Il toro (also known as The Bull) is a 1994 Italian comedy-drama film directed by Carlo Mazzacurati.
The film entered the 51st Venice International Film Festival, where it was awarded with the Silver Lion and the Volpi Cup for best supporting actor (to Roberto Citran).
There are 77 films with the same actors, 8 films with the same director, 89733 with the same cinematographic genres (including 597 with exactly the same 3 genres than The Bull), to have finally 70 suggestions of similar films.
If you liked The Bull, you will probably like those similar films :
Directed byCarlo Mazzacurati OriginItalie GenresDrama, Comedy ActorsGiulia Boschi, Marco Messeri, Mario Adorf, Remo Remotti, Roberto Citran, Memè Perlini Rating63% L'avocat italien Otello Morsiani (Marco Messeri) s'installe dans le delta du Pô. Séduit par le lieu et ses habitants, il sympathise avec Italo (Remo Remotti ) et se lie d'amitié avec sa fille, Daria (Giulia Boschi). Mais il découvre par le biais de son travail des secrets qu'il n'aurait jamais du connaître.
, 1h38 Directed byCarlo Mazzacurati OriginItalie GenresComedy ActorsValerio Mastandrea, Giuseppe Battiston, Isabella Ragonese, Antonio Albanese, Roberto Citran, Lucia Mascino Rating60% Bruna est une esthéticienne qui lutte pour joindre les deux bouts. Trahie par son fiancé et traquée par un fournisseur sans scrupules, elle reçoit une confession sur son lit de mort d'une cliente, à laquelle elle lime les ongles en prison. C'est la mère d'un célèbre bandit, Norma Pecche, qui a caché un trésor composé de bijoux dans l'un des fauteuils de son salon.
, 1h46 Directed byCarlo Mazzacurati GenresComedy ActorsSilvio Orlando, Giuseppe Battiston, Cristiana Capotondi, Corrado Guzzanti, Kasia Smutniak, Stefania Sandrelli Rating62% In a small village in Umbria, the film director Gianni is in deep creative crisis. He lives like a bum, no longer an idea to create a movie when its problems if there is another bigger than all the others. His home water pipe broke, flooding as a precious fresco of the church in the country. Gianni has two choices: pay the damage or finance and direct a sacred representation of the Passion of Christ. Since we do not have the money to pay for the damage to the fresco ancient, Gianni agrees to regain the Italian public by directing the sacred representation.