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The Good Companions is a British film of genre Comedy directed by J. Lee Thompson with Eric Portman
The Good Companions (1957)
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Add to a movie listThe Good Companions is a 1957 British musical film directed by J. Lee Thompson and starring Eric Portman. It is based on the novel of the same name and is a remake of the 1933 film version.
Actors
Eric Portman
(Jess Oakroyd)
Celia Johnson
(Miss Trant)
Max Miller
Hugh Griffith
(Morton Mitcham)
Janette Scott
(Susie Dean)
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Suggestions of similar film to The Good Companions
There are 129 films with the same actors, 44 films with the same director, 50818 with the same cinematographic genres (including 938 with exactly the same 3 genres than The Good Companions), 6250 films with the same themes, to have finally 70 suggestions of similar films.If you liked The Good Companions, you will probably like those similar films :
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, 1h31Directed by J. Lee Thompson
Origin United-kingdom
Genres Comedy, Musical
Themes Films about music and musicians, Théâtre, Musical films, Films based on plays
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Rating52%
The film is about an US singer named Bobby Denver, who is known as the "Crying Crooner" (a la Johnnie Ray), who stays with a stockbroker's family by mistake when he comes to England. The stockbroker, played by Jack Buchanan, has three very pretty daughters with the youngest Gwen (played by Janette Scott) madly in love with him so much she wants to marry him. Eventually, the stodgy stockbroker deals with his wife and daughter as well as his maid Linda (played by Joan Sims, who keeps fainting every time Bobby sings) being so infatuated.
An Alligator Named Daisy (1955)
, 1h28Directed by J. Lee Thompson
Origin United-kingdom
Genres Comedy, Musical, Romance
Themes Films about music and musicians, Musical films
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Returning from a cricket match in Ireland, Peter Weston, an Englishman, is left a pet alligator by another passenger who abandons it to him. He is horrified and his first instinct is to get rid of it as soon as possible. However, he soon develops a bond with a young Irishwoman which appears to be centred almost entirely around the animal. He soon discovers that Daisy is very tame and domesticated, and seems to be the way to Moira's heart.
What a Way to Go! (1964)
, 1h51Directed by John Flynn, J. Lee Thompson
Origin USA
Genres Comedy, Romantic comedy, Musical, Black comedy, Romance
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Rating68%
In a dream-like pre-credit sequence, Louisa May Foster (Shirley MacLaine), dressed as a black-clad widow, descends a pink staircase in a pink mansion. As she reaches the bottom, she is followed by pall-bearers carrying a pink coffin. As they round the bend in the staircase, the pallbearers drop the coffin, which sleds down the stairs, leading into the opening titles.
Huckleberry Finn (1974)
, 1h58Directed by J. Lee Thompson
Origin USA
Genres Adventure, Musical
Themes Musical films
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Rating56%
Huckleberry Finn (Jeff East) is a boy from Missouri living with a kindly widow and her sister who has taken him in.
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, 1h30Origin United-kingdom
Genres Comedy, Musical, Romance
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Princess Charming (1934)
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Tom Jones (1964)
, 2h8Directed by Tony Richardson
Origin United-kingdom
Genres Comedy, Comedy-drama, Action, Adventure, Historical, Romance
Themes Musical films, Films about capital punishment
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Rating63%
The story begins with a silent film sequence during which the good Squire Allworthy (George Devine) returns home after a lengthy stay in London and discovers a baby (played by a girl, Lynn Goldsworthy) in his bed. Thinking that his barber, Mr. Partridge (Jack MacGowran), and one of his servants, Jenny Jones (Joyce Redman), have "birthed" the infant out of lust, the squire banishes them and chooses to raise little Tom Jones as if he were his own son.
The Beggar's Opera (1953)
, 1h34Directed by Peter Brook
Origin United-kingdom
Genres Historical, Musical, Crime
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In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.
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, 1h34Directed by Edward Buzzell
Origin USA
Genres Comedy, Musical, Romance
Themes Musical films
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Rating63%
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