Whitney, at the time a Wall Street executive, returns to his rural hometown of Carlotta, California, and interviews his family members about his maternal stepgrandfather, Melvin E. Just. Just sexually abused 10 of Whitney's relatives, including his mother, uncle, aunts and step-aunts, some as young as 2 years old. The consequeneces have resulted in dysfunction spanning three generations of the family. Whitney reveals he was also molested by his uncle, who now lives incestuously with his half-sister. Whitney's aunts discuss their struggles with alcohol and drug addiction, and bouts of homelessness and prostitution.
Tiger Boy, c'est Matteo, un garçonnet de neuf ans, qui, armé d'une aiguille et de fil, décide de reproduire le masque de son mythe "Il Tigre", un lutteur romain de Corviale. Son masque devient une seconde peau qu'il ne veut pas enlever pour n'importe quelle raison.
Félix est un garçon de 10 ans qui vit dans une certaine harmonie avec sa mère, son grand frère et sa grande sœur dans une banlieue calme de Montréal. Son père est pourtant trop absent et une suspicion d'adultère ainsi que des disputes conjugales perturbent le jeune garçon. D'un naturel timide et doux, il n'arrive pas à comprendre comment fonctionne le monde des adultes et beaucoup de choses le terrorisent à tort ou à raison.
The film's opening explains that in 1994 a web series called Murder, which showed footage of actual deaths and acts of violence, appeared. After being active for four months, Murder was shut down by the authorities and all its content confiscated, though the host, a man simply known as Balan, evaded capture and identification. Now, years later, Balan has reemerged to show off more footage he has collected, and offer commentary on people's obsession with death, the effect it has on them, and how accessible new media has made it. The series of videos is kicked off by Balan stating, "I ask you all... Why are you watching? Are you trying to find reality? Do you feel the need to be shocked? To witness something that human eyes shouldn't see? Murder is reality. Death comes when you least expect it. With what you are about to observe, you may question your own integrity. You will ask, could this happen to me? My answer to you is... Yes it can.
The first scene of the film is a reenactment of a kidnapping. A girl is kidnapped and brought to the apartment of a criminal organization, where she is confined with other girls in a room with a creaky ceiling lit by a flickering lightbulb. The girls are naked and cry from fear as men examine them and shout commands and threats at them. One girl is dragged away into another room. The girls are then brutally abused until they become sexually submissive. These events take place in a small European town, possibly in Moldova. The film asserts that 10% of the population of Moldova has been sexually trafficked. From there, the film tracks the girls through Serbia and Croatia to Amsterdam's red-light district and markets in Berlin and Las Vegas. Among legal prostitution in cities, the slavery goes undetected. Slaves are depicted in confinement, at their places of work, and as they are sold. Many of the girls are orphans and all are either initially kidnapped or tricked into forced prostitution. The methods that the traffickers use to keep the girls include hard drugs, mind control, and both sexual and physical abuse.
Gabriel, un jeune père de famille sans problèmes apparents, se retrouve tout à coup confronté à un souvenir douloureux qu'il avait enfoui dans son subconscient. Chanteur dans une chorale dans son enfance, il avait été abusé sexuellement par un prêtre, l'abbé Vincey, qu'il retrouve sur sa route. D'abord résolu à se venger violemment, il va faire le cheminement qui le mènera à porter plainte et à témoigner au procès de cet homme d'église charismatique que la hiérarchie religieuse a jusque-là protégé.
Odette a huit ans. Elle est passionnée de danse. Mais un jour, un ami de la famille commence à abuser d'elle sexuellement, ce qui change le cours de sa vie. Comment devenir une grande danseuse et se reconstruire ?
L'histoire de Joe Paterno, le légendaire entraîneur de football américain des Nittany Lions de Penn State, qui, en 2011, est soupçonné d'avoir protégé l'ancien entraîneur-adjoint Jerry Sandusky, accusé d'attouchements sexuels et de viols sur des garçons mineurs pendant une quinzaine d'années, dans le but de protéger la réputation de l'institution au détriment des victimes.
Jim fait face à sa fille Veronica, âgée d'une vingtaine d'années, qui souhaite rester emprisonnée pour une agression sexuelle dont elle se sait innocente. Mais leur relation va se compliquer lorsque le passé va refaire surface.
Le film documentaire, dont le titre fait référence au nom de la propriété du chanteur nord-américain Michael Jackson, revient sur la relation de Wade Robson et James Safechuck avec l'artiste durant leur enfance. Les deux hommes expliquent avoir été victimes d'abus sexuels de la part du chanteur, qu’ils avaient pourtant à l'époque défendu contre de telles accusations.
15-year-old Tom (Freddie Cunliffe) is upset after his family move from London to a rural house in Devon, where he misses his friends. He lives with Dad (Ray Winstone), 18-year-old sister Jessie (Lara Belmont), and Mum (Tilda Swinton), who is in the late stages of pregnancy. Tom and Jessie are close to each other and everyone helps Mum during her pregnancy.
In Prague, Czech Republic, single mother Helena (Isabelle Blais) is seduced by a successful handsome man and travels with him to spend a weekend in Vienna, Austria. He then sells her to Human Traffickers and she is brought to New York to work as a sex slave. In Kiev, Ukraine, sixteen-year-old Nadia (Laurence Leboeuf) has recently finished school and, without her father's prior consent or knowledge, she enters a modelling competition. She is selected by the bogus model agency to travel to New York with the other selected candidates, here she is forced into a life of sexual slavery. In Manila, Philippines, twelve-year-old American tourist Annie Gray (Sarah-Jeanne Labrosse) is abducted in front of her parents in a busy street by sex traffickers. She is forced into a child brothel which primarily services sex tourists. In common, the girls become victims of a powerful international network of sex traffickers lead by the powerful Sergei Karpovich (Robert Carlyle).
On her way to school, a young girl named So-won (which literally means "wish" or "hope" in Korean) gets sexually assaulted by a drunk older male stranger. As a result, she suffers multiple internal injuries and has to undergo a major surgery, but her emotional wounds are equally difficult to heal. Their happy family shattered, her parents Dong-hoon and Mi-hee go through feelings of pain and rage. From the trauma of that day, So-won refuses to see or talk to her father, so Dong-hoon hides beneath the costume of his daughter's favorite cartoon character and becomes a "guardian angel" at her side. Thanks to the love of those around her, So-won's condition gradually improves. At the sight of So-won slowly finding stability and laughter, her family also begins to change and enters a new phase in their lives, trying to find hope in the midst of their sorrow and despair.
The film opens with images of a young lady being raped by a seemingly unknown man. Inspector Danladi Waziri (Sadiq Daba) is summoned by the British colonial military to present a draft of his findings on the series of virgin killings that has occurred in Akote. The film flashes back, as Daba narrates his story on his observations and experience from his arrival in the town of Akote; he is warmly received by Sergeant Afonja (Kayode Aderupoko). On arriving the village square, Danladi notices the villagers celebrating a horse-rider, who is later noted by Afonja to be Prince Aderopo (Demola Adedoyin). He just returned from the city, as the first university graduate in the community. Danladi observes physical and circumstantial similarities in the deceased virgins, and deduces it must be serial killing. Danladi and Afonja continues in their investigations; the officers interrogates Agbekoya (Kunle Afolayan), who is the owner of the farm where the last lady was killed. Agbekoya denies any knowledge of the events that led to the killings and is subsequently freed by the inspector Waziri due to his perceived language barrier between them.