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Kudumba Visesham is a film of genre Drama with Thilakan

Kudumba Visesham (1994)

Kudumba Visesham
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Genres Drama
Rating62% 3.12833.12833.12833.12833.1283

Kudumba Vishesham is a 1994 Indian Malayalam film, directed by P Anil, Babu Narayanan, starring Thilakan and Kaviyoor Ponnamma in the lead roles.



^ "Kudumba Vishesham". www.malayalachalachithram.com. Retrieved 2014-11-01.

^ "Kudumba Vishesham". malayalasangeetham.info. Retrieved 2014-11-01.

^ http://www.nthwall.com/ml/movie/Kudumba-Visesham-1994/9465400768

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Trailer of Kudumba Visesham

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Source : Wikidata

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Suggestions of similar film to Kudumba Visesham

There are 757 films with the same actors, 60470 with the same cinematographic genres, to have finally 70 suggestions of similar films.

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Actors Mohanlal, Urvashi, Thilakan, Jagathy Sreekumar, Kaviyoor Ponnnamma, Nedumudi Venu
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In the first scene, we are shown an old man named Venu (Mohanlal) who came with flowers to strew his lady's grave. The story is narrated through his memories. Venu was an educated young man who worked for a wealthy businessman Menon (Thilakan) at his tea plantation. After being fired, he tried to get his job back by playing music for Menon's only daughter, Sarojam (Urvashi)
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The film is based on Sthreedhanam by C. V. Nirmala. It deals with the problems created by dowry in a middle class Malayali family. This film has also been interpreted in a serial, with the same name.
Manjadikuru, 2h17
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Manjadikuru is a story of homecoming from late 1980s, when 10-year-old Vicky arrives at his grandparents home in rural Kerala to attend his grandfather's funeral. The disjointed family gathers together for the sixteen-day-long funeral period. During this period, Vicky discovers more about himself, his family and culture than he had expected to. The journey is narrated through the memories of an adult Vicky who returns to the same house to recount the experience. After some years the boy returns as a young man (Prithviraj), to visit old grounds, and finds the 'Lucky red seeds' scattered away.
Santhanagopalam, 2h10
Directed by Sathyan Anthikad
Actors Thilakan, P. V. Jagadish Kumar, Balachandra Menon, Kaviyoor Ponnnamma, Innocent, Sankaradi

Thilakan is a worker at a factory and his family consists of his wife(Kaviyoor Ponnamma), his dad(Krishnan Kutty Nair)and 4 children(2 sons and 2 daughters).Elder son(Balachandramenon) is trying hard to establish himself in Kerala after having had strong will to stay in Kerala rather than going abroad. Second son(Jagadeesh)is looking for a Government job. Balachandramenon finally starts a telephone booth and is inaugurated by Circle Inspector(Jagathi Sreekumar, which turns out to be an evergreen comedy scene in Malayalam. Thilakan however wants Jagadeesh to look out for better prospects in the interim of his test results. Jagadeesh also shows some plans to start a business of his own. Once he and Thilakan travelling to Mangalore for a job need of Jagadish, meets up with an accident when the lorry they were travelling fell into a river. Jagadeesh escapes and Thilakan is not found. He is believed to be killed in the accident. Thilakan, is an insurance holder for a huge amount and his sons make arrangements to claim it stating that their father is killed in the accident. Thilakan's boss(Shankaradi), knowing that Thilakan's family is getting a huge amount, tries to interfere with a fraud story. With the papers being arranged for insurance claim, Thilakan surprisingly returns home alive after being in an Ayurvedic Heritage home under treatment nursing his injuries of accident. His return, however does not please his sons, Jagadeesh in special, who by then had laid some business plans eyeing at his father's insurance money. They force Thilakan to stay home enclosed in a room without roaming outside so as to claim the insurance amount. Thilakan's return is witnessed by his neighbor(Innocent) who believes that its his ghost and he turns psychic. Thilakan, unable to bear the humiliation of being locked up in the house and seeing that his sons care money more than him, finally decides to leave home one night. He is accompanied by Kaviyoor Ponnamma who asks him whether he is leaving her alone behind. The climax scene shows Thilakan and Kaviyoor Ponnamma accompanied by Krishnan Kutty Nair also and the 3 travelling away from their children to lead a new life.
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Namukku Parkkan Munthiri Thoppukal is a warm and lyrical motion picture centered around a Malayalee Syrian Christian-Nasrani ("Nazarene") family. It was based on the Malayalam novel Nammukku Graamangalil Chennu Raappaarkkaam (Let us go and dwell in the villages) by K. K. Sudhakaran (1986). The title of the film and novel is based upon a passage from Biblical book of The Song of Solomon or Song of Songs, Chapter 7:12: "Let us get up early to the vineyards." The protagonist quotes this passage at one point during the film. It stars Mohanlal, Shari, Thilakan, Vineeth, and Kaviyoor Ponnamma. The film is especially noted for the brilliant performance of Thilakan and also for the flowing and warm thematic music by Johnson. Mohanlal's portrayal of Solomon has brought out one of the most matured romantic characters in Malayalam Cinema.
Sandhesam
Sandhesam (1991)

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After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview.
Mukhamukham, 1h47
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