In a school playground, a small and lonely child, is walking by the group of popular kids of his class when someone pushes him accidentally against the biggest boy of the group, making him drop a pack of gum in the wet and dirty floor. The boys around them decide they should fight, so it’s decreed the two of them must face each other outside the school, when the noon bell rings. When the classes end, the small kid will try to escape the situation by lingering in the empty building and trying to go unnoticed. However, the ticking clock will become Figueroa’s worst enemy, while he has to face his fears and insecurities in order to confront his enemy just outside the school at high noon.
Dauna, une femme indigène vivant dans le delta de l’Orénoque.Son père a alimenté son désir de connaissance et laissé libre cours à sa nature. Mariée à Tarsicio, Dauna dont le rôle est magistralement interprété par Yordana Medrano, est une incomprise qui vit selon ses propres choix...
Magaly (Elaiza Gil) enters a television contest looking for a Marilyn Monroe lookalike for a $25,000 prize. Her husband, Arturo (Alberto Arifa), believes is the best way to get through the financial crisis they are facing. As the challenge goes by, Magaly partners with Hector (Miguel Ferrari) who believes to be the Monroe's reincarnation in a "third world transsexual man". She begins to lose her identity and follows the same downfall of the late actress.
In Caracas, one of the most dangerous cities in the world, Julio and his mother are walking through a gateway near La Planta prison. He thinks he's heard a cat but when he runs closer, he notices an abandoned baby crying in the middle of a street dump. The mother hesitates to take the child with them but takes the baby. Sixteen years later, Julio and his little brother Daniel have grown to become the best footballers of La Ceniza, their barrio (slum). While Daniel, nicknamed "El Gato" (the cat) is an innocent boy who dreams of playing in Caracas FC, one of the major teams in the Venezuelan Primera División Julio on the other hand, has become part of a gang. He becomes even more involved in gang life after he beats up his comrade after he bullies a minor drug dealer. During a game against the team from La Vega -another slum- they both impress a scout from Caracas FC, who encourages them to participate in the tryouts of their youth team. Daniel is hugely motivated; Julio instead is gradually more involved with his barrio's underworld. That night their mother is accidentally murdered by the goalie of the team and Daniel is the witness. He decides not to tell his brother because he fears his Julio might seek revenge rather than staying focused on the tryouts. In their last chance to impress the scout, the brothers win a game and Daniel runs to the goalie and beats him so badly he is killed. Chaos ensues, and the scene goes dark as the goalie's gang begins to shoot. The film moves without clear direction to the last scene, which shows Julio standing without his brother after a professional soccer game. He has tears in his eyes. He crosses himself and looks up to the sky.
The film tells the story of Ramón Antonio Brizuela, who since childhood has to deal with rampant violence and the drugs, sex and petty thievery of a Caracas slum. Starting with delinquency, Ramón moves on to serious gang activity and robberies.
The millionaire Diego Verastegui has been murdered at his house, and somebody has taken a valuable briefcase from the safe-deposit box. Dimas -Verastegui's bodyguard- comes back to the house and finds three suspects: Carlos, the millionaire's son, Anna Karina, a sweet girl, and Andres, a bohemian magician. They retell the scenes of the murder from contradictory points of view, each claiming a different version of who committed the crime.
Sofía is living the life she always wanted: a beautiful child, a successful husband and a nice house. One day, she wakes up with a series of visions she can't explain. Eventually, her family and every object that represents an emotional connection to her starts to dematerialize one by one.
La Garza is the name of the owner of the business, and, although she is the one who is really in control of the brothel and its workers, she allows her lovers to believe that they in some way are running things, including herself by giving them control over the administration of the Pez que Fuma, the money and anything else they want.