Street Fight is a 2005 documentary film by Marshall Curry, chronicling Cory Booker's 2002 campaign against Sharpe James for Mayor of Newark, New Jersey. Other credits include Rory Kennedy (executive producer), Liz Garbus (executive producer), Mary Manhardt (additional editor), Marisa Karplus (associate producer), and Adam Etline (story consultant).
Street Fight screened at the 2005 Tribeca Film Festival and was later aired on the PBS series P.O.V. on July 5, 2005, and CBC Newsworld in Canada on May 7, 2006.
The film was nominated for an Academy Award for Best Documentary Feature.
Synopsis
The film details the hard-fought mayoral campaign by a young community activist and City Council member (Cory Booker) against a 16-year incumbent mayor (James) with a powerful political machine. The documentary follows Booker and several of his campaign workers from their early days of door-knocking on Newark streets through the campaign's dramatic conclusion.
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, 1h36 Directed byErrol Morris OriginUSA GenresDocumentary, Historical ThemesDocumentary films about historical events, Documentaire sur une personnalité, Documentary films about politics, Political films ActorsErrol Morris Rating69% The major portion of the film is spent addressing excerpts from the millions of memos, nicknamed 'Yellow Perils' by his first Pentagon staff and 'Snowflakes' by the second, that Rumsfeld wrote during his time as a congressman and advisor to four different presidents, twice as United States Secretary of Defense. It also focuses on a response Rumsfeld gave to a question at a U.S. Department of Defense news briefing on February 12, 2002 about the lack of evidence linking the government of Iraq with the supply of weapons of mass destruction to terrorist groups. The content of the memos are varied, covering everything from the aftermath of Watergate, to the Abu Ghraib torture and prisoner abuse scandal, to the definition of the word “terrorism”. Morris returns to the motif of snowflakes swirling within a snow globe throughout the documentary as he discusses the context of the memos with Rumsfeld, notes to which the Defense Secretary gave him limited access while preparing the film, and which Rumsfeld agrees to read aloud on camera.