmund Gwenn) retrieves his dead body and revives it, as part of his experiments to reanimate a dead body and discover what happens to the soul after death.
Paula Nelson (Anna Karina) goes to Atlantic City to meet her lover, Richard Politzer, at an unknown point in the future (maybe 1969). Once there, she learns that Richard is dead and decides to investigate. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis (Yves Afonso), a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.
The story begins with the closing moments of a rather dull government lecture and slide show on agricultural policy, after which the leader of the security police of a right-wing military-dominated government (Dux) takes over the podium for an impassioned speech describing the government's program to combat leftism, using the metaphors of "a mildew of the mind", an infiltration of "isms", or "sunspots".
La Chinoise is a loose adaptation of Fyodor Dostoyevsky's 1872 novel The Possessed. In the novel, a group of five disaffected citizens, each representing a different ideological persuasion and personality type, conspire to overthrow the Russian imperial regime through a campaign of sustained revolutionary violence. The film, set in contemporary Paris and largely taking place in a small apartment, is structured as a series of personal and ideological dialogues dramatizing the interactions of five French university students — three young men and two young women — belonging to a radical Maoist group called the "Aden Arabie Cell" (named for the novel, Aden, Arabie, by Paul Nizan).
After professional thief Jack Tulliver and his crew pull off a meticulously planned armored car heist, they are ambushed in Bucharest by a group of Romanian racketeers. This rogue group, tipped off to the heist by an unknown turncoat, kills Tulliver's associate Bull and most of his crew. Tulliver escapes with a mysterious sealed case that was the most valuable part of the stolen loot. After car-jacking Sgt. Kelly Anders' car, he makes a getaway through Bucharest, but leaves Anders under the suspicion of her fellow officers. Meanwhile, Tulliver tries to save a team member who has been captured by Alexie Kutchinov, a sadistic Russian millionaire gangster in charge of the Romanian racketeers that ambushed Tulliver. Jack and Sgt. Anders are saved by Bull's brother Mikail Mercea, a Romanian mobster who shoots Alexie to avenge his brother's death. Ultimately, the content of the case is revealed, and we come to know why it is in such high demand.
Juillet 1950. Le cadavre du bandit sicilien Salvatore Giuliano est découvert dans la cour d'une maison de Castelvetrano. Un commissaire y dresse un bref constat, des journalistes recueillent quelques renseignements. Plus tard, son corps est exposé à Montelepre, sa commune natale ; la foule vient s'y recueillir, sa mère le pleure...
Sorti en 1899, c'est-à-dire seulement 5 ans après les débuts de l'affaire Dreyfus dans un contexte politique où la France est divisée en 2 camps, ce film ouvertement dreyfusard reconstitue de manière chronologique et séquentiellement les faits de l'époque. Après le jugement militaire, les images muettes montrent Dreyfus au bagne où il est attaché à son lit la nuit. Puis on voit le suicide du colonel Henry suivi du retour en France de Dreyfus par une nuit d'orage.