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The Ugly Girl is a film directed by Henry Koster with Dolly Haas

The Ugly Girl (1933)

The Ugly Girl
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Das häßliche Mädchen ("The Ugly Girl", sometimes translated "The Ugly Duckling") is a German comedy film made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premièred in September that year. It was the first or second film directed by Hermann Kosterlitz, who left Germany before the film was completed and later worked in the United States under the name Henry Koster, and the last German film in which Dolly Haas appeared; she also later emigrated to the US. A riot broke out at the première to protest the male lead, Max Hansen, who was supposedly "too Jewish." The film's representation of the "ugly girl" as outsider has been described as a metaphorical way to explore the outsider existence of Jews.

Synopsis

Lotte März (Dolly Haas) is hired as a secretary at an insurance company because she is ugly; introducing her to the (male) accountants, the personnel manager says, "I hope that you will finally be able to work in peace." The men harass her and conspire to lure her into a compromising position by having one of them, Fritz Mahldorf (Max Hansen) pretend to find her attractive. The manager discovers her in an embrace with Fritz and fires her. The self-absorbed Fritz, showing remorse that is unusual for him, arranges for her to be rehired as assistant to Director Mönckeberg (Otto Wallburg, a comical figure). Lotte has fallen for him, but he makes a date at his flat with the Director's girlfriend, Lydia (Genia Nikolaieva). Soon after she arrives, so does Lotte, and then so does the jealous Director. Farcical misunderstandings ensue, including the discovery of Lydia's fur coat and a fancy-dress ball at the Director's villa in which Lotte dresses as a pirate (just like the Director). Lotte undergoes a complete makeover at a beauty parlour: haircut, perm and facial—and is transformed into an attractive flapper. (As the New York Times reviewer put it, "As always, however, the ugly duckling becomes a disturbingly graceful swan.") Fritz falls in love with her and love triumphs, although he remains a flatterer and a deceiver and she has contemplated suicide.

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