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Aileen Marson is a Actor born on 13 september 1912 at Alexandria (Egypte)

Aileen Marson

Aileen Marson
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Birth 13 september 1912 at Alexandria (Egypte)
Death 4 may 1939 (at 26 years) at London (United-kingdom)

Aileen Marson (1912–1939) was a British film actress. During the 1930s Marson appeared in a number of British films in leading roles.

Usually with

Herbert Brenon
Herbert Brenon
(3 films)
Marjorie Deans
Marjorie Deans
(3 films)
Walter C. Mycroft
Walter C. Mycroft
(3 films)
Wylie Watson
Wylie Watson
(2 films)
Maurice Elvey
Maurice Elvey
(2 films)
Source : Wikidata

Filmography of Aileen Marson (12 films)

Display filmography as list

Actress

Allan Quatermain and the Lost City of Gold
Allan Quatermain and the Lost City of Gold (1986)
, 1h36
Directed by Gary Nelson
Origin USA
Genres Drama, Comedy, Fantasy, Action, Adventure
Themes Films set in Africa, Monde imaginaire
Actors Richard Chamberlain, Sharon Stone, James Earl Jones, Henry Silva, Robert Donner, Larbi Doghmi
Rating45% 2.2547752.2547752.2547752.2547752.254775
After surviving their expedition to King Solomon's Mines, Allan and Jesse have settled down in colonial Africa. They are engaged to be married and Jesse plans that they will travel to America for the wedding. But Allan is restless.
The Green Cockatoo
The Green Cockatoo (1937)
, 1h5
Directed by William Cameron Menzies
Origin United-kingdom
Genres Drama, Crime
Actors John Mills, Rene Ray, Bruce Seton, Robert Newton, Allan Jeayes, Tyrell Davis
Rating58% 2.9080052.9080052.9080052.9080052.908005
An innocent young girl travels to London from her home in Devon and gets mixed up with various unsavoury characters.
My Song for You
My Song for You (1934)
, 1h25
Directed by Maurice Elvey
Origin United-kingdom
Genres Comedy, Musical, Romance
Themes Musical films
Actors Jan Kiepura, Aileen Marson, Sonnie Hale, Emlyn Williams, Gina Malo, George Merritt
Roles Mary Newberg
Rating56% 2.8142952.8142952.8142952.8142952.814295
Arriving in Venice for a production of "Aida", young tenor Ricardo Gatti meets the attractive Mary, who has sneaked into the opera house in an attempt to get her fiance hired as a pianist. Ricardo invites Mary to tea and she tells her story, describing her fiance as her "brother". Captivated by her, the tenor uses his influence to obtain the job with the orchestra. However, filled with guilt at her deception, Mary breaks off her engagement and consents instead to marry her parents' choice, a wealthy society man. But just before the wedding, she changes her mind and marries Ricardo instead.