Connection
Films with theme "L'usurpation d'identité", sorted by rating
Add to a movie list
Gentlemen of Fortune (1971)
, 1h24Origin Russie
Genres Drama, Comedy, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Evgueni Leonov, Georgy Vitsin, Savely Kramarov, Radner Mouratov, Nikolay Olyalin, Erast Garine
The movie follows the story of an amiable kindergarten director named Troshkin who looks exactly like a cruel criminal nicknamed Docent (Доцент, literally associate professor) that has stolen Alexander the Great's helmet at an archaeological excavation. Docent and his gang are caught by police, but Docent is imprisoned in a different jail than his mates. Since Troshkin looks identical to Docent, the police send him undercover to prison with the real criminals to get information about the stolen helmet. He must pretend to be the real felon Docent, so in order to be convincing, Troshkin, a well-educated and good-natured man, has to learn slang and manners of criminals.
, 1h33Directed by Leonid Gaïdaï
Origin Russie
Genres Science fiction, Comedy, Comic science fiction
Themes Théâtre, L'usurpation d'identité, Time travel films, Comedy science fiction films, Films based on plays, Escroquerie
Actors Yury Yakovlev, Leonid Kouravliov, Alexandre Demianenko, Natalya Seleznyova, Vladimir Etouch, Natalia Kratchkovskaïa
The story begins in 1973 Moscow, where Engineer Aleksandr (Shurik) Timofeev (Aleksandr Demyanenko) is working on a time machine in his apartment. By accident, he sends Ivan Vasilevich Bunsha (Yuri Yakovlev), superintendent of his apartment building, and George Miloslavsky (Leonid Kuravlev), a small-time burglar, back into the time of Ivan IV "The Terrible". The pair is forced to disguise themselves, with Bunsha dressing up as Ivan IV and Miloslavsky as a knyaz of the same name. At the same time, the real Ivan IV (also played by Yuri Yakovlev) is sent by the same machine into Shurik's apartment, he has to deal with modern-day life while Shurik tries to fix the machine so that everyone can be brought back to their proper place in time. Superintendent Bunsha and Tzar Ivan IV the Terrible are lookalikes but have completely different personalities, which results in funny situations of mistaken identity. As the police (tipped off by a neighbor who was burgled by Miloslavsky) close in on Shurik, who is frantically trying to repair the machine, the cover of Bunsha and Miloslavsky is blown and they have to fight off the Streltsy, who have figured out that Bunsha is an impostor. The movie ends with Bunsha, Miloslavsky, and Ivan IV all transported back to their proper places, although the entire episode is revealed to be a dream by Shurik.
Close-Up (1990)
, 1h34Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Mohsen Makhmalbaf, Abbas Kiarostami, Abolfazl Ahankhah
Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.
Catch Me If You Can (2002)
, 2h21Directed by Steven Spielberg
Origin USA
Genres Drama, Comedy, Comedy-drama, Crime
Themes La provence, Transport films, L'usurpation d'identité, Films about automobiles, Road movies, Heist films, Chase films, Gangster films, Escroquerie
Actors Leonardo DiCaprio, Tom Hanks, Christopher Walken, Amy Adams, Martin Sheen, Nathalie Baye
In 1963, teen-aged Frank Abagnale (Leonardo DiCaprio) lives in New Rochelle, New York with his father Frank Abagnale, Sr. (Christopher Walken), and French mother Paula (Nathalie Baye). When Frank Sr. is denied a business loan at Chase Manhattan Bank due to unknown difficulties with the IRS, the family is forced to move from their large home to a small apartment. Paula carries on an affair with Jack (James Brolin), a friend of her husband. Meanwhile, Frank poses as a substitute teacher in his French class. Frank’s parents file for divorce, and Frank runs away. When he runs out of money, he begins relying on confidence scams to get by. Soon, Frank’s cons increase and he even impersonates an airline pilot. He forges Pan Am payroll checks and succeeds in stealing over $2.
The Elder Son (1975)
, 2h12Directed by Vitali Melnikov
Origin Russie
Genres Drama, Comedy-drama
Themes L'usurpation d'identité, Escroquerie
Actors Evgueni Leonov, Nikolai Karachentsov, Mikhaïl Boïarski, Svetlana Krutchkova
Gattaca (1997)
, 1h46Directed by Andrew Niccol
Origin USA
Genres Science fiction, Thriller, Social science fiction, Crime, Romance
Themes Films about computing, L'usurpation d'identité, Films set in the future, Films about disabilities, Political films, Cyberpunk films, Dystopian films, Escroquerie
Actors Ethan Hawke, Uma Thurman, Jude Law, Alan Arkin, Loren Dean, Gore Vidal
In "the not-too-distant future", eugenics is common. A genetic registry database uses biometrics to classify those so created as "valids" while those conceived by traditional means and more susceptible to genetic disorders are known as "in-valids". Genetic discrimination is illegal, but in practice genotype profiling is used to identify valids to qualify for professional employment while in-valids are relegated to menial jobs.
Purple Noon (1960)
, 1h52Directed by René Clément
Origin France
Genres Drama, Thriller, Crime
Themes Medical-themed films, Seafaring films, Transport films, L'usurpation d'identité, Films about psychiatry, Escroquerie
Actors Alain Delon, Maurice Ronet, Marie Laforêt, Erno Crisa, Elvire Popesco, Frank Latimore
The American Tom Ripley (Delon) has been sent to Italy to persuade his wealthy friend, Philippe Greenleaf (Maurice Ronet), to return to the United States and take over his father's business. Philippe intends to do no such thing and the impoverished Tom enjoys living a life of luxury, so the two men essentially spend money all day and carouse all night. Tom is fixated on Philippe and his girlfriend Marge (Marie Laforêt) and covets the other man's life. Philippe eventually grows bored with his friend's fawning and becomes cruel and abusive to him. The final straw is when, during a yachting trip, Philippe strands Tom in the dinghy and leaves him to lie in the sun for hours.
The Prisoner of Zenda (1937)
, 1h41Directed by John Cromwell, W. S. Van Dyke
Origin USA
Genres Drama, Swashbuckler, Adventure, Romance
Themes Monde imaginaire, Politique, L'usurpation d'identité, Political films, Escroquerie, Films about royalty
Actors Ronald Colman, Madeleine Carroll, Douglas Fairbanks, Jr., C. Aubrey Smith, Raymond Massey, Mary Astor
English gentleman Rudolf Rassendyll (Ronald Colman) takes a fishing vacation in a small middle European country (unnamed in the film; Ruritania in the novel). While there, he is puzzled by the odd reactions of the natives to him. Rassendyll discovers why when he meets Colonel Zapt (C. Aubrey Smith) and Captain Fritz von Tarlenheim (David Niven). Zapt introduces him to the soon-to-be-crowned king, Rudolf V (Colman again), who turns out to be not only his distant relative, but also in facial features close enough to be his double. Rudolf is astounded and takes a great liking to the Englishman.
The Passenger (1975)
, 2h6Directed by Michelangelo Antonioni
Origin USA
Genres Drama, Thriller, Comedy, Action, Romance
Themes Films set in Africa, Films about writers, Films about journalists, Transport films, L'usurpation d'identité, Road movies, Escroquerie
Actors Jack Nicholson, Maria Schneider, Steven Berkoff, Ian Hendry, Jenny Runacre, José María Caffarel
David Locke (Jack Nicholson) is a television journalist making a documentary film on post-colonial Africa. To finish the film, he is in the Sahara desert seeking to meet with and interview rebel fighters involved in Chad's civil war. Struggling to find rebels to interview, he is frustrated when his Land Rover gets hopelessly stuck on a sand dune. After a long walk through the desert back to his hotel, a thoroughly glum Locke learns that an Englishman, Robertson (Charles Mulvehill), who has also been staying there and with whom he had struck up a friendship, has died overnight at the hotel.
Mr. Klein (1976)
, 2h3Directed by Joseph Losey
Origin France
Genres Drama, War, Thriller, Historical, Crime
Themes Films about religion, L'usurpation d'identité, Political films, Films about Jews and Judaism, Escroquerie, Histoire de France, L'Occupation allemande en France, La condition juive en France sous l'Occupation allemande
Actors Alain Delon, Michael Lonsdale, Jeanne Moreau, Juliet Berto, Francine Bergé, Jean Bouise
Paris, January 1942. France is occupied by the Nazis. Robert Klein, apparently apolitical, is a well-to-do art dealer, Roman Catholic and Alsatian by birth, who takes advantage of French Jews who need to sell artworks to raise cash to leave the country. One day, the local Jewish newspaper, addressed to him, is delivered to his home. He learns that another Robert Klein who has been living in Paris, a Jew sought by the police, has had his mail forwarded to him in an apparent attempt to destroy his social reputation and make him a target of official anti-Semitism. He reports this to the police who remain suspicious that he may be reporting this scheme to disguise his own true identity. His own investigations lead him in contradictory directions, to Klein who lives in a slum while having an affair with his concierge and to Klein who visits a palatial country estate where he has seduced an apparently Jewish married woman. When the art dealer cannot locate the other Klein, authorities require him to offer proof of his French heritage. While waiting for the documentation to arrive, he struggles to track down his namesake and learn his motivation. Before he can resolve the situation by either means, he is caught up in the July 1942 roundup of Parisian Jews. He is reunited with Jews who once were his clients as they board boxcars for Germany.
Bad Education (2004)
, 1h45Directed by Pedro Almodóvar
Origin Espagne
Genres Drama, Thriller, Crime, Romance
Themes Films about films, Films about writers, Films about children, Films about religion, Films about sexuality, Films about television, L'usurpation d'identité, LGBT-related films, Films about pedophilia, Transgender in film, Escroquerie, LGBT-related films, LGBT-related films about religion, LGBT-related film
Actors Gael García Bernal, Fele Martínez, Daniel Giménez Cacho, Javier Cámara, Lluís Homar, Leonor Watling
In Madrid in 1980, Enrique Goded, a young film director, is looking for his next project when he receives the unexpected visit of an actor looking for work. The actor claims to be Enrique's boarding school friend and first love, Ignacio Rodriguez. Ignacio, who is using now the name Ángel Andrade, has brought with him a short story titled "The Visit" hoping that Enrique would be interested in making a film out of it giving him the starring role. Enrique is intrigued since "The Visit" described their time together at the Catholic school and it also includes a fictionalized account of their reunion many years later as adults.
Tootsie (1982)
, 1h57Directed by Sydney Pollack
Origin USA
Genres Drama, Comedy, Romantic comedy, Melodrama, Romance
Themes Films about sexuality, Films about television, L'usurpation d'identité, LGBT-related films, Transgender in film, Musical films, Escroquerie, LGBT-related films, LGBT-related film, Cross-dressing in film
Actors Dustin Hoffman, Jessica Lange, Teri Garr, Charles Durning, Bill Murray, Dabney Coleman
Michael Dorsey (Dustin Hoffman) is a respected but perfectionist actor. Nobody in New York wants to hire him anymore because he is difficult to work with. According to his long-suffering agent George Fields (Sydney Pollack), Michael's attention to detail and difficult reputation led a commercial he worked on to run significantly over-schedule, because the idea of a tomato sitting down was "illogical" to him. After many months without a job, Michael hears of an opening on the soap opera Southwest General from his friend and acting student Sandy Lester (Teri Garr), who tries out for the role of a hospital administrator Emily Kimberly but does not get it. In desperation, and as a result of his agent telling him that "no one will hire you", he dresses as a woman, auditions as "Dorothy Michaels" and wins the part. Michael takes the job as a way to raise $8,000 to produce a play, written by his roommate Jeff Slater (Bill Murray) and to star Sandy, titled Return to Love Canal. Michael plays his character as a feisty, feminist administrator, which surprises the other actors and crew who expected Emily to be (as written) another swooning female in the plot. His character quickly becomes a television sensation.
The Talented Mr. Ripley (1999)
, 2h18Directed by Anthony Minghella
Origin USA
Genres Drama, Thriller, Adventure, Crime
Themes Medical-themed films, Films about sexuality, L'usurpation d'identité, LGBT-related films, Films about psychiatry, Escroquerie, LGBT-related films, LGBT-related film
Actors Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett, Philip Seymour Hoffman, Jack Davenport
Tom Ripley is a young man struggling to make a living in 1950s New York City using his "talents"—forgery, lying and impersonation. While playing piano at a cocktail party in New York City, he is approached by wealthy shipbuilder Herbert Greenleaf, who mistakenly believes that Ripley went to Princeton with his son, Dickie, because Ripley is wearing a borrowed Princeton blazer. Greenleaf recruits Ripley to travel to Italy and persuade Dickie to return to the United States, for which he will pay Ripley $1,000 (equivalent to $8 804 in 2015). Ripley accepts the proposal, even though he did not attend Princeton and has never met Dickie.
Tomboy (2011)
, 1h24Directed by Céline Sciamma
Origin France
Genres Drama, Comedy-drama
Themes L'adolescence, Films about children, Feminist films, Politique, Films about sexuality, L'usurpation d'identité, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Transgender in film, Political films, Teen LGBT-related films, Escroquerie, LGBT-related films, LGBT-related film, Lesbian-related films
Actors Mathieu Demy, Malonn Lévana, Sophie Cattani
Laure is a 10-year-old child whose family moves to a new address in Paris. One day Laure sees a group of boys playing outside the window and goes to play with them, but they disappear quickly. Instead, Laure meets Lisa, a neighborhood girl, and Laure introduces himself as Mikäel. Lisa then introduces Mikäel to the rest of the neighborhood children stating that "he" is the new kid in the apartment complex. A bath scene in the film reveals that Mikäel has a vagina, and a following scene confirms that Mikäel was assigned female at birth as his mom addresses him and his sister as "girls." Mikäel becomes friends with Lisa and the boys and tries to hide his genitalia to appear like a boy (make it seem that he has a penis). At one point this leads Mikäel to pee his pants, which originally makes him embarrassed, but is soon forgotten. As they all play, Lisa and Mikäel develop crushes on each other and after swimming one day, Lisa kisses him. At this point, Mikäel also seems to be accepted into the group of boys.
No Man of Her Own (1950)
, 1h38Directed by Mitchell Leisen
Origin USA
Genres Drama, Thriller, Noir, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Barbara Stanwyck, John Lund, Phyllis Thaxter, Lyle Bettger, Jane Cowl, Henry O'Neill
Helen Ferguson (Barbara Stanwyck) is eight months pregnant and unmarried. When she goes to her unfaithful boyfriend Morley for help, all he gives her is a train ticket back to where she came from.