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The Man from London is a hongrois film of genre Drama directed by Béla Tarr released in USA on 27 may 2009 with Tilda Swinton

The Man from London (2007)

A Londoni férfi

The Man from London
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Released in USA 27 may 2009
Length 2h19
Directed by ,    
OriginHongrie
Genres Drama,    Thriller,    Crime
Rating69% 3.4995053.4995053.4995053.4995053.499505

The Man from London (Hungarian: A londoni férfi) is a 2007 film by Hungarian director Béla Tarr. It is an adaptation by Tarr and his collaborator-friend László Krasznahorkai of the 1934 French language novel L'Homme de Londres by prolific Belgian writer Georges Simenon. The film was co-directed by editor Ágnes Hranitzky, and features an international ensemble cast including Czech actor Miroslav Krobot, Tilda Swinton, and Hungarian actors János Derzsi and István Lénárt. The plot follows Maloin, a nondescript railway worker who recovers a briefcase containing a significant amount of money from the scene of a murder to which he is the only witness. Wracked by guilt and fear of being discovered, Maloin sinks into despondence and frustration, which leads to acrimony in his household. Meanwhile, an English police detective investigates the disappearance of the money and the unscrupulous characters connected to the crime.

The French, German and Hungarian co-production of the film was fraught with difficulty and obstacles. The first of these was the suicide in February 2005, days before shooting was due to begin, of the film's French producer, Humbert Balsan. As the original financing of the film collapsed, the remaining producers managed to secure stop-gap funding which allowed them to shoot nine days of footage on the expensive Corsican sets, until they were shut down through legal action by the local subcontractor. After many expressions of support from European film organisations, production companies and government bodies, a new co-production contract was signed in July 2005 with a revised budget and shooting schedule. It then emerged that all rights to the film had been ceded to a French bank under the original production agreement, and only after further changes in the film's backers was a deal struck with the bank to allow shooting to resume in March 2006, over a year later than had been originally envisaged.

The Man from London was the first of Tarr's films to premiere in competition at the Cannes Film Festival, but despite being highly anticipated, it won no prize. The French distributor blamed this on poor dubbing and a late showing, though the press were put off by the film's extended shots and leaden pace. After being re-dubbed, it was shown on the international film festival circuit. The critical reception to the film was divided; though reviewers spoke in glowing terms of the formidable cinematography and meticulous composition, they denounced the film's lack of compelling plot or characters and the tedium and alienation of the viewing experience. Though the director's preceding films, Sátántangó (1994) and Werckmeister Harmonies (2000), had been acclaimed as masterpieces, critics concurred that The Man from London fell short. Variety reviewer Derek Elley commented that the film was unlikely to reconcile the division between viewers of Tarr's films who find the director to be "either a visionary genius or a crashing bore".



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Synopsis

The film concerns a middle-aged railway pointsman, Maloin (Miroslav Krobot), who lives in a decrepit apartment in a port town with his highly-strung wife Camélia (Tilda Swinton) and his daughter Henriette (Erika Bók). One night while in his viewing tower at the port's rail terminus, Maloin witnesses a fight on the dockside. One of the shady combatants is knocked into the water along with the briefcase he carries; when the other flees the dark quayside, Maloin makes a clandestine descent from the tower and retrieves the briefcase, which he finds full of sodden English banknotes. Maloin conceals the money and tells no-one of what he has seen. The next morning, he visits a tavern where he plays chess with the barkeep (Gyula Pauer). On his way home, he stops by the butcher's where his daughter works, and finds to his indignation that they have her washing the floor. Later, from the window of his apartment, he notices Brown (János Derzsi) watching him from below. At dinner, Maloin is increasingly irascible, addressing Henriette brusquely and arguing with Camélia. Meanwhile Brown searches the water at the dock's edge without success before noticing the watchtower overlooking the quayside, and Maloin within.

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Trailer of The Man from London

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Suggestions of similar film to The Man from London

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