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Tintin Anderzon is a Actor Suédois born on 29 april 1964

Tintin Anderzon

Tintin Anderzon
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Birth name Anna Catharina Tintin Anderzon
Nationality Suede
Birth 29 april 1964 (59 years)

Tintin Anderzon, née le 16 avril 1964 à Järfälla dans le comté de Stockholm en Suède, est une actrice et réalisatrice suédoise.

Biography

Elle naît en 1964 à Järfälla dans le comté de Stockholm. Elle est la fille de l'actrice Kim Anderzon . Enfant, elle suit sa mère au théâtre Pistol à Stockholm et commence une carrière d'actrice au théâtre puis au cinéma et à la télévision à la fin des années 1970.

Dans les années 1980 et 1990, elle obtient principalement des rôles secondaires en Suède. Elle prend notamment part au premier film de Tuija-Maija Niskanen et à la comédie policière Mannen som blev miljonär de Mats Arehn réalisé d'après le roman Maskerat brott de l'écrivain Olle Högstrand.

Elle remporte le Guldbagge Award de la meilleure actrice dans un second rôle en 1998 pour le film Adam & Eva d'Hannes Holm et Måns Herngren .

Dans les années 2000, elle poursuit sa carrière au cinéma et apparaît dans plusieurs séries télévisées suédoises.

En 2011, elle est à l'affiche du film d'horreur Marianne, première réalisation de Filip Tegstedt .

En 2012, elle apparaît dans un épisode de la série télévisée Les Enquêtes d'Érica (Fjällbackamorden), série qui s'inspire des romans de l'écrivaine suédoise Camilla Läckberg.

En 2017, elle réalise un documentaire consacré à sa mère en collaboration avec son demi-frère Fredrik Egerstrand .

Usually with

Source : Wikidata

Filmography of Tintin Anderzon (8 films)

Display filmography as list

Actor

Marianne
Marianne (2011)

Directed by Filip Tegstedt
Genres Drama, Thriller, Fantasy, Horror
Actors Peter Stormare, Tintin Anderzon
Roles Eva
Rating47% 2.3692.3692.3692.3692.369
The film is set in the town of Östersund, in the Jämtland region to the north of Sweden, and focuses on the mental state of Krister, a man who is left to raise a newborn baby whilst coping with a teenage daughter who blames him for the recent death of his wife. In the midst of his psychological turmoil, Krister suffers from terrible nightmares and becomes convinced that his troubles may be the work of a Mare that is haunting him.
Sektor 236
Sektor 236 (2010)
, 1h30
Genres Science fiction, Horror
Actors Fredrik Dolk, Tintin Anderzon
Roles Karin Westin
Rating31% 1.5876751.5876751.5876751.5876751.587675
A platoon of Swedish Mountain Rangers goes missing in the remote military sector 236 - nicknamed since the Viking age Thor's Wrath. The Swedish government sends captain Palmquist and a special force to investigate. Joining them is the American agent and scientist Johnson. Meanwhile a group of teenagers goes to hike in the area. Their phones suddenly lose reception and the compass stops working. Soon, they are killed off one by one by an unseen force. At the headquarters, the Swedish Colonel Stag realises that the American has lied about what he believes to hide in sector 236. He sets out to save his soldiers from walking into a bloodbath.
Dragonflies, 1h51
Directed by Marius Holst
Genres Drama, Thriller, Romance
Actors Kim Bodnia, Mikael Persbrandt, Maria Bonnevie, Shanti Roney, Tintin Anderzon, Anastasios Soulis
Roles Kvinne i leilighet
Rating57% 2.8910052.8910052.8910052.8910052.891005
A couple moves out on the country to try to leave their past behind, but the past catches up with them.
Adam & Eva
Adam & Eva (1997)
, 1h39
Directed by Hannes Holm
Genres Drama, Comedy, Romance
Actors Björn Kjellman, Tintin Anderzon, Reine Brynolfsson, Tomas von Brömssen, Martina Haag, Felix Herngren
Roles Tove
Rating60% 3.0464353.0464353.0464353.0464353.046435
A church is burning. Firefighters rescues several people from the fire. But left in the Church is Eva (Josefin Nilsson), a blonde girl dressed as the Saint Lucia. One of the firefighters, Adam (Björn Kjellman), returns to the church to save her. They unite in a kiss and the ending credits starts rolling. After the credits are done you hear Adam ask, "Is it over now?". Four years later, Adam is sitting at the breakfast table thinking that the relationship is routine. Everything is predictable. Eva wants a baby and buy a house but Adam is not willing to take responsibility. He is afraid of being a regular Joe as his brother Sven (Reine Brynolfsson). Adam and Eva celebrates midsummer with Sven's family and friends. A lot of people have their kids with them. Åke (Jacob Ericksson) starts singing songs with dirty lyrics. Sven stops him, whereupon Åke goes away in protest to sit down and talk with Eva. At night, Adam meets Sven's and his wife Kicki's (Katrin Sundberg) young nanny Jackie (Dubrilla Ekerlund).
The Sacrifice, 2h29
Directed by Andreï Tarkovski
Origin Suede
Genres Drama
Themes Philosophie, Arme nucléaire
Actors Erland Josephson, Allan Edwall, Susan Fleetwood, Sven Wollter, Valérie Mairesse, Guðrún Gísladóttir
Roles (voice)
Rating78% 3.947863.947863.947863.947863.94786
The film opens on the birthday of Alexander (Erland Josephson), an actor who gave up the stage to work as a journalist, critic, and lecturer on aesthetics. He lives in a beautiful house with his actress wife Adelaide (Susan Fleetwood), stepdaughter Marta (Filippa Franzén), and young son, "Little Man", who is temporarily mute due to a throat operation. Alexander and Little Man plant a tree by the sea-side, when Alexander's friend Otto, a part-time postman, delivers a birthday card to him. When Otto asks, Alexander mentions that his relationship with God is "nonexistent". After Otto leaves, Adelaide and Victor, a medical doctor and a close family friend who performed Little Man's operation, arrive at the scene and offer to take Alexander and Little Man home in Victor's car. However, Alexander prefers to stay behind and talk to his son. In his monologue, Alexander first recounts how he and Adelaide found this lovely house near the sea by accident, and how they fell in love with the house and surroundings, but then enters a bitter tirade against the state of modern man. As Tarkovsky wrote, Alexander is weary of "the pressures of change, the discord in his family, and his instinctive sense of the threat posed by the relentless march of technology"; in fact, he has "grown to hate the emptiness of human speech".