The Matrix Revisited is a feature-length documentary on the production of the movie The Matrix.
The film goes behind the scenes of the 1999 sci-fi movie to give explanations of complicated scenes, previews of the then-forthcoming sequels, and interviews with the cast and crew, including the reclusive Wachowski siblings, who rarely give interviews.
It was first released as the first and only documentary in the series, but was later included as part of a two-disc Collector's Edition of The Matrix. It now forms part of The Ultimate Matrix Collection.
Synopsis
Un nouveau regard sur Matrix : de la conception au phénomêne.
Suggestions of similar film to The Matrix Revisited
There are 247 films with the same actors, 8915 with the same cinematographic genres, 16965 films with the same themes (including 0 films with the same 13 themes than The Matrix Revisited), to have finally 70 suggestions of similar films.
If you liked The Matrix Revisited, you will probably like those similar films :
, 1h16 OriginUSA GenresDocumentary ThemesFilms about films, Medical-themed films, Post-apocalyptic films, Films set in the future, Documentary films about business, Documentary films about the film industry, Zombie films, Films about viral outbreaks, Documentary films about films, Disaster films ActorsGeorge A. Romero, Gale Anne Hurd, Larry Fessenden Rating69% Rob Kuhns interviews a range of authors, critics, and filmmakers about the impact, legacy, and enduring popularity of Night of the Living Dead. Romero describes the film's background, production, and distribution, including how it accidentally fell into the public domain. Fessenden describes Night of the Living Dead 's aspects of postmodernist film, including an early commentary on horror films inside of a horror film – Johnny's taunting of his sister, Barbra, in the opening graveyard scene. Hurd cites the film as an influence on her own work as executive producer of The Walking Dead. Mitchell, among other things, describes how the film presents a strong Black male as the protagonist of a film without resorting to racial commentary. The final scene, in which Duane Jones' character, Ben, is killed by a posse is compared to historical footage of 1960s lynch mobs and police brutality, and scenes of violent zombie attacks are compared to footage from Vietnam broadcast on television.