The film is concerned chiefly with four topics: Chełmno, where mobile gas vans were first used by Germans to exterminate Jews; the death camps of Treblinka and Auschwitz-Birkenau; and the Warsaw Ghetto, with testimonies from survivors, witnesses, and perpetrators.
Part 1: Pride and Genocide deals with the carnage and its immediate aftermath. It examines the patterns of pre-planned genocidal violence (by right-wing Hindutva cadres), which many claim was state-supported, if not state-sponsored. The film reconstructs through eyewitness accounts the attack on Gulbarg and Patiya (Ahmedabad) and acts of barbaric violence against Moslem women at Eral and Delol/Kalol (Panchmahals) even as Chief Minister Modi traverses the state on his Gaurav Yatra
Night and Fog is a documentary that alternates between past and present and features both black-and-white and color footage. The first part of Night and Fog shows remnants of Auschwitz while the narrator Michel Bouquet describes the rise of Nazi ideology. The film continues with comparisons of the life of the Schutzstaffel to the starving prisoners in the camps. Bouquet then addresses the sadism inflicted upon the doomed inmates, including torture, scientific and medical "experiments", executions, and prostitution. The next section is shown completely in black-and-white, and depicts images of gas chambers and piles of bodies. The final topic of the film depicts the liberation of the country, the discovery of the horror of the camps, and the questioning of who was responsible for them.
In The Gambia, West Africa, in 1750 Kunta Kinte is born to Omoro Kinte (Thalmus Rasulala), a Mandinka warrior, and his wife, Binta (Cicely Tyson). When Kunta (LeVar Burton) reaches the age of 15, he and a group of other adolescent boys take part in tribal manhood training, ending with a ceremony, after which they become recognized as men and Mandinka warriors. While trying to carry out a task to catch a bird and take it home unharmed, Kunta sees white men carrying firearms, along with their black collaborators. Later, while fetching wood outside his village to make a drum for his younger brother, Kunta is captured by black collaborators under the direction of white men. He is then sold to a slave trader and placed aboard a ship under the command of Capt. Thomas Davies (Edward Asner) for a three-month journey to Colonial America. During the voyage a group of rebels among the human cargo try but fail to stage a mutiny and to take over the ship.
Danny Vinyard (Edward Furlong), a high school student and budding neo-Nazi in Venice Beach, California, receives an assignment from Mr. Murray (Elliott Gould), his history teacher, to write a paper on "any book which relates to the struggle for human rights". Knowing Murray is Jewish, Danny writes his paper on Adolf Hitler's Mein Kampf. Murray attempts to get Danny expelled for doing this, but Principal Dr. Bob Sweeney (Avery Brooks) — who is black — refuses, instead informing Danny that he will study history and current events under Sweeney, and that the class will be called "American History X". Danny's first assignment is to prepare a paper on his brother Derek (Edward Norton), a former neo-Nazi leader who has just been released from prison after serving three years for voluntary manslaughter. Danny is warned that failing to submit the paper the next morning will result in his expulsion. The rest of the film alternates between a series of vignettes from Danny and Derek's shared past (distinguished by being shown in black and white), and present day events (shown in color).
The film's young protagonists, Jean Louise "Scout" Finch (Mary Badham) and her brother Jeremy Atticus "Jem" Finch (Phillip Alford), live in the fictional town of Maycomb, Alabama, during the 1930s. The story covers three years, during which Scout and Jem undergo changes in their lives. They begin as innocent children, who spend their days happily playing games with each other and spying on Arthur "Boo" Radley (Robert Duvall), who has not been seen for many years by anybody as a result of never leaving his house and about whom many rumors circulate. Their widowed father, Atticus (Gregory Peck), is a town lawyer and has a strong belief that all people are to be treated fairly, to turn the other cheek, and to stand for what you believe. He also allows his children to call him by his first name. Early in the film, the children see their father accept hickory nuts, and other produce, from Mr. Cunningham (Crahan Denton) for legal work because the client has no money. Through their father's work as a lawyer, Scout and Jem begin to learn of the racism and evil in their town, aggravated by poverty; they mature quickly as they are exposed to it.
A middle-aged Indonesian man, whose brother was brutally murdered in the 1965 purge of "communists," confronts the men who carried out the killings. Out of concern for his safety, the man is not fully identified in the film and is credited only as "anonymous," as are many of the film's crew positions. Some shots consist of the man watching (what seems to be) extra footage from The Act of Killing, which includes video of the men who killed his brother. He visits some of the killers and their collaborators—including his uncle—under the pretense of an eye exam. Although none of the killers express any remorse, the daughter of one of them is clearly shaken when she hears, apparently for the first time, the details of the killings.
William Peters follows Jane Elliott's conversely controversial and lauded schoolroom exercise of dividing an otherwise homogenous group of elementary school kids by their eye color. It was a demonstration of prejudice and discrimination meant to teach the students about the unfairness of racism, developed as a response to the shooting of Martin Luther King in April 1968. The film records Elliott in 1970 while conducting the exercise for the third time.
L'histoire se déroule aux États-Unis en 1962. Frank Vallelonga, surnommé "Tony Lip", un videur italo-américain de New York, cherche un emploi après la fermeture de la Copacabana, la boîte de nuit où il travaillait, pour rénovations. Il est invité pour une entrevue par le docteur Don Shirley, un excentrique pianiste noir d'origine jamaïcaine, qui cherche un chauffeur pour une tournée de huit semaines à travers le Midwest et le Sud profond. Don engage Tony grâce à ses références. Ils partent et prévoient de revenir à New York pour le Réveillon de Noël. Le label de Don donne à Tony une copie du Green Book, un guide pour les voyageurs afro-américains indiquant des motels, des restaurants et des stations-service qui autorisent la visite de personnes de couleur.
Motherland is an epic documentary about the African continent from Ancient Egypt to the present. It is an overview of African history and contemporary issues but with the African people at the centre of the story. It is one of the first Pan-African features to be made.
Part 1
On the eve of the American Civil War in 1861, Scarlett O'Hara lives at Tara, her family's cotton plantation in Georgia, with her parents and two sisters. Scarlett learns that Ashley Wilkes—whom she secretly loves—is to be married to his cousin, Melanie Hamilton, and the engagement is to be announced the next day at a barbecue at Ashley's home, the nearby plantation Twelve Oaks.