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Scenes from a Marriage is a suédois film of genre Drama directed by Ingmar Bergman released in USA on 15 september 1974 with Liv Ullmann
Scenes from a Marriage (1974)
Scener ur ett äktenskap
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Add to a movie listScenes from a Marriage (Swedish: Scener ur ett äktenskap) is a 1973 Swedish television series written and directed by Ingmar Bergman. The story explores the disintegration of a marriage between Marianne, a lawyer, and Johan, a professor (played respectively by Liv Ullmann and Erland Josephson) over a long period, using a restricted cast, a naturalist, hyper-realistic cinematic style, claustrophobic close-ups, and strings of rapid, articulate monologues. After major success in Sweden, the series became notorious worldwide when it was condemned for allegedly inspiring a spike in Scandinavian divorce rates, which nearly doubled in the year of its release.
Synopsis
Chronique de la vie d'un couple en six chapitres, s'étendant sur une période de vingt ans. Malgré leurs disputes incessantes, ils semblent voués à vivre ensemble.Actors
Liv Ullmann
(Marianne)
Erland Josephson
(Johan)
Bibi Andersson
(Katarina)
Gunnel Lindblom
(Eva)
Jan Malmsjö
(Peter)
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Suggestions of similar film to Scenes from a Marriage
There are 126 films with the same actors, 55 films with the same director, 66889 with the same cinematographic genres (including 13138 with exactly the same 2 genres than Scenes from a Marriage), to have finally 70 suggestions of similar films.If you liked Scenes from a Marriage, you will probably like those similar films :
The Passion of Anna (1969)
, 1h41Directed by Ingmar Bergman
Origin Suede
Genres Drama
Actors Max von Sydow, Liv Ullmann, Bibi Andersson, Erland Josephson, Erik Hell, Sigge Fürst
Rating75%
The audience is introduced to Andreas Winkelman, a man living alone and emotionally desolate after the recent demise of his marriage. He meets Anna, who is grieving the recent deaths of her husband and son. She uses a cane as a result of the car crash that killed them. While Anna uses Andreas' phone, he listens to her conversation, after which she departs visibly distraught. Anna has left her handbag behind and Andreas searches it, finding and reading a letter from her husband that will later prove she is deceptive.
Hour of the Wolf (1968)
, 1h30Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Horror
Themes Films about sexuality, LGBT-related films, LGBT-related film
Actors Max von Sydow, Liv Ullmann, Georg Rydeberg, Gertrud Fridh, Erland Josephson, Ingrid Thulin
Rating74%
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.
Persona (1966)
, 1h20Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes L'adolescence, Films about films, Films about children, Pregnancy films, Medical-themed films, Films about sexuality, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Films about pedophilia, Vampires in film, Films about psychiatry, LGBT-related films, LGBT-related film
Actors Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Margaretha Krook
Rating81%
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.
Face to Face (1976)
, 1h54Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy, Horror
Themes Films about magic and magicians
Actors Liv Ullmann, Erland Josephson, Gunnar Björnstrand, Aino Taube, Gösta Ekman, Sr., Kristina Adolphson
Rating74%
Dr. Jenny Isaksson (Liv Ullmann) is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, Jenny succumbs to a breakdown. She is haunted by images and emotions from her past and eventually cannot function as a wife, doctor, or individual.
Saraband (2003)
, 2hDirected by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about music and musicians, Films about sexuality, Musical films
Actors Liv Ullmann, Erland Josephson, Börje Ahlstedt, Gunnel Fred
Rating74%
The film is structured around ten acts with a prologue and epilogue. It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a glider off somewhere and disappearing), she reflects that it would be nice to see her first husband again.
Brink of Life (1958)
, 1h22Directed by Ingmar Bergman
Origin Suede
Genres Drama
Actors Eva Dahlbeck, Ingrid Thulin, Bibi Andersson, Barbro Hiort af Ornäs, Erland Josephson, Max von Sydow
Rating72%
Cecilia fait une fausse couche et se réveille dans une chambre d'hôpital aux côtés de Christina qui est sur le point d'accoucher. Dans un troisième lit, la toute jeune Hjördis est soignée pour un avortement manqué.
Cries and Whispers (1972)
, 1h31Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Rating79%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
Autumn Sonata (1978)
, 1h39Directed by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about families, Films about music and musicians, Films about classical music and musicians
Actors Ingrid Bergman, Liv Ullmann, Lena Nyman, Gunnar Björnstrand, Erland Josephson, Marianne Aminoff
Rating80%
Eva (Liv Ullmann), wife of the village pastor, invites her mother Charlotte (Ingrid Bergman) for a visit to her village. She has not seen her for over seven years. Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. Eva is not as talented as the mother (despite the fact that she has written two books, and has a passing talent at playing the piano). Eva's main concern is to be the mistress of her home, wife, mother and loving sister. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: a husband (Halvar Björk) she respects, but does not really have affection for, their son drowned when only 4 years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. As part of her day-to-day life, Eva takes her disabled and paralyzed sister Helena (Lena Nyman) out of the Hospital into her own home, and she appears to be the only person who can understand her sister's limited speech ability.
The Silence (1963)
, 1h36Directed by Ingmar Bergman
Origin Suede
Genres Drama, Romance
Themes Monde imaginaire
Actors Ingrid Thulin, Gunnel Lindblom, Birger Malmsten
Rating77%
Two emotionally estranged sisters, Ester (Ingrid Thulin) and Anna (Gunnel Lindblom), and Anna's son, Johan (Jörgen Lindström), a boy of 10, are on a night train journey back home. Ester, the older sister and a literary translator, is seriously ill. Anna coldly assists her, seemingly resenting the burden. They decide to interrupt the journey in the next town called "Timoka", settled in a fictitious Central European country with an incomprehensible language and on the brink of war.
The Touch (1971)
, 1h55Directed by Ingmar Bergman
Genres Drama, Action, Romance
Themes Seafaring films, Transport films
Actors Elliott Gould, Bibi Andersson, Max von Sydow, Sheila Reid, Barbro Hiort af Ornäs, Åke Lindström
Rating62%
Andreas and Karin Vergerus (von Sydow and Andersson) live in fine rapport, their personalities matching well. Both are quiet, contemplative, and very rational persons, not liable to act spontaneously. The intruder, "David Kovac", played by Elliott Gould, is in contrast an impetuous man, uncompromising, overbearing, and tormented by inner contradictions and compulsions. Karin and David become clandestine lovers, but aren't appropriate for each other. Before they meet David attempted suicide and Karin was unhappy to be reduced to a wife. They flower in their new love and it destroys their lives.