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Take Me High is a British film of genre Comedy with Cliff Richard

Take Me High (1973)

Take Me High
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Length 1h30
Genres Comedy,    Musical,    Romance
Rating47% 2.3855352.3855352.3855352.3855352.385535

Take Me High is a 1973 British feature film, directed by David Askey, written by Christopher Penfold and starring Cliff Richard in his final film role before resuming his music career, with Deborah Watling, Hugh Griffith, George Cole and Anthony Andrews.

Set and filmed in Birmingham, it featured many landmarks from the city, including Gas Street Basin, Alpha Tower, the Council House (as a hotel), Spaghetti Junction, New Street, Corporation Street, Central Library and the Hall of Memory.

It was released on Warner Home Video in 1988 as a VHS tape, but has never been given a retail release on DVD, however a free DVD of the film was issued with The Daily Mail on 25 September 2010.

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Trailer of Take Me High

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Take Me High

There are 92 films with the same actors, 50773 with the same cinematographic genres (including 938 with exactly the same 3 genres than Take Me High), 6250 films with the same themes, to have finally 70 suggestions of similar films.

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Paul Scofield plays Johnny, a slimy, small-time music promoter and talent scout who notices teenage girls going crazy for the singing and bongo playing of talentless and seemingly idiotic Herbert Rudge (played by James Kenny). Johnny rechristens Rudge as "Bongo Herbert" and signs him to a contract that gives Johnny a 50% share of the profits. With Johnny's help, Bongo rockets to stardom. Bongo's success attracts a host of sleazy music industry types intent on exploiting him. Johnny quickly finds himself outclassed in the sleaze department as Bongo turns out to be the slipperiest slime of them all.
The Young Ones, 1h48
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The story is about the youth club member and aspiring singer Nicky and his friends, who try to save their club in western London from the unscrupulous millionaire property developer Hamilton Black, who plans to tear it down to make room for a large office block.
Tom Jones
Tom Jones (1964)
, 2h8
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Genres Comedy, Comedy-drama, Action, Adventure, Historical, Romance
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The story begins with a silent film sequence during which the good Squire Allworthy (George Devine) returns home after a lengthy stay in London and discovers a baby (played by a girl, Lynn Goldsworthy) in his bed. Thinking that his barber, Mr. Partridge (Jack MacGowran), and one of his servants, Jenny Jones (Joyce Redman), have "birthed" the infant out of lust, the squire banishes them and chooses to raise little Tom Jones as if he were his own son.
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The story concerns Don (Cliff Richard) and his friends (Hayes, Green and Bulloch) who are bus mechanics at the huge London Transport bus overhaul works in Aldenham, Hertfordshire. During a miserably wet British summer lunch break, Don arrives, having persuaded London Transport to lend him and his friends an AEC Regent III RT double-decker bus (and not a later Routemaster as often quoted). This they convert into a holiday caravan, which they drive across continental Europe, intending to reach the South of France. However, their eventual destination is Athens, Greece. On the way, they are joined by a trio of young women (Stubbs, Hart and Daryl) and a runaway singer (Lauri Peters), who initially pretends to be male, pursued by her mother (Ryan) and agent (Murton). The movie was a box-office hit, thus repeating the success of Cliff Richard's earlier film The Young Ones (1961).
It's a Wonderful World, 1h27
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Jim MacLaine (David Essex) was abandoned by his father when he was young. Later, as a suburban school dropout, Jim leaves home and drifts through a succession of dead-end jobs until he finds an outlet for his frustration in rock 'n' roll. Tossing away the chance of a university education much to the consternation of his mother, alienated MacLaine becomes a lowly deckchair attendant before streetwise friend Mike (Ringo Starr) gets him a job firstly as a barman and then with the fun fair. The initially shy MacLaine quickly becomes a heartless fairground Romeo leaving a trail of broken hearts in his wake. Eventually MacLaine returns home to run the family store and marry his girlfriend, but despite the birth of a son, restless Jim feels the lure of rock ’n’ roll again.
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In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.