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Muriel, or the Time of Return is a french film of genre Drama directed by Alain Resnais released in USA on 13 october 1963 with Delphine Seyrig
Muriel, or the Time of Return (1963)
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Add to a movie listReleased in USA 13 october 1963
Length 1h57
Directed by Alain Resnais
OriginFrance
Genres Drama
Rating69%
Muriel (French: Muriel ou le Temps d'un retour, literally Muriel, or the Time of a Return) is a 1963 French film directed by Alain Resnais. It was Resnais's third feature film, following Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian war which had recently been brought to an end. Muriel was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of Nuit et Brouillard (Night and Fog) (1955).
Synopsis
Hélène, a widow who runs an antique business from her own apartment in Boulogne-sur-Mer, is visited by a past lover, Alphonse. Her stepson, Bernard, is tormented by the memory of a girl named Muriel whom he has participated in torturing while doing military service in Algeria.Actors
Delphine Seyrig
(Hélène Aughain)
Jean-Pierre Kérien
(Alphonse Noyard)
Jean-Baptiste Thierrée
(Bernard Aughain)
Nita Klein
(Françoise)
Laurence Badie
(Claudie)
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Suggestions of similar film to Muriel, or the Time of Return
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Last Year at Marienbad (1961)
, 1h34Directed by Alain Resnais
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At a social gathering at a château or baroque hotel, a man approaches a woman. He claims they met the year before at Marienbad and is convinced that she is waiting there for him. The woman insists they have never met. A second man, who may be the woman's husband, repeatedly asserts his dominance over the first man, including beating him several times at a mathematical game (a version of Nim). Through ambiguous flashbacks and disorienting shifts of time and location, the film explores the relationships among the characters. Conversations and events are repeated in several places in the château and grounds, and there are numerous tracking shots of the château's corridors, with ambiguous voiceovers. The characters are unnamed in the film; in the published screenplay, the woman is referred to as "A", the first man is "X", and the man who may be her husband is "M".
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, 2hDirected by Alain Resnais
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Rating69%
In contemporary Paris, six characters individually confront their emotional solitude as their lives intertwine. Dan (Lambert Wilson) is unemployed after being sacked from the army and spends his time drinking in a bar and telling his troubles to the longsuffering barman Lionel (Pierre Arditi). Dan's relationship with Nicole (Laura Morante) is disintegrating and through a newspaper advertisement he meets Gaëlle (Isabelle Carré), an attractive but insecure young woman who lives with her older brother Thierry (André Dussollier). Thierry is an estate agent who has been trying to find a new apartment for Nicole and Dan. He works with Charlotte (Sabine Azéma), a middle-aged spinster and an ardent Christian, who lends him a video of an evangelical TV programme to give him inspiration. At the end of the video, Thierry discovers some unerased footage of erotic dancing by a woman he suspects to be Charlotte, and, taking this as an invitation, one day he tries to force her to kiss him in their office. Charlotte in her spare time works as a carer, and is assigned to look after the bed-ridden and foul-mouthed Arthur (the voice of Claude Rich) in the evenings so that his dutiful son, who is Lionel the barman, can go to work. After enduring repeated vicious tantrums from Arthur, Charlotte one evening dons a leather porno outfit and silences him with a striptease performance, before resuming her usual pious demeanour. Arthur is hospitalised next day. Gaëlle witnesses a farewell meeting between Dan and Nicole, and interpreting it as a betrayal by Dan, she flees back home to her brother. Lionel and Nicole both pack up to begin new lives. Dan resumes his place at the bar.
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