Set in 1960, the film depicts Mengele during his exile in South America. Having adopted a new identity, he moves into a Patagonian hotel run by German-speaking Eva and her husband Enzo, and becomes particularly interested in their daughter Lilith. Having won the family's trust, Mengele finds a reawakened interest in human genetics research.
Alex Kraken is a 15-year-old intersex person, with both male and female genitals, who has been living as a girl and using medicines to suppress masculine features, such as a beard, and to attempt to have more feminine features. However, recently Alex has stopped taking her medication.
Argentine, 1977. La dictature de la junte militaire assassine ses opposants, notamment dans les vols de la mort qui consistent à jeter des personnes dans le vide depuis un avion. Parce qu'il s'est révolté pendant une de ces "missions", Tomas Kóblic, pilote et capitaine dans l'aviation, est amené à prendre la fuite. Caché dans une petite ville du sud, il est repéré par le policier local. Commence alors pour Kóblic, qui est tombé amoureux d'une jeune femme du village, une lutte pour sa survie...
The staff and patients go about their daily business at Buenos Aires' José Borda Psychiatric Hospital on a summer day in 1985. A staff psychiatrist, Dr. Julio Denis (Lorenzo Quinteros) is surprised to hear that his ward for non-violent delusional cases has one patient too many. Denis finds him in the chapel playing the organ like a virtuoso. Summoning him (Hugo Soto) to his office, Denis finds the man's speech is measured and articulate as he explains his presence there as a result of an image being projected from light years away. He introduces himself as "Rantés" (an exotic sounding name in Argentina). Dr. Denis is convinced that Rantés is a fugitive hoping to hide from the law in the hospital. He lets the patient stay however, after seeing how his caring touch helps the other patients. The doctor is amused by his extraterrestrial claims and he suspects that the man is a genius using his talents as a charade.
Don Justo (Antonio Benedicti) hands over the running of his grocery store to his overbearing son and daughter-in-law and escapes to search for his lost dog Badface.
The film tells the story of Ariel Perelman (Daniel Hendler). While he has an easygoing lifestyle, he's trying to find his way in life in Buenos Aires, Argentina. He works at a university as a law professor. The film begins with a long narration of the way things stand in his life. He describes his father, Bernardo Perelman (Arturo Goetz), in detail. Perelman, as he's known, is a popular public defender who meets his clients where they work or in restaurants so he can determine what they are "all about." Most of his clients are generally poor. He's very close to his secretary (Adriana Aizemberg) since his wife died fifteen years ago. Work fills Perelman's days, and Ariel is astonished by his energy.
À Buenos Aires, Carlos Gutiérrez est Elvis, qu'il travaille à l'usine ou sur scène pour une agence de sosies. Carlos vit pour sa passion pour Elvis Presley, c'est même un véritable mode de vie. Mais un accident va l'obliger à assumer son rôle de père lorsque sa fille, bien évidemment nommée Lisa Marie, a besoin de lui.
Padre Nuestro tells the story of Diego, a young Mexican boy who smuggles himself to Brooklyn to meet his long-lost father, but whose identity is stolen by an impostor.
L'action se situe en Argentine, quelques mois avant la junte de 1976, alors qu'il arrive que des familles entières disparaissent de leur quartier. Claudio, avocat et notable de province, connaît une altercation avec un inconnu qu'il humilie dans un restaurant et qui vire au drame plus tard dans la soirée.
Boogie meets Marcia at a bar, the girlfriend of the mafia Boss Sonny Calabria, who asks him if he finds her attractive. Boogie points that she is fat in a very rude manner, and leaves. Some time later Calabria is sent to trial, threatened by the existence of a mysterious witness who could incriminate him. Calabria's people try to hire Boogie to kill that witness, but as he requests too much money they decide to hire Blackburn instead, a competitor killer. Angered by the situation, Boogie decides to kidnap the witness to force Calabria to pay him. The witness was Marcia, who had changed into a thin figure after Boogie's criticism, causing Calabria to leave her and get together with another fat woman, as he preferred fat women. Marcia falls in love with this seeming hero, despite his constant violence and lack of feelings, until she finds out his true plans. She tries to escape from him, but Boogie captures her back and negotiates giving her up to Calabria.
Oso (Julio Chávez) is sent to prison for a robbery and a murder. After seven years, he is released from prison, and in a flashback, the robbery is seen that led to his arrest. His daughter, Alicia (Agostina Lage), was a year old on the day of the robbery. As a consequence, Alicia never got a chance to get to know her father.
Buenos Aires, 1982. Nous sommes à la veille de la guerre des Malouines qui s'achèvera sur le fiasco militaire de l'armée argentine. La dictature des généraux est aux abois. Entre les murs du prestigieux Colegio Nacional, institution d'enseignement secondaire réservée aux enfants de l'élite locale, règne une discipline rigoureuse et cruelle. Une jeune surveillante de 23 ans, María Teresa, est chargée de contrôler sévèrement le comportement de chaque élève, y compris dans les lieux les plus intimes. Sous l'autorité de son supérieur hiérarchique, M. Biasotto, elle fait preuve d'un zèle exemplaire. Elle devient ainsi l'œil invisible de l'établissement. La stratégie de María Teresa : observer scrupuleusement et dans les moindres détails sans risquer d'être vue. Mais, à la longue, ce qui pourrait n'être qu'une règle ou un protocole se transforme en un rituel inconvenant, dans lequel s'accuse une excitation coupable et un trouble lié à une frustration sexuelle. María Teresa devient, à son tour, la victime expiatoire d'un système qu'elle a elle-même avalisé.
The movie begins with a pair of hands typing on a typewriter. The denizens of a nameless city "in the year XX" have lost their voices. People communicate by mouthing out words that are spelled mid-air. The only person who has kept the use of her voice is La Voz ("the voice"), a singer working for the sole TV channel broadcast in the city, run by Mr. TV, who desires La Voz. La Voz wears a hood over her head that hides away her face. She has a son called Tomás, an eyeless little kid who nonetheless also has a voice (although this is kept a secret). Tomás lives next door to Ana, whom he one day befriends after a letter addressed to his house is erroneously delivered to hers.
The story is set in 1974, following the death of Argentine President Juan Perón. While they live their lives, the characters argue about the country's most controversial subjects at the time: religion, politics, and human rights.