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Zegen is a japonais film of genre Comedy directed by Shōhei Imamura with Mitsuko Baishō
Zegen (1987)
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Add to a movie listZegen (Japanese: 女衒 ZEGEN) is a 1987 Japanese black comedy film by director Shohei Imamura. It was entered into the 1987 Cannes Film Festival. The film was selected as the Japanese entry for the Best Foreign Language Film at the 60th Academy Awards, but was not accepted as a nominee.
Synopsis
It is the story of Iheiji Muraoka, who built brothels for the Japanese military.Actors
Mitsuko Baishō
(Shiho)
Ko Chun-hsiung
(Wang)
Ken Ogata
(Iheiji Muraoka)
Tetta Sugimoto
(Genkichi)
Taiji Tonoyama
(Shimada)
Minori Terada
(Hisamitsu)
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Suggestions of similar film to Zegen
There are 22 films with the same actors, 21 films with the same director, 42814 with the same cinematographic genres (including 75 with exactly the same 3 genres than Zegen), 7308 films with the same themes (including 449 films with the same 4 themes than Zegen), to have finally 70 suggestions of similar films.If you liked Zegen, you will probably like those similar films :
, 1h59Directed by Shōhei Imamura
Origin Japon
Genres Drama, Science fiction, Comedy-drama, Romantic comedy, Fantasy, Romance
Themes Films about sexuality, Erotic films
Actors Kōji Yakusho, Misa Shimizu, Mitsuko Baishō, Toshie Negishi, Isao Natsuyagi, Takahito Iguchi
Rating66%
Warm Water Under A Red Bridge focuses on the troubles of a Japanese "everyman" who finds a new life with an unusual woman in a small fishing village. Imamura's last film contains considerable commentary on the search for happiness.
Pigs and Battleships (1961)
, 1h48Directed by Shōhei Imamura
Origin Japon
Genres Drama, Comedy, Action, Crime
Themes Seafaring films, Films about sexuality, Transport films, Erotic films, Films about prostitution, Erotic thriller films
Actors Yōko Minamida, Hiroyuki Nagato, Tetsurō Tanba, Shirō Ōsaka, Takeshi Katō, Kin Sugai
Rating74%
The film focuses on Kinta, a member of the Himori Yakuza, who has been put in charge of the gang's pork distribution and his girlfriend Haruko, who works at a bar. Kinta is shown working with other gangsters, beating up a local shopkeep who caters to Americans and paying the people who work on the hog farm. When Kinta goes to visit Haruko in the afternoon she leaves without speaking to him and Kinta finds out through her sister that Haruko is being paid 30000 yen to go on a date with a sailor (and that her mother has already spent the money). Haruko returns to Kinta later that night, although Kinta is unhappy because of the earlier events. Haruko reveals that she is pregnant and expresses her concerns about Kinta’s work.
The Insect Woman (1963)
, 2h3Directed by Shōhei Imamura
Origin Japon
Genres Drama
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Sachiko Hidari, Masumi Harukawa, Teruko Kishi, Tanie Kitabayashi, Asao Koike, Hiroyuki Nagato
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Le film suit le parcours d’une femme, Tome, pendant une quarantaine d’années. Tome est originaire d’une province rurale du Nord du Japon – Tohoku. Elle se rend à Tokyo pour essayer de se sortir de la misère. Elle devient prostituée puis maquerelle, mais, arrêtée par la police, elle revient finalement à sa situation et à son point de départ.
The Pornographers (1966)
, 2h8Directed by Shōhei Imamura
Origin Japon
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films, Films about pornography
Actors Haruo Tanaka, Ganjirō Nakamura, Kō Nishimura, Masaomi Kondō, Ichirō Sugai (菅井一郎), Taiji Tonoyama
Rating71%
Le film raconte l'histoire d'un réalisateur de film pornographique, M. Ogata, dont l'activité est menacée par les voleurs, le gouvernement, et par sa propre famille.
, 1h10Directed by Shōhei Imamura
Genres Documentary
Themes Films about sexuality, Erotic films, Films about prostitution, Documentary films about war, Documentary films about historical events, Documentary films about prostitution, Political films, Documentary films about World War II
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Rating72%
The Eel (1997)
, 1h57Directed by Shōhei Imamura
Origin Japon
Genres Drama
Themes Films about domestic violence
Actors Kōji Yakusho, Misa Shimizu, Mitsuko Baishō, Akira Emoto, Shō Aikawa, Etsuko Ichihara
Rating72%
Acting on the advice of an anonymous note, Takuro Yamashita (Kōji Yakusho) returns home early one night to find his wife in bed with another man. He kills her and then turns himself in to the police. After being released from prison, he opens a barber shop and brings along a pet eel which he talks to while mostly ignoring conversation with others. He helps save Keiko Hattori (Misa Shimizu) from a suicide attempt, resulting in her working at the shop. She starts developing romantic feelings for him, but he acts nonchalant and refuses the boxed lunches she prepares for him when he goes eel-hunting with the fisherman Jukichi Takada. Takuro recognizes the local garbageman from prison and the garbageman starts to stalk Takuro and Keiko, believing that Takuro isn't repentant enough for his crimes. He attempts to rape Keiko and leaves a letter revealing Takuro's past on the door of his barber shop, but it is removed by Takada. Keiko finds out that she is pregnant with the baby of Eiji Dojima (Tomorowo Taguchi), a loan shark, and that it is too late for an abortion. One night the garbageman goes to Takuro's shop and lectures him, accusing him of killing his wife out of jealousy. The two get into an altercation and Takuro fends him off. Keiko goes back to her old company, where she is the vice-president, and retrieves her mother's bankbook. This results in Dojima angrily going to the barber shop, along with henchman, and accusing her of theft since he was planning to reinvest the funds into his business. Dojima's group and Keiko's fight, with the false revelation that Keiko is pregnant with Takuro's child. The police find that Keiko's mother never signed power of attorney papers for Dojima, but a parole violation meeting for Takuro causes him to be sent back to prison for a year. Takuro lets his eel go and accepts a boxed lunch from Keiko, who promises to wait for him with her baby.
The Ballad of Narayama (1983)
, 2h10Directed by Shōhei Imamura
Origin Japon
Genres Drama
Themes Films about families, Seafaring films, Transport films, Vieillesse
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Rating77%
The film is set in a small rural village in Japan in the 19th century. According to tradition, once a person reaches the age of 70 he or she must travel to a remote mountain to die of starvation, a practice known as ubasute. The story concerns Orin, who is 69 and of sound health, but notes that a neighbor had to drag his father to the mountain, so she resolves to avoid clinging to life beyond her term. She spends a year arranging all the affairs of her family and village: she severely punishes a family who are hoarding food, and helps her younger son lose his virginity.
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, 1h52Directed by Pier Paolo Pasolini, Sergio Citti
Origin Italie
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Rating69%
The film, shot in Neapolitan dialect at the behest of the director, offers a variety of episodes from the stories most characteristic work of Giovanni Boccaccio, and are connected by the sequence of a pupil of the painter Giotto (played by Pasolini himself) who arrives in Naples to paint a mural.
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, 2h9Directed by Shōhei Imamura
Origin Japon
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The film concerns Dr. Akagi, a doctor on an island in the Seto Inland Sea area during World War II. He runs into conflict with the military while trying to combat a hepatitis epidemic. Akagi earns the nickname "Dr. Liver" (カンゾー先生 Kanzō-sensei) because of his work.
11'09''01 September 11 (2002)
, 2h15Directed by Sean Penn, Claude Lelouch, Amos Gitaï, Youssef Chahine, Alejandro González Iñárritu, Danis Tanović, Ken Loach, Idrissa Ouédraogo, Shōhei Imamura, Mira Nair, Samira Makhmalbaf
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Genres Drama
Themes Films based on the September 11 attacks, Medical-themed films, Films about terrorism, Transport films, Aviation films, Films about disabilities, Dans un avion, Disaster films, Sign-language films, French Sign Language films, Films about language and translation, Films about hijackings
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Dans un village au Moyen-Orient, la population se prépare à des représailles américaines en préparant des abris de terre cuite. Personne n'appréhende vraiment ce qui s'est passé à New York, mais ils savent que, même s'ils n'ont rien à voir avec cela, ils vont en subir les conséquences. Le film dénonce la manière dont des villages innocents dont la réalité n'a rien à voir avec les attentats du 11 septembre subissent finalement le même sort que les tours, sans vraiment comprendre.