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Jabberwocky is a film of genre Fantasy directed by Jan Švankmajer released in USA on 1 january 1971

Jabberwocky (1971)

Jabberwocky
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Released in USA 1 january 1971
Length 14minutes
Directed by
Genres Fantasy,    Animation
Rating71% 3.5894853.5894853.5894853.5894853.589485

Jabberwocky (Czech: Žvahlav aneb šatičky slaměného Huberta) is a 1971 Czechoslovak animated short film written and directed by Jan Švankmajer, based loosely on the poem "Jabberwocky" by Lewis Carroll. It was produced by Erna Kmínková, Marta Sichová, Jirí Vanek, and animated by Vlasta Pospísilová.

Synopsis

In the film, the poem by Lewis Carroll is read and a wardrobe is shown moving through a forest. The wardrobe contains a strange playroom inside that is watched over by an old man in a portrait. The film switches between images of dolls, toys in a nursery, and paper planes to images of dismembered dolls, maggot-infested vines, and a black cat knocking things over. The ending of the film contains an ink blob escaping from an occurring maze, freeing itself from life's constraints. It then defaces the image of the old man (the authority figure) and flees out of the window.

Trailer of Jabberwocky

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Jabberwocky

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The animation is divided into three sections. "Eternal conversation" (Dialog věcný) shows Arcimboldo-like heads gradually reducing each other to bland copies; "Passionate discourse" (Dialog vášnivý) shows a clay man and woman who dissolve into one another sexually, then quarrel and reduce themselves to a frenzied, boiling pulp; and "Exhaustive discussion" (Dialogu vyčerpávajícím) consists of two elderly clay heads who extrude various objects on their tongues (toothbrush and toothpaste; shoe and shoelaces, etc.) and intertwine them in various combinations.
Faust
Faust (1994)
, 1h37
Directed by Jan Švankmajer
Origin Republique tcheque
Genres Drama, Science fiction, Thriller, Fantastic, Fantasy, Horror, Animation
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The story commences on the streets of Prague on a grey morning with commuters bustling about. We are introduced to the figure of an Everyman, played by Petr Čepek, a colourless figure emerging from a metro station. On his way home, the man encounters two men handing out flyers. It is a map of the city with a location marked in. He shrugs and discards it, returning to his lodging. As he opens the door, a black cockerel runs out. The man sits down to eat, cutting himself a slice of bread. He discovers an egg concealed inside the loaf. He cracks it open but it is empty. Suddenly the lights go out and the wind rises. Objects are thrown about the room. The commotion ceases; the man goes to the window and looks down to where the two men from earlier are staring up at him. One of them holds the cockerel. The man closes the blind and returns to the table, where he finds the map and, using his own map of the city, traces out the location marked.
Little Otik, 2h12
Directed by Jan Švankmajer
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Genres Drama, Science fiction, Comedy, Comedy-drama, Horror comedy, Fantasy, Horror, Animation
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Karel Horák (Jan Hartl) and Božena Horáková (Veronika Žilková) are a childless couple and for medical reasons are doomed to remain so. While on vacation with their neighbors at a house in the country, Karel decides to buy the house at the suggestion of his neighbor. When he is fixing up the house, he digs up a tree stump that looks vaguely like a baby. He spends the rest of the evening cleaning it up and then presents it to his wife. She names the stump Otík and starts to treat it like a real baby. She then works out a plan to fake her pregnancy and becoming more and more impatient she speeds up the process and 'gives birth' one month early.
Alice
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Meat Love
Meat Love (1989)

Directed by Jan Švankmajer
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A knife chops two slices off a chunk of fresh meat. The first slice, using a nearby spoon as a hand mirror, admires itself. Similar admiration is expressed by the second slice, which slaps the first slice on its 'rear', causing it to cry out and retreat coyly behind a tea-towel. The second slice switches on the radio, and persuades its companion to dance 'cheek to cheek' to the sound of an old 1920s recording. One slice jumps into a plate of flour and teasingly 'splashes' the other. Soon, the two slices are writhing ecstatically in the flour. Their passion is short-lived, however, as almost immediately afterwards they are skewered and fried.
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