In 1890 Paris, as crowds pour into the Moulin Rouge nightclub, young artist Henri de Toulouse-Lautrec finishes a bottle of cognac and sketches the dancers as they perform. The nightclub's regulars each stop by: singer Jane Avril teases Henri charmingly, dancers La Goulue and Aicha fight, and owner Maurice Joyant offers Henri free drinks for a month in exchange for painting a promotional poster. At closing time, Henri waits for the crowds to disperse before standing to reveal his four-foot six-inch body. As he walks to his Montmartre apartment, he recalls the events that led to his disfigurement. It is learned Lautrec falls down a flight of stairs, where his legs fail to heal due to a genetic weakness resulting from his parents being first cousins. His legs stunted and pained, Henri loses himself in his art, while his father leaves his mother, the countess, to ensure they have no more children. Henri is a bright, happy child, revered by his father, the Count de Toulouse-Lautrec. As a young adult he proposes to the woman he loves, but when she tells him no woman will ever love him, he leaves his childhood home in despair to begin a new life as a painter in Paris.
En 1939, à Dresde, un jeune garçon, Kurt Barnert, découvre avec sa tante une exposition de tableaux « dégénérés ». Sa tante, prétendument atteinte de schizophrénie, sera internée puis assassinée par les nazis. Kurt, voulant devenir peintre, apprend le réalisme socialiste en République démocratique allemande, avant de passer en République fédérale d'Allemagne.
When a naïve young Dorian Gray arrives in late Victorian London, by train, to inherit an estate left to him by his abusive grandfather, he is swept into a social whirlwind by the charismatic Lord Henry Wotton, who introduces Gray to the hedonistic pleasures of the city. Lord Henry's friend, society artist Basil Hallward, paints a portrait of Gray to capture the full power of his youthful beauty. When the portrait is unveiled, Gray makes a flippant pledge: he would give anything to stay as he is in the picture—even his soul.
Michelangelo Buonarroti, a sculptor from Florence, is first commissioned to craft the Pope's tomb in Rome. Instead, Pope Julius II orders him to paint frescoes on the Sistine Chapel ceiling depicting the Twelve Apostles. After his first attempt at painting the Apostles, he destroys his work and flees to Carrara to quarry Carrara marble. He evades the pope's guard and flees into the mountains, where he becomes inspired.
When newlywed Madeleine (Embeth Davidtz), an art dealer, travels from Chicago to North Carolina to pursue a local, self-taught painter (Frank Hoyt Taylor) for her outsider art gallery, she takes the opportunity to meet the family of her husband George (Alessandro Nivola) who live close by.
Starting from childhood attempts at illustration, young Jerome pursues his true obsession to art school. Jerome enrolls in Strathmore, an urban college. His roommates are aspiring filmmaker Vince and closeted-gay fashion major Matthew. Jerome looks for love amongst the coeds, but is turned off by them all, before falling in love with the art model, Audrey. In his art classes, he forms a friendship with perennial loser, Bardo, who guides him through the college scene and introduces him to a failed artist, Jimmy, a belligerent drunk.
The film, starring Emma Thompson in the title role, focuses on her unusual relationship with the author Lytton Strachey, played by Jonathan Pryce, as well as with other members of the Bloomsbury Group.
Jean-Michel Basquiat, né à Brooklyn (États-Unis), va devenir le pionnier de la figuration libre et premier artiste de type africain à connaitre une réussite exceptionnelle dans le monde de l'Art Contemporain occidental.
Dorian Gray (Hurd Hatfield) is a handsome, wealthy young man living in 19th century London. While generally intelligent, he is naive and easily manipulated. These faults lead to his spiral into sin and, ultimately, misery.
Christopher "Chris" Cross (Edward G. Robinson), a meek amateur painter and cashier for clothing retailer, J.J. Hogarth & Company, is fêted by his employer, honoring him for twenty-five years of dull, repetitive service. Hogarth presents him with a watch and kind words, then leaves getting into a car with a beautiful young blonde. Walking home through Greenwich Village, Chris muses to an associate, "I wonder what it's like to be loved by a young girl." He helps Kitty (Joan Bennett), an amoral fast-talking femme fatale, apparently being attacked by a man, stunning the assailant with his umbrella. Chris is unaware that the attacker was Johnny (Dan Duryea), Kitty's brutish boyfriend, and sees her safely to her apartment building. Out of gratitude and bemusement, she accepts his offer for a cup of coffee at a nearby bar. From Chris's comments about art, Kitty believes him to be a wealthy painter.
Vincent van Gogh's obsessive devotion to his art engulfs, consumes, and finally destroys him. The apostate religious leaders do not like his zeal for God and they frown on his social activism and care for the poor in a coal mining town. He returns home to his father's house where he is rejected by a woman he obsessively loves, takes up with a prostitute who leaves because he is too poor, and discovers painting, which he pursues while agonizing that his vision exceeds his ability to execute. His brother, Theo van Gogh, provides financial and moral support, while Vincent lives off and on with the critical Paul Gauguin. Vincent begins experiencing hallucinations and seizures and voluntarily commits himself to a mental institution. He signs himself out, and with Theo's help, returns to a rural area to paint, where he ultimately shoots himself in despair of never being able to put what he sees on canvas.
The film tells the forgotten story of Andrée Heuschling, also known as Catherine Hessling, who was the last model of impressionist painter Pierre-Auguste Renoir and the first actress in the films of his son, the film director Jean Renoir. Andree was the link between two famous and widely acclaimed artists, a father and son. While the father is at the end his brilliant career, the son is still searching for himself, his great career as one of the most celebrated movie directors having not yet begun. The film is set in the south of France during World War I and stars Michel Bouquet, Christa Theret, Thomas Doret and Vincent Rottiers.
Mr. Neville (Anthony Higgins), a young and arrogant artist and something of a Byronic hero, is contracted to produce a series of 12 landscape drawings of an estate, by Mrs. Virginia Herbert (Janet Suzman) for her absent and estranged husband. Part of the contract is that Mrs. Herbert agrees "to meet Mr. Neville in private and to comply with his requests concerning his pleasure with me." Several sexual encounters between them follow, each of them acted in such a way as to emphasise reluctance or distress on the part of Mrs Herbert and sexual aggression or insensitivity on the part of Mr Neville. Whilst living on the estate, Mr. Neville gains quite a reputation with its dwellers, especially with Mrs. Herbert's son-in-law, Mr.