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Don't Sting the Mosquito is a film of genre Comedy directed by Lina Wertmüller with Rita Pavone

Don't Sting the Mosquito (1967)

Don't Sting the Mosquito
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Directed by
Genres Comedy,    Musical
Rating61% 3.0862653.0862653.0862653.0862653.086265

Don't Sting the Mosquito (Italian: Non stuzzicate la zanzara) is a 1967 Italian musicarello film directed by Lina Wertmüller (under the stage name George H. Brown). It is the sequel of Rita the Mosquito.

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Source : Wikidata

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Suggestions of similar film to Don't Sting the Mosquito

There are 189 films with the same actors, 24 films with the same director, 40069 with the same cinematographic genres (including 2783 with exactly the same 2 genres than Don't Sting the Mosquito), to have finally 70 suggestions of similar films.

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Rita the Mosquito
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Genres Comedy, Musical
Actors Giancarlo Giannini, Rita Pavone, Peppino De Filippo, Nino Taranto, Turi Ferro, Milena Vukotic
Rating57% 2.8611952.8611952.8611952.8611952.861195
Au pensionnat, la pétillante Rita tombe amoureuse de son professeur de musique et redouble d'ingéniosité pour attirer son attention.
The Seduction of Mimi, 2h1
Directed by Lina Wertmüller
Origin Italie
Genres Comedy
Actors Giancarlo Giannini, Mariangela Melato, Turi Ferro, Agostina Belli, Luigi Diberti, Tuccio Musumeci
Rating72% 3.644243.644243.644243.644243.64424
Set in both Sicily and mainland Italy, the film follows the adventures of a man nicknamed Mimi (Giancarlo Giannini). Mimi is a poor labourer who is pressured by his employers to vote for the mafia candidate in a local election. Frustrated by the system and assured that the ballot will be secret Mimi votes for the communist representative instead. However he is fired and assured he will never work again as the ballot was not secret. Disgusted Mimi flees to Turin.
Blood Feud
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Aux prémices de la seconde guerre mondiale, alors que le fascisme s’empare de l’Italie, la mafia sicilienne est dévorée par des luttes intestines qui éclaboussent de sang les rue d’Italie jusqu’à celles de New-York. Dans ce climat délétère, Titina (Sophia Loren) perd son mari, brutalement assassiné par la pègre. Alors que Spallone (Marcello Mastroianni), de retour d’un exil de 10 ans, succombe aux charmes de la jeune veuve, Nick (Giancarlo Giannini), un petit truand décidé à venger le meurtre de son cousin, revient au pays et s’éprend également de Titina. La rivalité entre les deux hommes grandit, et empoisonne la vie du trio, alors que la guerre approche…
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Directed by Lina Wertmüller
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Genres Drama, War, Comedy, Comedy-drama
Themes Medical-themed films, Films about religion, Films about psychiatry, Political films, Films about Jews and Judaism, Films set in psychiatric hospitals
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Rating76% 3.845873.845873.845873.845873.84587
The picaresque story follows its protagonist, Pasqualino (Giannini) who, as a dandy and small-time hood in Naples, to save the family honour, is sent to prison for killing a pimp (and then dissecting the victim and placing the body in suitcases) who had turned Pasqualino's sister into a prostitute. Convicted and sent to prison, Pasqualino succeeds in being transferred to a psychiatric ward. Desperate to get out, he volunteers for the Italian Army, but then somewhere in Germany he deserts with a comrade. They are captured and sent to a concentration camp. There, in a bid to save his own life, Pasqualino decides to survive by providing sexual favors to the obese and ugly female commandant (Stoler). His plan succeeds, except for the fact that he is then put in charge of the barracks as a kapo, and is obliged to select six men to be killed under the threat that if he doesn't do so, they will all be killed. Pasqualino ends up executing the soldier with whom he was captured and being responsible for the death of another fellow prisoner, a Spanish anarchist. At the war's end, upon his return to Naples, Pasqualino discovers that his seven sisters, his fiancée and even his mother have all survived through prostitution.
Swept Away
Swept Away (1974)
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Directed by Lina Wertmüller
Origin Italie
Genres Drama, Comedy, Romance
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An arrogant wealthy capitalist named Raffaella (Mariangela Melato) is vacationing on a yacht in the Mediterranean Sea with friends—swimming, sunbathing, and talking incessantly about the virtues of her class and the worthlessness of the political left. Her nonstop political monologue infuriates one of the underclass deckhands on her yacht, Gennarino (Giancarlo Giannini), a dedicated Communist who manages to restrain his opinions to avoid upsetting his boss and losing his good job. Despite her humiliating insults, Gennarino agrees to take her out on a dinghy late in the evening to see the rest of her friends who have gone ahead without her. On their way, the outboard motor gives out, leaving them stranded in the middle of the sea with no land in sight.
Love and Anarchy, 2h
Directed by Lina Wertmüller
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Genres Drama, Comedy, Comedy-drama, Romance
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The film begins with Tunin (Giancarlo Giannini) learning that his friend, an anarchist who was plotting to kill Benito Mussolini, has been killed by Mussolini's fascist police in the countryside. Tunin decides to take up the cause his friend died for. The movie then shows Tunin entering a brothel in Rome and meeting Salomè (Mariangela Melato). The two have a casual sexual encounter. Salomè explains her reasons for helping in the assassination plot as her former lover was wrongfully beaten to death by Mussolini's police in Milan. The story continues as Salomè arranges for her, Tunin and Tripolina (Lina Polito), another prostitute at the brothel, to spend the day with Spatoletti, the head of Mussolini's police. The four of them go to the countryside near Rome where the assassination will take place in several days time. Salomè keeps Spatoletti busy while Tunin scouts out the area and makes a plan. Tunin takes an interest, however, in Tripolina and they fall in love. Tunin convinces Tripolina to spend the next two days with him before the assassination as he fears they may be his last. On the morning of the assassination, Tripolina is supposed to wake Tunin early. She loves him and is scared he will die so she decides she will not wake him. Tripolina and Salomè argue about this and what to do but in the end they decide to let him sleep. Tunin wakes up and is furious at both of them. He goes into a tirade that draws the attention of the police. He starts a shootout with them and screams that he wants to kill Mussolini. He is captured and beaten to death by the police. The film ends the way it began showing the full title of the film "Stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..." This morning at 10, on Via dei Fiori (Flowers Street), in a noted brothel which is the headline of an unnamed newspaper. The article, displaying fascist censorship, goes on to say that Tunin (who is unnamed) was arrested and then committed suicide.
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Dans une petite ville du sud de l'Italie corsetée par des convenances d'un autre âge, trois jeunes hommes rêvent de femmes et d'amour. Mais dans cette région où il n'est pas question de désobéir à son père, les trois malheureux n'ont pas beaucoup d'occasions de rencontres avec le beau sexe. Seuls la sieste et leurs bavardages leur permettent d'échapper au désoeuvrement. Aussi rêvent-ils d'autres horizon. C'est alors que l'un d'eux part pour Rome. A son retour, il raconte à ses compagnons ses incroyables aventures nocturnes. Premier film d'une réalisatrice italienne imprégnée de néo-réalisme, "I basilischi" est une véritable curiosité, servie par un superbe noir et blanc, une narration chorale et la musique de Morricone.