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Suggestions of similar film to Cinéast(e)s
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, 1h52
Directed by Al PacinoOrigin USAGenres Drama,
Science fiction,
Thriller,
DocumentaryThemes Films about writers,
Films about television,
Théâtre,
Documentary films about business,
Documentary films about the film industry,
Documentaire sur une personnalité,
Political films,
Films based on plays,
Films based on works by William Shakespeare,
Films about royaltyActors Alec Baldwin,
Al Pacino,
Aidan Quinn,
Winona Ryder,
Kevin Spacey,
Kevin ConwayRating72%
Al Pacino vise à présenter la vision populaire de l'œuvre de l'écrivain William Shakespeare, à travers des séquences filmées de la pièce de théâtre Richard III, jouées par une troupe d'acteurs (Al Pacino interprétant dans ces scènes le rôle de Richard III), et des interviews d'acteurs, de spécialistes du théâtre, ou d'inconnus interrogés dans les rues new-yorkaises. Il y a juxtaposition des scènes de répétitions de la pièce de Shakespeare Richard III et des parties où il est question de la mise en scène., 1h29
Origin USAGenres DocumentaryThemes Documentary films about business,
Documentary films about the film industry,
Documentary films about citiesActors Marion Dougherty,
Lynn Stalmaster,
Woody Allen,
Jeff Bridges,
Glenn Close,
Robert De NiroRating75%
The film is a celebration of the casting profession, highlighting its previously unsung role in film history while also serving as an elegy to the lost era of the New Hollywood. It focuses on casting pioneer Marion Dougherty, an iconoclast whose exquisite taste, tenacity and gut instincts brought a new kind of actor to the screen that would mark the end of the old studio system and help to usher in this revolutionary new period. The film draws a line through the last half century to show us the profession’s evolution from studio system type-casting to the rise of large ensemble films populated with unique and diverse casts., 26minutes
Directed by Khaled BarsaouiOrigin TunisieGenres DocumentaryThemes Documentary films about business,
Documentary films about the film industryHow is it possible that the Carthage Cinema Days, one of the oldest cultural manifestations of Africa and the Arab world, can continue shining just as brightly? How do they manage to draw filmmakers, especially from black Africa, as well as producers and distributors? Is it time to radically change the identity of this festival? Khaled Barsaoui's documentary tackles crucial questions about the future of the Festival and the definition of its identity., 1h26
Origin United-kingdomGenres DocumentaryThemes Documentary films about business,
Documentary films about the visual arts,
Documentary films about the film industry,
Documentaire sur une personnalitéActors Marlene Dietrich,
Jack Cardiff,
Martin Scorsese,
Orson Welles,
Leslie Caron,
Kirk DouglasRating76%
En 2001, Jack Cardiff (1914-2009) est devenu le premier directeur de la photographie de l'histoire des Oscars à recevoir un Oscar d'honneur. Mais la première fois qu'il a serré la célèbre statuette dans sa main, c'était un demi-siècle plus tôt, lorsque son travail de caméra en Technicolor avait été récompensé pour le Narcisse noir de Powell et Pressburger. Au-delà de The African Queen de John Huston et de War and Peace de King Vidor, les films du duo créatif britannico-hongrois (The Red Shoes et A Matter of Life and Death également) garantissent l'immortalité au célèbre caméraman dont la carrière s'étend sur soixante-dix ans., 1h36
Directed by Eleanor Coppola,
George HickenlooperOrigin USAGenres DocumentaryThemes Films about films,
Documentary films about business,
Documentary films about the film industry,
Political films,
Documentary films about filmsActors Francis Ford Coppola,
Marlon Brando,
John Milius,
Eleanor Coppola,
Orson Welles,
Sofia CoppolaRating80%
The title is derived from the source material for Apocalypse Now, the Joseph Conrad novella Heart of Darkness. Using behind-the-scenes footage, and narrated by Eleanor Coppola, it chronicles how production problems including bad weather, actors' health and other issues delayed the film, increasing costs and nearly destroying the life and career of Francis Ford Coppola. In 1990, Eleanor Coppola turned her material over to two young filmmakers, George Hickenlooper and Fax Bahr (co-creator of MADtv), who then shot new interviews with the original cast and crew and intercut them with her existing material. After a year of editing, Hickenlooper, Bahr, and Coppola debuted their film at the 1991 Cannes Film Festival to universal critical acclaim.