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David Petrarca is a Director American born on 10 november 1965 at Warwick (USA)

David Petrarca

David Petrarca
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Nationality USA
Birth 10 november 1965 (58 years) at Warwick (USA)

David Petrarca (born November 10, 1965 in Warwick, Rhode Island) is an American director and producer of theatre, television and film.

He was director at the Goodman Theatre in Chicago from 1988 until 2005. Recent work as a director includes HBO's Boardwalk Empire, Game of Thrones, Big Love, Hung, and True Blood. He worked as an executive producer on the ABC series Eli Stone and the Lifetime series Drop Dead Diva.

He was the recipient of a TCG/NEA Director Fellowship and has served as associate artistic director for the Cincinnati Playhouse in the Park and the Chelsea Theatre Centre in New York City, and on the NEA Theatre Panel.

He has taught for University of North Carolina School of the Arts, the O'Neill Center and Northwestern University and has developed new work for New York Stage and Film and the Bread Loaf Writers' Conference.

In 1996, Petrarca was chosen by the Chicago Tribune as a "Chicagoan of the Year".

In 2006, he completed filming Save the Last Dance 2 for Paramount Pictures. As of mid-2009, he was working on the screenplay of Wendy MacLeod's Schoolgirl Figure, and a film adaptation of David Lindsay-Abaire's Fuddy Meers to be shot in the summer of 2012.

Usually with

Evan Williams
Evan Williams
(1 films)
Aubrey Dollar
Aubrey Dollar
(1 films)
Ray J
Ray J
(1 films)
Source : Wikidata

Filmography of David Petrarca (1 films)

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Director

Save the Last Dance 2, 1h27
Directed by David Petrarca
Origin USA
Genres Drama, Musical theatre, Musical, Romance
Themes Dance films, Films about music and musicians, Hip hop films, Musical films
Actors Izabella Miko, Columbus Short, Jacqueline Bisset, Aubrey Dollar, Ray J, Ne-Yo
Rating53% 2.655172.655172.655172.655172.65517
The film continues the story of Sara Johnson (originally played by Julia Stiles and now portrayed by Izabella Miko). She recalls how she was born to be a dancer. Her mother would often comment that she knew how to pirouette before she could properly walk. From her earliest memories Sara always wanted to be a ballerina, a graceful dancer who could glide across the stage. It seemed that there was something that caused conflict in Sara’s ambition. She also loves the urban dance form of hip-hop. While ballet is highly structured, full of rules and standards, hip-hop gives Sara a chance to just let go and follow the beat. Sara wants the best of both worlds but the conflict between structure and independence affects her performance in both formats.