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Ram Rajya is a film of genre Drama directed by Vijay Bhatt with Shobhna Shilotri Samarth

Ram Rajya (1943)

Ram Rajya
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Length 2h12
Directed by
Genres Drama
Rating69% 3.4706353.4706353.4706353.4706353.470635

Ram Rajya is a 1943 Hindi mythological film, directed by Vijay Bhatt, with Prem Adib and Shobhna Samarth in the lead roles of Rama And Sita. It was the third highest grossing Indian film of 1943.

The film gained significance, as for title it used the term Ram Rajya (Rule of Rama), Mahatma Gandhi often used to define democratic-righteous rule during the Indian independence struggle, and it was the only film he, who didn't think much of the medium, ever saw.
First Indian movie that premiered at USA.

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Trailer of Ram Rajya

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Ram Rajya

There are 20 films with the same actors, 20 films with the same director, 60545 with the same cinematographic genres, 3589 films with the same themes (including 106 films with the same 2 themes than Ram Rajya), to have finally 70 suggestions of similar films.

If you liked Ram Rajya, you will probably like those similar films :
Rambaan
Rambaan (1948)
, 2h35
Directed by Vijay Bhatt
Themes Films based on mythology, Films about religion
Actors Shobhna Shilotri Samarth, Prem Adib, Chandra Mohan, Amirbai Karnataki, Leela Mishra, Jankidas

Rama with his wife Sita and brother Lakshman are banished for fourteen years to the forest. Ravana the king of Lanka wants to avenge his sister Surpanakha's humiliation by Lakshman. His plan is to abduct Sita by sending Maricha as a golden-spotted deer. Sita sees the deer and wants Rama to go after it as she wants its skin to make a blouse for Lakshman's wife Urmila. A cry is heard and thinking it is Rama shouting in pain, Sita sends Lakshman in search. Lakshman, loath to go as he has promised Rama to take care of Sita finally leaves after drawing a line, the Lakshmana rekha, round the cottage to keep Sita safe. Ravan kidnaps Sita by making her step on his sandal that he places inside the Lakshman-rekha. This incident leads to Rama and Lakshman's meeting with Sugriva and Hanuman where they help in the war against Ravan to get Sita back.
Ram Rajya
Ram Rajya (1966)
, 2h55
Directed by Vijay Bhatt
Themes Films based on mythology, Films about religion
Actors Bina Rai, Farida Jalal, Gopi Krishna

Rama returns to Ayodhya after being banished for fourteen years to the forest by his father Dashratha on the say of his second wife Kaikeyi. Rama's wife Sita and his brother Lakshmana had accompanied him in his exile. Sita was kidnapped by Ravan, King of Lanka, a war ensued with the death of Ravan and rescue of Sita. Valmiki in his hermitage has completed his epic Ramayana, and sends a messenger to King Rama asking permission to have it recited to him at his court. Good news arrives that Sita is expecting. However, things are set in motion when a washerwoman comes for justice as her husband throws her out of the house when her virtue is questioned as under unforeseen circumstances she spends the night with a man other than her husband. Things spiral out of control when the washerman and the public of Ayodhya question Sita's virtue following her forced captivity at Lanka. Sita has to go through a test of fire but even then the talk continues and Rama is forced to banish her to the forest. Lakshman takes her there and tells her of Rama’s intention of forsaking her. Appalled she jumps into the Ganga, but is saved by the sage Valmiki. Being pregnant, he reminds her of her duty as a queen and the need for her to provide heirs. She stays in the hutment anonymously and gives birth to twins called Luv and Kusha. Time passes and Rama is miserable with the step he had to take. Sage Vashishta has arranged for a Yagna to be performed by Rama. Valmiki's Ramayana is read by the boys and they sing out the verses. The twins meet are taken by Valmiki to Ayodhya to attend the Yagna. The children are unaware of their lineage. Valmiki makes them recite the story he has written which impresses Rama but he too is unaware of who the boys are. Finally after a short war between father and sons, they are united along with Sita.
Vikramaditya, 2h46
Directed by Vijay Bhatt
Genres Drama, Biography, Historical
Themes Political films, Films about royalty
Actors Prithviraj Kapoor, Prem Adib

The Shakas (Scythians) have invaded and defeated the Kashmir region. The Kashmiri princess Shreelakha, is on the run to avoid captivity and unwanted attention of Shakraj. The Shakas have already managed to capture several areas in India and the princess is finding it difficult to find refuge. She meets Kalidas the poet, who tells her to ask for shelter from King Vikramaditya, the ruler of Avanti. Kalidas, through his poetry impresses Madhvi, the daughter of Acharya Varamihir and she makes it possible for them to meet Vikramaditya. The King appoints Kalidas as the court poet. The princess asks for refuge and war against the Shakas. When Vikramaditya promises to do so he is met with opposition from his Minister, Vaital. Vaital on being rebuffed by the King then incites the people against the princess and tries to poison her. After several incidents involving the honesty of the King and his travails, the people think that Vaital has poisoned the King and the princess. The magnanimity and valour of the King is shown when he fights the Shakas, killing Shakaraj and releasing Shreelekha's father from captivity and restoring his kingdom.
Jhansi Ki Rani, 2h28
Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Films based on mythology, Films about religion
Actors Mahipal Singh, Shobhna Shilotri Samarth, Mehtab

The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Raja Harishchandra, 40minutes
Directed by Dhundiraj Govind Phalke
Origin Inde
Genres Drama, Historical
Themes Films based on mythology, Films about religion, Films about sexuality, LGBT-related films, Transgender in film, Mythologie hindoue, LGBT-related films, LGBT-related film, Cross-dressing in film
Actors D. D. Dabke or Dattatraya Damodar Dabke, Anna Salunke
Rating58% 2.947812.947812.947812.947812.94781
The film opens with a scene of a tableaux patterned on the painting by Raja Ravi Varma, of Raja Harishchandra and his wife with their son. The film revolves around the noble and righteous king, Harishchandra, who first sacrifices his kingdom, followed by his wife and eventually his children to honour his promise to the sage Vishwamitra. Though, in the end, pleased by his high morals, the Gods restore his former glory, and further bestow him with divine blessings.
Jai Santoshi Maa, 2h10
Genres Drama
Themes Films based on mythology, Films about religion
Actors Kanan Kaushal, Bharat Bhushan, Anita Guha, Mahipal Singh, Leela Mishra
Rating63% 3.1913553.1913553.1913553.1913553.191355
The film opens in Dev Lok or "the world of the gods," a Hindu heaven located above the clouds, where we witness the "birth" of Santoshi Ma as the daughter of Ganesha, the elephant headed god of good beginnings, and his two wives Riddhi and Siddhi ("prosperity" and "success"). A key role is played by the immortal sage Narada, a devotee of Vishnu, and a cosmic busybody who regularly intervenes to advance the film's two parallel plots, which concern both human beings and gods. We soon meet the maiden Satyavati (Kanan Kaushal), Santoshi Ma's greatest earthly devotee, leading a group of women in an aarti (song and ceremony of worship) to the goddess. This first song, "Main To Arti Utaru", "I perform Mother Santoshi's arti," exemplifies through its camerawork the experience of darshan —of "seeing" and being seen by a deity in the reciprocal act of "visual communion" that is central to Hindu worship.
The Doings of Lord Krishna, 2h11
Genres Drama, Adventure
Themes Films based on mythology, Films about religion
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Raja Kansa (Sapru) has been told by an oracle that he will be killed by the eighth male child born to his sister Devaki (Padmarani). He has Devaki and her husband Vasudeva imprisoned, and kills off all the children born to them. When the eight child, a boy, is born Vasudev manages to leave him with Nanda and Yashoda who become his foster parents. The film shows some miracles with the ogress and serpents. It also focuses on Radha (an older married woman) and Krishna's love story. The film ends with a wrestling match between the boy Krishna and a wrestler, which Krishna wins and his killing of Raja Kansa. Krishna frees his parents from the prison.