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Hotel Room is a italien film of genre Comedy directed by Mario Monicelli with Vittorio Gassman

Hotel Room (1981)

Hotel Room
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Length 1h45
Directed by
OriginItalie
Genres Comedy
Rating59% 2.955212.955212.955212.955212.95521

Camera d'albergo is a 1981 Italian comedy film written and directed by Mario Monicelli. Ida Di Benedetto won the David di Donatello for Best Supporting Actress and Ruggero Mastroianni won the David di Donatello for Best Editing.

Synopsis

Une caméra cachée permet à trois jeunes cinéphiles de filmer les clients d'une chambre d'hôtel. Ils prennent rendez-vous avec un vieux producteur à la retraite pour commercialiser leur film.

Actors

Trailer of Hotel Room

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Source : Wikidata

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Suggestions of similar film to Hotel Room

There are 218 films with the same actors, 55 films with the same director, 36540 with the same cinematographic genres, 537 films with the same themes, to have finally 70 suggestions of similar films.

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The film is directed by Monicelli the last to be set in renaissance and medieval eras such as L'armata Brancaleone. The genus, as in other previous film, is constituted by a tilting of society and the environment of the ways to make the characters in which takes place the film, making the genus parodistic and goliardic.
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In a small village in Sicily, the girl Assunta is seduced by Vincenzo. The man, however, runs away the day after they become lovers. Assunta, feeling disgraced, leaves for England where Vincenzo has fled. Assunta finds herself intimidated by the different culture, but resolutely travels to London in search of Vincenzo in order to kill him. After an accident, Assunta is hospitalized; she meets a cute patient, understanding and sentimental, who advises her to forget about Vincenzo, and to devote herself to her life. She follows this advice, and soon she creates for herself a new and wonderful life in England.
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The film starts where L'armata Brancaleone has ended. Brancaleone da Norcia (again played by Vittorio Gassman) is a poor but proud Middle Ages knight leading his bizarre and ragtag army of underdogs. However, he loses all his "warriors" in a battle and therefore meets Death's personification (a clear parody of Bergman's Seventh Seal). Having obtained more time to live, he forms a new tattered band. When Brancaleone saves an infant of royal blood, they set on to the Holy Sepulchre to bring him back to his father, Bohemund of Taranto (Adolfo Celi), who is fighting in the Crusades. As in the first film, in his quest he lives a series of grotesque episodes, each a hilarious parody of Middle Ages stereotypes. These include: the saving of a young witch (Stefania Sandrelli) from the stake, the annexion of a leper to the band, and a meeting with Gregory VII, in which Brancaleone has to solve the dispute between the pope and the antipope Clement III. On reaching Palestine, Brancaleone obtains the title of baron from the child's father. He is therefore chosen as a champion in a tournament to solve the dispute between the Christians and the Saracens in the siege of Jerusalem. The award for the winner is the former leper, who is in fact revealed to be a beautiful princess, Berta, who adopted the disguise to travel to the Holy Land in relative safety. After having nearly defeated all the Moor warriors, Brancaleone is however defeated by a spell cast on him by the witch, who, having fallen in love with him, could not stand seeing him married with the princess. He therefore starts to wander in despair through the desert, and again Death comes to claim her credit: Brancaleone, brooding and world weary as he is has no qualms about dying but asks to be allowed to die in "knightly" fashion, in a duel with the Grim Reaper itself. Death agrees and the confrontation begins...after a fierce exchange of blows Brancaleone is about to be cleft by Death's scythe but is ultimately saved by the witch, who gives her life for the man she loved.
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The film in a satirical and grotesque manner, which tells various episodes of low corrupt society of Italy in the 1970s. The journalist Paolo T. Fiume (Marcello Mastroianni) is the thread of the various episodes of the film, as he himself does interviews in various situations to grotesque characters.
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Il Gaucho
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