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The Blue Planet is a film of genre Documentary directed by Alastair Fothergill released in USA on 27 january 2002

The Blue Planet (2001)

The Blue Planet
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La Planète bleue (Deep blue) est un film documentaire britannique réalisé par Alastair Fothergill et Andy Byatt sorti en 2004. La même équipe de production a ensuite créé la série Planète Terre.

Synopsis

Le film présente la richesse de la biodiversité marine, de l'Arctique à l'Antarctique, des plages de sable aux fosses marines et des formes de vie les plus simples (méduses, plancton, coraux) aux plus évoluées (raies, manchots empereurs, requins baleine, baleines bleues).

Trailer of The Blue Planet

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Suggestions of similar film to The Blue Planet

There are 7 films with the same director, 8855 with the same cinematographic genres, 7151 films with the same themes (including 25 films with the same 3 themes than The Blue Planet), to have finally 70 suggestions of similar films.

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Rating78% 3.945563.945563.945563.945563.94556
Over the course of a calendar year, Earth takes the viewer on a journey from the North Pole in January to the South in December, revealing how plants and animals respond to the power of the sun and the changing seasons. The film focuses on three particular species, the polar bear, African bush elephant and humpback whale.
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Oscar is the nickname given by the narrator (Tim Allen) to a young chimpanzee in his toddler years. He is part of a close-knit tribe of chimpanzees. They occupy a forest territory which is rich in native fruits, nuts, and figs, among other things. The chimps hunt small tree monkeys, and they also eat termites collected with primitive tools made from sticks. They also use rocks as tools to crack nuts. Oscar is tended by his mother, nicknamed Isha, and from her he begins learning many things about how to survive in the jungle. In the chaos of an attempted raid by a rival gang of chimpanzees led by 'Scar', Isha is injured and separated from the group and her son. As told by the narrator, Isha is most probably the victim of a nocturnal leopard.
Bears
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A brown bear mother named Sky gives birth to two cubs named Amber and Scout in her den on a mountain slope. When April comes the bears will be ready to leave the den. As the bears leave the oncoming summer brings with it a threat of avalanches. Fortunately the bears are able to avoid disaster. Upon reaching the lush valley below, the cubs meet the other bears, some of which pose a threat to the cubs; among these bears are Magnus, a big healthy male, and Chinook, an older male. The family works together to survive the spring, with Sky keeping the cubs safe from Tikaani, a pesky gray wolf. The cubs get to know how to defend themselves in encounters with Tikaani. Also the family must stay clear of the frequent dominance fights between Magnus and Chinook.
Deep Blue
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Maya is a toque macaque whose world is changed when her son Kip becomes part of her extended family. Maya’s family has its share of diverse personalities and she wishes her son to have the best advantages for advancing within the family's social strata. When their home is overrun by a neighboring tribe of monkeys, the family has to find a new home. Maya uses her inherent smarts to lead the family to new resources, but it develops that the entire group will have to cooperate in order to reclaim their original home, where Maya wishes to advance her son's future within the family.
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L'océan recouvre plus de 70 % de la Terre et lui donne sa couleur et son surnom : la planète bleue. Nous découvrons ces merveilleux fonds sous-marins accompagnés d'un jeune dauphin surnommé Blue qui nous guide au cœur du monde aquatique et nous fait découvrir des créatures étranges, merveilleuses, fantastiques évoluant dans un équilibre fragile. L'espèce du dauphin est fortement mis en avant en montrant notamment le lien fort qui existe entre une mère et son petit. La baleine à bosse ainsi que les différentes barrières de corail sont également des éléments essentiels du film.
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The marine-based documentary was mainly shot around Papua New Guinea, and is a collection of footage directed by Riefenstahl between the 1970s and 2000. Other film locations included the Maldive Islands the Seychelles, Kenya, Tanzania, Indonesia, the Red Sea, the Cocos Islands (Pacific) and the Caribbean Sea (Cuba). Riefenstahl dismissed claims that the film was a comeback; "Impressionen Unterwasser certainly isn't a 'comeback'. I was always active and continue to be so. My film shows the beauty of the underwater world. I hope it will touch the viewer's conscience as it illustrates just what the world will lose when nothing is done to stop the destruction of our oceans. I once said that I am fascinated by the beautiful and the living. I seek harmony and, under water, I have found it.