Un profil pour deux est une comédie romantique franco-germano-belge réalisée par Stéphane Robelin, sortie en 2017.
Synopsis
Alex, trentenaire, donne des cours d'informatique à Pierre, septuagénaire, qui décide alors de s'inscrire sur un site de rencontre... mais avec la photo de son jeune professeur...
Suggestions of similar film to Mr. Stein Goes Online
There are 91 films with the same actors, 2 films with the same director, 88036 with the same cinematographic genres (including 1133 with exactly the same 4 genres than Mr. Stein Goes Online), 1065 films with the same themes (including 0 films with the same 4 themes than Mr. Stein Goes Online), to have finally 70 suggestions of similar films.
If you liked Mr. Stein Goes Online, you will probably like those similar films :
, 1h36 Directed byStéphane Robelin OriginFrance GenresDrama, Comedy ActorsJane Fonda, Daniel Brühl, Geraldine Chaplin, Pierre Richard, Claude Rich, Guy Bedos Rating66% Jean (Bedos) is a romantic revolutionary, yet enjoys the spoils of a bourgeois lifestyle with his wife, Annie (Chaplin). Annie is a retired psychologist, who complains about not being able to see enough of her children and assorted grandchildren. Albert (Richard) is showing increasing signs of dementia; his energetic American wife Jeanne (Fonda) is a former university lecturer who is suffering from cancer but who assures her husband that she is cured, yet shops for a brightly-colored coffin.
, 1h55 Directed byMike Nichols OriginUSA GenresDrama, Comedy, Comedy-drama, Romantic comedy, Romance ThemesL'usurpation d'identité, Musical films, Children's films, Escroquerie ActorsMelanie Griffith, Harrison Ford, Sigourney Weaver, Alec Baldwin, Joan Cusack, Philip Bosco Rating67% Tess McGill (Melanie Griffith) is an Irish American working-class stockbroker's secretary from Staten Island with a bachelor's degree in Business from evening classes. She dreams of an executive position. Tricked by her boss (Oliver Platt) into a date with his lascivious colleague (Kevin Spacey), she gets into trouble by publicly insulting him and is reassigned as secretary to a new financial executive, Katharine Parker (Sigourney Weaver). Seemingly supportive, Katharine encourages Tess to share ideas. Tess suggests that a client, Trask Industries, should invest in radio to gain a foothold in media. Katharine listens to the idea and says she'll pass it through some people. Later, she says the idea wasn't well received. But when Katharine breaks her leg skiing in Europe, she asks Tess to house-sit. While at Katharine's place, Tess discovers some meeting notes where Katharine plans to pass off the merger idea as her own. At home, Tess finds her boyfriend (Alec Baldwin) in bed with another woman. Disillusioned, she returns to Katharine's apartment and begins her transformation.
, 1h57 Directed bySydney Pollack OriginUSA GenresDrama, Comedy, Romantic comedy, Melodrama, Romance ThemesFilms about sexuality, Films about television, L'usurpation d'identité, LGBT-related films, Transgender in film, Musical films, Escroquerie, LGBT-related films, LGBT-related film, Cross-dressing in film ActorsDustin Hoffman, Jessica Lange, Teri Garr, Charles Durning, Bill Murray, Dabney Coleman Rating73% Michael Dorsey (Dustin Hoffman) is a respected but perfectionist actor. Nobody in New York wants to hire him anymore because he is difficult to work with. According to his long-suffering agent George Fields (Sydney Pollack), Michael's attention to detail and difficult reputation led a commercial he worked on to run significantly over-schedule, because the idea of a tomato sitting down was "illogical" to him. After many months without a job, Michael hears of an opening on the soap opera Southwest General from his friend and acting student Sandy Lester (Teri Garr), who tries out for the role of a hospital administrator Emily Kimberly but does not get it. In desperation, and as a result of his agent telling him that "no one will hire you", he dresses as a woman, auditions as "Dorothy Michaels" and wins the part. Michael takes the job as a way to raise $8,000 to produce a play, written by his roommate Jeff Slater (Bill Murray) and to star Sandy, titled Return to Love Canal. Michael plays his character as a feisty, feminist administrator, which surprises the other actors and crew who expected Emily to be (as written) another swooning female in the plot. His character quickly becomes a television sensation.
, 1h29 Directed byChristophe Duthuron OriginFrance GenresComedy ThemesVieillesse ActorsPierre Richard, Roland Giraud, Eddy Mitchell, Alice Pol, Henri Guybet, Myriam Boyer Rating60% Antoine, Emile et Pierrot, trois amis d'enfance, se retrouvent à l'occasion des obsèques de Lucette, la femme d'Antoine. Mais les retrouvailles sont de courte durée : Antoine trouve par hasard une lettre qui lui fait perdre la tête. Sans fournir d'explications, il part depuis le Tarn jusqu'à la Toscane. Pierre, Emile et Sophie, la petite-fille d'Antoine, se lancent à sa poursuite afin de l'empêcher de faire une folie après cinquante ans de silence.
, 1h45 Directed byRichard Benjamin OriginUSA GenresDrama, Comedy, Comedy-drama, Romantic comedy, Crime, Romance ThemesL'usurpation d'identité, Escroquerie ActorsShirley MacLaine, Ricki Lake, Brendan Fraser, Miguel Sandoval, Jane Krakowski, Loren Dean Rating62% In flashbacks, Connie Doyle's (Ricki Lake) early life gives an idea of her mindset. At 18, she meets womanizer Steve DeCunzo (Loren Dean), moves in with him and winds up pregnant. He kicks her out, denying responsibility. A destitute Connie, trying to find a shelter, gets inadvertently swept aboard a train at Grand Central Terminal. With no ticket and no money, Connie is rescued by Hugh Winterbourne (Brendan Fraser) and taken to his private compartment. She meets his wife, Patricia, who is also pregnant. When the train crashes, Connie is mistaken for Patricia because she is wearing Patricia's wedding band, which has the couple's names engraved on the inside. In the hospital, no longer pregnant, she learns Patricia and Hugh both died in the crash.
, 1h41 Directed byJohn Hughes OriginUSA GenresDrama, Comedy, Comedy-drama, Romantic comedy, Romance ThemesChildren's films, Escroquerie ActorsJames Belushi, Kelly Lynch, Alisan Porter, John Getz, Branscombe Richmond, Cameron Thor Rating59% Bill Dancer and his young companion Curly Sue are the archetypal homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. After moving from Detroit to Chicago, the duo cons the rich divorce lawyer Grey Ellison into believing she backed her Mercedes into Bill, in hopes of a free meal. When Grey accidentally collides with Bill for real, she insists on putting the two up for the night, even over the objections of her snotty fiance Walker McCormick. After a confrontation with Bill exposing the truth of the con, Grey lets them stay for as long as they need when she understands the precarious position the homeless pair are in. One night, Bill tells Grey that he's not Sue's father, he met Sue's mother one night in Florida. After Sue's mother died, Bill raised her himself, growing to love her like his own, thus when they lost their home and money, Bill couldn't find it in his heart to give Sue up and put her into an orphanage, so he took Sue with him. Grey, thinking Bill has been neglecting and abusing Sue by using her in his cons and scams, suggests Sue stay with her when he leaves, but this only angers Bill, who says that after all the years he's looked after her, if he gave up Sue now, people would make fun of her for being on welfare. He tells her that he is not neglecting or abusing Sue; he cares about Sue and his cons are to provide for Sue. However when it becomes apparent that Sue is completely unable to read or write (despite spelling a difficult word earlier in the film), Grey begins to push even harder for Bill to leave Sue with her. Eventually Bill realizes that this is where she belongs - in a home, cared for by someone that can give her the advantages that his homeless, nomadic existence lacks. The film culminates with Sue and Grey returning to their apartment where they discover a tiny ring, which Sue takes as a sign that Bill has chosen to leave her behind with Grey. (Throughout the film it is implied that Bill had pawned a ring left to Sue by her mother, which he would return to her when it came time for the two to part forever.) However the ring is accompanied by a note that says that he is in another room. Sue happily turns to find Bill, realizing that the ring is not a sign that he will leave her but a sign that he is going to abandon his old lifestyle in order to give Sue the home she needs and in order to pursue a romance with Grey.