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Def-Con 4 is a canadien film of genre Science fiction directed by Paul Donovan released in USA on 15 march 1985 with Maury Chaykin
Def-Con 4 (1985)
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Add to a movie listReleased in USA 15 march 1985
Length 1h28
OriginCanada
Themes Post-apocalyptic films, Films about religion, Films set in the future, Political films, Dystopian films, Disaster films
Rating45%
Def-Con 4 is a 1985 post-apocalyptic film, portraying three astronauts who survive World War III aboard a space station and return to earth to find greatly changed circumstances.
Synopsis
Two months after the exchange of nuclear weapons on earth the spacecraft's guidance system is mysteriously reprogrammed, forcing the crew's return to earth. In order to survive, the crew must escape to the radiation free zones while avoiding cannibal 'terminals' and a military school student turned evil despotic ruler.Actors
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Suggestions of similar film to Def-Con 4
There are 63 films with the same actors, 10 films with the same director, 32808 with the same cinematographic genres (including 336 with exactly the same 4 genres than Def-Con 4), 11766 films with the same themes (including 306 films with the same 6 themes than Def-Con 4), to have finally 70 suggestions of similar films.If you liked Def-Con 4, you will probably like those similar films :
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En l'an 199X, la terre fut entièrement consumée par l'enfer de la guerre nucléaire. Les continents s'éventrèrent et les mers se desséchèrent. Cependant, la race humaine n'avait pourtant pas disparu. Cette nouvelle ère ne connaissait plus qu'une seule loi, la loi du plus fort. C'est dans ce monde dévasté qu'un homme suivant sa destinée va redonner espoir aux faibles et aux opprimés en combattant l'oppresseur sous la bannière de la croix du nord, grâce au Hokuto Shinken. Un art martial d'assassin se transmettant depuis 1800 ans à un unique héritier, consistant à presser les points vitaux de l'adversaire pour causer une explosion interne des organes. Mais ce héros devra se confronter à son plus grand rival, Shin, le leader de la croix du sud, lui ayant déjà par le passé infligé une défaite.
Hellbound: Hellraiser II (1988)
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Kirsty Cotton (Ashley Laurence), the protagonist from the previous film, has been admitted to a psychiatric hospital, still haunted by visions of the unspeakable horror that destroyed her family. Interviewed by Doctor Channard (Kenneth Cranham), and his assistant, Kyle MacRae (William Hope), she tells her account of the events depicted in the first film, and pleads with them to destroy the bloody mattress her murderous stepmother, Julia Cotton (Clare Higgins) died on. Despite her frantic urging, MacRae is the only one who seems to believe her.
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A year after the events of Extinction, the Alice clones (Milla Jovovich) attempt to kill Albert Wesker (Shawn Roberts) at the current Umbrella Headquarters, Tokyo. The clones manage to kill the entire branch, but Wesker makes his way to his private charter tiltrotor plane and escapes before activating a bomb, leaving a massive sinkhole. However, the real Alice boarded his aircraft beforehand. As she pulls a gun on him, Wesker injects her with Anti-Virus before the lack of a pilot makes the aircraft crash in the mountains outside Tokyo. Only Alice emerges from the crash alive.
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Rating61%
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In the near future, the economy has collapsed and massive crime waves sweep the inner cities. The manufacturing industry has shrunk to the point where cars are a commodity and parts are fought over between salvage companies and roving gangs. In an attempt to control the crime-wave, a chain of drive-in theatres are turned into concentration camps for the undesirable and unemployed youth. The dirty, graffiti-laden drive-ins are surrounded by high fences, and the roads leading to them are Security Roads ("S-Roads") that do not allow walking under any circumstances. Police collaborate with the owner to sabotage cars of unsuspecting visitors; however, some who know the true nature of the drive-ins come voluntarily for the shelter and food. Broken cars are continuously collected at these facilities. The prisoners are allowed easy access to a wide variety of drugs, alcohol, junk food, exploitation films, and new wave music. This, coupled with the awful conditions on the outside, engineers an atmosphere of complacency and hopelessness so the inmates will accept their fate and not attempt escape.
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