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The Battle of Chile: Part I is a film of genre Documentary directed by Patricio Guzmán released in USA on 12 january 1978

The Battle of Chile: Part I (1975)

The Battle of Chile: Part I
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The Battle of Chile is a documentary film directed by the Chilean Patricio Guzman, in three parts: The Insurrection of the Bourgeoisie (1975), The Coup d'état (1976), Popular Power (1979). It is a chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende. It won the Grand Prix in 1975 and 1976 at the Grenoble International Film Festival. In 1996, Chile, Obstinate Memory was released and followed Guzmán back to Chile as he screened the 3-part documentary to Chileans who had never seen it before.

Synopsis

En 1973, alors que Salvador Allende initie un programme de transformations sociales et politiques visant à enrayer la pauvreté, la droite organise une série de grèves. Quand Allende obtient la majorité des suffrages en mars, la bourgeoisie comprend qu’elle ne peut plus avoir recours à des mécanismes légaux, et c’est le coup d’État.

Trailer of The Battle of Chile: Part I

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Source : Wikidata

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Suggestions of similar film to The Battle of Chile: Part I

There are 6 films with the same director, 13334 with the same cinematographic genres (including 545 with exactly the same 2 genres than The Battle of Chile: Part I), 15916 films with the same themes (including 0 films with the same 9 themes than The Battle of Chile: Part I), to have finally 70 suggestions of similar films.

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Rating75% 3.7955253.7955253.7955253.7955253.795525
Nostalgia for the Light opens with a view of a telescope and images of our moon. The narrator, Patricio Guzmán, describes how he came to love astronomy and begins to remember his childhood where “only the present moment existed.” Soon, Chile became the center of the world as astronomers and scientists flocked to Chile to observe the universe through the thin and clear skies. We next see Guzmán walking in the Atacama Desert, a place with absolutely no moisture, so much so that it resembles the surface of Mars. This desert, and its abundance of history, becomes the focus of the documentary. Because of how dry it is, the desert hosts the untouched remains of fish, mollusks, Indian carvings, and even mummified humans.
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The filmmaker has described the film as part of a diptych with Nostalgia for the Light, exploring familiar Guzmán themes such as memory and the historical past, particularly of that of the history's "losers" rather than victors, as it documents the settlement of Chile’s Tierra del Fuego, including some of the last surviving descendants of the original Alacalufe and Yaghan inhabitants.
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