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Suggestions of similar film to Germany in Autumn
There are 69 films with the same actors, 86 films with the same director, 68396 with the same cinematographic genres (including 1002 with exactly the same 2 genres than
Germany in Autumn), 3085 films with the same themes (including 0 films with the same 3 themes than
Germany in Autumn), to have finally
70 suggestions of similar films.
If you liked
Germany in Autumn, you will probably like those similar films :
, 1h43
Directed by Volker SchlöndorffOrigin GermanGenres Drama,
HistoricalThemes Films about sexuality,
Films about terrorism,
Political films,
LGBT-related film,
Lesbian-related filmsActors Bibiana Beglau,
Nadja Uhl,
Martin Wuttke,
Alexander BeyerRating68%
In a letter left for her friend Tatjana, fugitive Red Army Faction terrorist Rita Vogt (Bibiana Beglau) relates the story of her life., 1h45
Directed by Rainer Werner FassbinderOrigin GermanGenres Drama,
Comedy,
CrimeThemes Films about terrorism,
Political filmsActors Hanna Schygulla,
Margit Carstensen,
Eddie Constantine,
Bulle Ogier,
Harry Baer,
Günther KaufmannRating67%
P.J. Lurz, an industrialist with an office in a Berlin high-rise, informs his American headquarters that the company has difficulty selling its security-related computer systems to the West German government in Bonn. Nevertheless Lurz has hatched a secret plan to boost sales. Meanwhile Susanne, Lurz’s secretary, receives a phone call with the message: The world as will and idea. This is a code phrase among a secret group of thirty-something middle-class leftists and would-be terrorists to which she belongs. The phrase has been taken from the central work of the German philosopher Arthur Schopenhauer, The World as Will and Representation. With these words, Susanne sets an ambiguous covert plot into motion, alerting the members of the terrorist cell of an upcoming meeting. They are: August Brem, the ringleader; Susanne's composer husband Edgar; feminist history professor Hilde Krieger; Petra Vielhabor, a housewife who is constantly arguing with her banker husband Hans; and Rudolf Mann, a clerk in a record store., 1h28
Directed by Rainer Werner FassbinderGenres Drama,
Comedy,
Action,
CrimeThemes Films about sexuality,
Erotic films,
Films about prostitution,
Gangster filmsActors Ulli Lommel,
Hanna Schygulla,
Ingrid Caven,
Rainer Werner Fassbinder,
Katrin Schaake,
Irm HermannRating64%
Petty hood Franz (Fassbinder), who at the start of the movie refuses to join the Syndicate. He then meets the handsome young thug Bruno (Lommel), who has been ordered by the Syndicate to follow him, and gives him his Munich address (Heßstraße 129). , 1h20
Directed by Rainer Werner FassbinderOrigin GermanGenres Drama,
Action,
CrimeThemes Gangster filmsActors Karl Scheydt,
Rainer Werner Fassbinder,
Irm Hermann,
Hark Bohm,
Kurt Raab,
Margarethe von TrottaRating64%
À Munich, trois policiers ont enrôlé Ricky, un tueur à gages américain, mais natif de Munich, qui rentre du Vietnam. Ricky doit éliminer plusieurs personnes., 1h27
Directed by Volker SchlöndorffOrigin GermanGenres DramaActors Rainer Werner Fassbinder,
Margarethe von Trotta,
Hanna Schygulla,
Claudia Butenuth,
Irm Hermann,
Günther KaufmannRating63%
C'est la vie dénuée de sens d'un jeune poète maudit, Baal, brûlant la vie par tous les bouts et la noyant dans le schnaps, cherchant à combler un vide existentiel, il se nourrit de sexe et de poésie., 1h28
Directed by Rainer Werner FassbinderOrigin GermanGenres Drama,
RomanceThemes Films about immigration,
Théâtre,
Films based on playsActors Hanna Schygulla,
Rainer Werner Fassbinder,
Harry Baer,
Irm Hermann,
Katrin SchaakeRating68%
Jorgos, émigrant grec, rejoint une communeauté très soudée. Dès son arrivée, il suscite la jalousie et songe à repartir chez lui., 1h43
Directed by Rainer Werner FassbinderGenres Drama,
ComedyThemes Medical-themed films,
Films about drugsActors Lou Castel,
Marquard Bohm,
Eddie Constantine,
Hanna Schygulla,
Rainer Werner Fassbinder,
Margarethe von TrottaRating65%
Beware of a Holy Whore is a satirical meta-film about Fassbinder's previous production, Whity. It opens with a soliloquy (delivered by Werner Schroeter) about the synopsis of a Disney short featuring Goofy, the dog. Goofy cross-dresses in his aunt's clothes to teach a kindergarten class and, after being ridiculed by the class, takes a "poor orphan girl" into his home. The little girl is actually a dwarf gangster, Wee Willy, and he fools Goofy into caring for him by wearing the clothes that Goofy discarded after being ridiculed by the school children. That night Goofy's house is raided by police and Wee Willy is arrested, revealing the "poor orphan girl's" true identity to Goofy. When Willy's true identity is revealed the confused Goofy says, "What a shock that must have been for the poor little girl when she discovered that she is a crook". In both instances—attempting to teach the kindergarten class and caring for Wee Willy—Goofy is beaten by those for whom he only sought to care. This opening soliloquy alludes to the film's underlying themes of violence, self-blindness, and same-sex and bisexual relationships., 1h33
Directed by Rainer Werner FassbinderOrigin GermanGenres Drama,
RomanceThemes Films about immigration,
Films about racism,
Films about sexualityActors Brigitte Mira,
El Hedi ben Salem,
Barbara Valentin,
Irm Hermann,
Rainer Werner Fassbinder,
Walter SedlmayrRating79%
Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.