The film is set in Ottoman-ruled Egypt in the 19th century. Two noble families are fighting for a lucrative parcel of land called the Green Valley. One family, led by Lütfü (Şener Şen) after his father becomes insane after receiving a harsh blow at the head, fears that they are falling behind in the bidding after the local governor's daughter (Müjde Ar) chooses to wed someone from the rival family, so they get their butler, Şaban (Kemal Sunal), to pretend to be the general-governor Tosun Paşa and turn the tide. Şaban, acting as Tosun Paşa tries to influence the governor into giving the Green Valley to Lütfü's family and have his daughter, Leyla, marry Lütfü. However, after seeing Leyla for the first time Şaban tries to woo Leyla, and after a quarrel with Lütfü, it is agreed that Lütfü keeps the Green Valley and Şaban gets Leyla. Meanwhile, the real Tosun Paşa arrives disguised as his brother Ibrahim Paşa to find out why someone has usurped his name. When all is discovered at the wedding, there is a large and iconic fight between the rival families, guests, and locals.
Süleyman, un jeune soldat de la Brigade turque du Commandement des Nations unies en Corée, est envoyé en Corée pour participer à la guerre qui oppose les Coréens du Sud aux Coréens du Nord. Il y trouve un enfant coréen dont les parents ont été tués durant un massacre et décide d'en prendre soin. Au fil du temps, les deux se considèrent comme père et fille. Mais Süleyman doit s'en séparer et tente désespérément de la retrouver durant plusieurs années.
Ali Rıza Öğün (Şener Şen) est connu pour son caractère honnête, gagnant honnêtement sa vie comme officier commanditaire. Il est humilié par son entourage à cause de sa naïveté. Un jour, des voleurs dérobent le sac rempli d'argent d'Ali Rıza. Personne ne croit à ce qu'Ali Rıza raconte, les gens croient qu'il a dilapidé cet argent. Tout le monde veut profiter de cet argent d'Ali Rıza -argent qui n'existe pas. Tout le monde s'intéresse alors à Ali Rıza et le respecte, alors il est ennuyé par leur conduite et ne la tolére pas. Ali Rıza décide de se venger d'eux.
The film is about a used carpet salesman Arif (played by Cem Yılmaz) who is abducted by aliens from the planet G.O.R.A. There he becomes involved in thwarting a diabolical scheme being advanced by the planet's security chief Logar (also played by Cem Yılmaz) and saves the planet. The film spoofs various science fiction films such as Star Wars, The Fifth Element and The Matrix.
This film is about a small unit of 40 Turkish soldiers in a remote patrol station in eastern Turkey, in a state of near certain death, during the most violent times, in the conflict between the Turkish Army and the Kurdistan Workers' Party (PKK).
Aydın, a former actor, owns a mountaintop hotel in Cappadocia, as well as several properties which he rents out to local tenants. He leads a more idyllic life than most people around him in the region. Educated and wealthy, he spends his time writing columns for a local newspaper and researching the history of Turkish theater, of which he hopes to write a book someday.
Sinan est un jeune homme qui revient dans sa ville natale, Çanakkale, après avoir terminé ses études supérieures. Dans l'incertitude de son avenir, il est habité du désir de publier un roman qu'il a écrit.
Yol tells the story of several prisoners on furlough in Turkey. Seyit Ali (Tarık Akan) travels to his house and finds that his wife (Şerif Sezer) has betrayed him and works as a prostitute. She was caught by her family and held captive for Seyit Ali to end her life in an honor killing. Though apparently determined at first, he changes his mind when his wife starts to freeze while travelling in the snow. Despite his efforts to keep her alive, he eventually fails. His wife's death relieves Seyit Ali from family pressure and he is saved from justice since she freezes but he has an internal struggle and must return to jail.
Au dortoir 4 d'un centre de détention à Ankara, les enfants vivent et travaillent dans de terribles conditions. Les enfants préparent une révolte, espérant être transférés dans une meilleure prison. Des actes de pédophilie sont suggérés dans ce film.
The protagonist of the film is Cabbar (performed by Güney). Cabbar is directed to support his crowded kurdish family - five children, a wife, and a grandmother - with the earnings from an old phaeton with two exhausted, half-dead horses. The family tries to survive in a damp and dingy living-quarters. Cabbar does not have a good run of business. He is indebted almost to everyone. His single hope is in the lottery tickets, which he continuously buys. He has bound his hope to these pieces of paper.
Through the night, three cars carry a small group of men – police officers, a doctor, a prosecutor, grave diggers, gendarmerie forces, and two brothers, homicide suspects – around in the rural surroundings of the Anatolian town Keskin, in search of a buried body. Kenan, one of the suspects, leads them from one water fountain to another; at the time of the crime he was drunk and he cannot recall where he and his mentally challenged brother buried the body. The darkness and visual indistinctness of the landscape do not help; each spot looks the same as the others.
Le Rêve du Papillon s’inspire de la vie de deux jeunes poètes Rüstü Onur (Mert Fırat) et Muzaffer Tayyip Uslu, (Kıvanç Tatlıtuğ), qui ont vécu dans la ville minière de Zonguldak, dans les années quarante, à l'aube de la deuxième guerre mondiale. La vie de ces deux romantiques bascule à la suite de la rencontre avec la jeune lycéenne Suzan, (Belçim Bilgin), qui devient leur muse. Un film sur l’amour et la mort, les deux meilleurs prétextes de la poésie.