Daily life in Baghdad, in a home like many others, that of the director’s brother. The preparations waiting for the outbreak of war, the comments in front of the images on TV, stocking up on food, the difficulty of the children to go to school... After the fall of Saddam Hussein’s regime, the director returned to Baghdad and meets the people. “I came to film death, but life got the upper hand”.
The film is concerned chiefly with four topics: Chełmno, where mobile gas vans were first used by Germans to exterminate Jews; the death camps of Treblinka and Auschwitz-Birkenau; and the Warsaw Ghetto, with testimonies from survivors, witnesses, and perpetrators.
Back in his home town of Babylon after a long exile, the Iraqi-born director Abbas Fahdel asks himself: "What has become of my friends? What has life here made of them? What would life here have made of me had I not decided to follow the course of destiny elsewhere?" In his search and inquiries, his encounters with the friends of his youth, it is the situation today in Iraq that is revealed through the camera's eye: the ravages of Saddam Hussein's dictatorship, the after-effects of the Iran-Iraq war, the Gulf War and the embargo imposed by the United Nations.
The feature length documentary highlights the painter's complex creative process with rare footage of the artist at work in his studio in the Swiss mountain village of Rossinière. Conversations with Balthus and his wife Setsuko, his daughter Harumi, his sons Stanislaus and Thadée, interviews with art critics Jean Leymarie, Jean Clair, Pierre Rosenberg, and James Lord, and with French painter François Rouan (who often assisted Balthus during his tenure at the Villa Medici), contribute to form a psychological portrait of a secretive and controversial artist.
Human est un documentaire regroupant un ensemble de témoignages de personnes réparties sur l'ensemble de la planète Terre sur des situations de vie. Le réalisateur s'est appuyé sur des interviews de plus de 2 000 personnes dans 65 pays. Lors du montage, 110 interviews ont été choisies. Les thèmes abordés sont entre autres l'amour, l'agriculture, l'homosexualité ou l'immigration.
Night and Fog is a documentary that alternates between past and present and features both black-and-white and color footage. The first part of Night and Fog shows remnants of Auschwitz while the narrator Michel Bouquet describes the rise of Nazi ideology. The film continues with comparisons of the life of the Schutzstaffel to the starving prisoners in the camps. Bouquet then addresses the sadism inflicted upon the doomed inmates, including torture, scientific and medical "experiments", executions, and prostitution. The next section is shown completely in black-and-white, and depicts images of gas chambers and piles of bodies. The final topic of the film depicts the liberation of the country, the discovery of the horror of the camps, and the questioning of who was responsible for them.
À l'origine, il s'agissait d'un projet de télévisions européennes prévoyant de filmer Pink Floyd interprétant certains de ses morceaux dans l'univers minéral de Pompéi et du Vésuve. La première version sortie en salle dure 60 minutes, et on n'y voit que les scènes de Pompéi et Paris. Cette version contenait une introduction ressemblant à Echoes avec de l'air, un sifflement et un petit air de guitare joué par David Gilmour.
In September 1939, Władysław Szpilman (Adrien Brody), a Polish-Jewish pianist, is playing live on the radio in Warsaw when the station is bombed during Nazi Germany's invasion of Poland which caused the outbreak of World War II. Hoping for a quick victory, Szpilman celebrates with his posh family at home when learning that Britain and France have declared war on Germany. German troops soon enter Warsaw and the Nazi authorities implement measures to identify, isolate, financially ruin and reduce the Jewish population in Warsaw. Jews are ordered to provide their own identifying armbands with the Star of David.
At night in Paris, Driss is driving Philippe's Maserati at high speed. They are chased through the streets by the police, and eventually cornered. Driss claims the quadriplegic Philippe must be urgently driven to the emergency room; Philippe pretends to have a seizure and the fooled police officers escort them to the hospital.
Four long-sentence prisoners are determined to escape. They start digging a tunnel. While they are still at it, the prison direction puts the new convict Gaspard into their cell. They have no choice but to fill him in. At first he's enthusiastic about taking part in the getaway but all of a sudden it shows he will be released soon anyway because the main witness against him had a change in mind. Clueless as they are, Roland, Manu and Géo keep following through on their plan until it becomes evident that Gaspard has betrayed them.
En 200 000 ans d'existence, l'homme a rompu l'équilibre sur lequel la Terre vivait depuis 4 milliards d'années. Réchauffement climatique, épuisement des ressources, extinction des espèces : l'homme a mis en péril sa propre demeure. Mais il est trop tard pour être pessimiste : il reste à peine dix ans à l'humanité pour inverser la tendance, prendre conscience de son exploitation démesurée des richesses de la Terre, et changer son mode de consommation.
Du manifeste fondateur de Pierre-Joseph Proudhon en 1840 (Qu'est-ce que la propriété ?) à la chute de Barcelone en 1939, Tancrède Ramonet retrace, en images, un siècle d’histoire mondiale du mouvement anarchiste, du collectivisme libertaire à l'anarcho-syndicalisme, en passant par la propagande par le fait.