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Studio O
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Foundation date 31 july 1992
Le Studio O est une compagnie française de production de films d'animation fondée par Michel Ocelot en 1992. Elle a produit l'ensemble des longs métrages d'animation réalisés par Michel Ocelot.
Best films
(2012)
(1998)Filmography of Studio O (5 films)
Production
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Dilili in Paris (2018)
, 1h35Directed by Michel Ocelot
Origin France
Genres Adventure, Animation
Actors Enzo Ratsito, Natalie Dessay, Elisabeth Duda, Liliane Rovère, Jérémy Lopez, Michel Elias
Dilili est une petite Française kanake qui participe au zoo humain de l'Exposition universelle dans le Paris de la Belle Époque. Orel, chauffeur de triporteur, se glisse dans l'enclos pour rencontrer Dilili, qui le retrouve le soir venu. Elle lui raconte son histoire : elle a à la fois des ancêtres européens et des ancêtres kanaks, elle a été éduquée par madame Michel (qui n'est autre que Louise Michel), puis à son arrivée à Paris, elle a rencontré une comtesse qui lui a appris les bonnes manières. Orel propose à Dilili de la promener dans Paris à bord de son triporteur pendant qu'il effectue ses livraisons. Enthousiaste, Dilili découvre les rues et places de Paris. Ils rencontrent Marie Curie, à qui Orel devait ramener sa fille Ève, puis la cantatrice Emma Calvé, amie d'Orel, qui aime chanter sur le lac souterrain qui s'étend sous l'opéra Garnier, ainsi que l'écrivain Marcel Proust en compagnie de son ami Reynaldo Hahn. La petite fille note sur son carnet les noms des célébrités qu'elle rencontre et qui lui donnent toutes sortes d'idées de métiers qu'elle aimerait faire plus tard. Très vite, Dilili est intriguée par les annonces des vendeurs de journaux : de petites filles sont régulièrement enlevées par un réseau de bandits qui signent leurs crimes du nom de « Mâles-Maîtres ». Dilili décide aussitôt d'enquêter pour retrouver les jeunes filles disparues. Elle-même victime d'une première tentative d'enlèvement dans un jardin public, elle est sauvée par Orel : il va falloir faire preuve de prudence.
, 1h28Directed by Michel Ocelot
Origin France
Genres Fantasy, Adventure, Animation
Themes Films set in Africa, Feminist films, Films about magic and magicians, Films based on mythology, Witches in film, Political films, Children's films, Mythologie d'Afrique de l'Ouest
Actors Sabine Pakora, Pascal Nzonzi
Sur le même principe que Kirikou et les Bêtes sauvages, Kirikou et les Hommes et les Femmes regroupe cinq aventures de Kirikou enfant indépendantes les unes des autres et racontées par le grand-père de Kirikou. Ces aventures se déroulent pendant les événements de Kirikou et la Sorcière, au temps où le village est toujours terrorisé par la sorcière Karaba et ses fétiches animés. Tandis que Kirikou et les Bêtes sauvages mettait en avant des animaux, Kirikou et les Hommes et les Femmes se concentre sur les relations des villageois entre eux ou avec les étrangers de passage.
Tales of the Night (2011)
, 1h24Directed by Michel Ocelot
Origin France
Genres Fantasy, Animation
Themes Films set in Africa, Films about animals, Feminist films, Films about magic and magicians, Films about Tibet, Wolves in film, Werewolves in film, Political films, Children's films, Mise en scène d'un mammifère
Actors Julien Béramis, Jonathan Kite, Michel Elias, Olivier Claverie, Yves Barsacq, Fatoumata Diawara
A girl, a boy and an old cinema technician tell stories every night in a small theater. Before each story, the boy and the girl decide, in accordance with the old technician, they will play the characters in the story they will interpret, they also choose a time and a country as well as costumes through documentation the technician brings them, and make clothing and accessories with a computer-controlled machine. They then perform the story on stage.
Princes et Princesses (2000)
, 1h10Directed by Michel Ocelot
Origin France
Genres Drama, Science fiction, Comedy, Fantasy, Adventure, Animation, Romance
Themes Feminist films, Films about magic and magicians, Witches in film, Political films, Children's films
Actors Yves Barsacq
It is said that somewhere, an enchanted princess lies captive in a secret palace – a palace you can be sure that you're getting close to if you find diamonds lying in the grass. But in order to free the princess from the curse placed upon her, one would have to find all one-hundred and eleven of the diamonds which make up her broken necklace. Many princes have attempted to break the spell, but all have disappeared without a trace.
Kirikou and the Sorceress (1998)
, 1h11Directed by Michel Ocelot
Origin France
Genres Fantasy, Adventure, Animation
Themes Films set in Africa, Films about animals, Feminist films, Films about magic and magicians, Films based on mythology, Film d'animation mettant en scène un animal, Witches in film, Political films, Children's films, Mythologie d'Afrique de l'Ouest
Actors Ryūnosuke Kamiki, Maimouna N'Diaye, Robert Liensol, William Nadylam, Sébastien Hébrant, Rémi Bichet
In a little village somewhere in West Africa, a boy named Kirikou is born in a spectacular way. But he's not a normal boy, since he can speak and walk immediately after being born. He is also very determined. His mother tells him that an evil sorceress has dried up their spring and devoured all the males of the village except for one. Hence the tiny Kirikou decides to accompany the last warrior, his uncle, to visit the sorceress. Kirikou tricks the sorceress and saves his uncle, by waiting inside his uncle's hat, and pretending that it was magic. He saved the children from being kidnapped by the sorceress' boat, which sped off towards Karaba, and saved them later again from the sorceress' tree, which closed it branches, and once again sped off towards Karaba. Next, he bursts the monster who was drinking all the village's water. He then travels to ask his wise old grandfather about the sorceress, and faces many obstacles in the process. The grandfather finds that Kirikou is always asking questions, which is a good thing. The grandfather tells him that she is evil because she suffers: bad men put a poisoned thorn in her back. On the way to Karaba, Kirikou makes friends, who each in turn, give him presents, after he saves them from the skunk. Kirikou manages to trick the sorceress and removes the thorn, he also manages to take the gold, and return it to the rightful owners. The sorceress is cured. She kisses Kirikou and he becomes an adult. Love reigns. When they arrive back at the village, no one believes that the sorceress is cured, and only do they believe Kirikou, when a procession of drummers arrive. It turns out Karaba did not eat them, just turned them into watchmen, and other obedient objects.