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Films with the genre "Documentary", sorted by revenue

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Chernobyl.3828, 30minutes
Origin Ukraine
Genres Documentary, Historical
Themes Environmental films, Documentary films about environmental issues, Documentary films about historical events, Documentary films about nuclear technology, Documentary films about technology, Disaster films

Twenty-five years have passed since Valeriy Starodumov worked as a dosimeter scout in September 1986. Valeriy worked at the epicenter of the explosion, the reactor's operation area, which was the most radioactive part of the site. The protagonist, a direct participant in the operation, went to the roof himself and brought people there after a failed attempt to clear the area with robots. At the government level, it was decided to assign soldiers and cadets of military schools to the task of cleaning the roofs. Unique pictures of the events of 1986 are widely used in the film. "Chernobyl.3828" is dedicated to people who saved the world from the radioactive contamination at the cost of their health and life.
Contact
Contact (2009)
, 1h18
Genres Documentary, Historical
Themes Seafaring films, Transport films, Documentary films about law

In 1964, a Blue Streak test missile launched from Woomera by ELDO was expected to land in the Percival Lakes area of Western Australia, an area traditionally belonging to the Martu. Two Native Welfare patrol officers, Walter MacDougall and Terry Long, were sent to the area to make sure it was uninhabited. When they arrived, they located a group of 20 Martu women and children in the area. The group had never seen white skinned people before and upon seeing the patrol officers they wanted nothing to do with them, and they ran away from them. Despite the presence of the Martu people in the area, a missile was still fired from Woomera, but it went far off course, landing hundreds of miles away from the lakes.
Rocketmen
Rocketmen (2014)

Origin United-kingdom
Genres Documentary
Themes Transport films, Documentary films about historical events, Documentary films about technology

Using archival footage, this film explores the American space program, from the Gemini program through the return to space after the Space Shuttle Columbia Disaster.
I Was a Teenage Feminist, 1h2
Genres Documentary
Themes Feminist films, Documentary films about politics, Political films

I Was A Teenage Feminist examines how and why an uneasiness with the word “feminist” has developed among modern, young women. Throughout the film, Shechter expresses her own struggle with identity as it relates to modern feminism and past iterations of the feminist movements. To illustrate Shechter’s beginnings as the titular Teenage Feminist, the film uses music and scenes from "Free to Be… You and Me", archival footage from dated educational movies and home videos of Shechter as a teenager.
In the Footsteps of Marco Polo
Origin USA
Genres Documentary
Themes Documentary films about historical events

In The Footsteps of Marco Polo begins by discussing how in the 13th century A.D., a book was written "that would change the course of history"—the author was Marco Polo, who wrote about his travels in China, Persia, Tatarstan and India. Denis Belliveau and Francis O'Donnell, of Queens, New York, sought to retrace the entire 25,000 mile route of Marco Polo, eschewing aircraft and "going only by land or sea", even making a pact to return either “dead or successful”. Their main goal was to prove the validity of Marco Polo’s account by capturing images of what Polo described in his Book of the Marvels of the World, or also known as, The Travels of Marco Polo. The pair started out in Venice, Italy and then sailed to Israel, where in Jerusalem they obtained holy oil from Church of the Holy Sepulchre, the site of Jesus' burial, during the Eastern Orthodox Christian celebration of Easter, as Marco Polo had. Belliveau and O'Donnell then sailed to Turkey, landing in Ayaş, a small fishing village, although in Polo’s time it was a large port. The duo made appearances in several local newspapers, which opened up doors with the local population. Denis and Francis then tried to enter Iran but were prohibited from doing so by the Iranian government. As a result, they picked up the trail traveled by Marco Polo's father, Niccolo and his uncle Maffeo, to Bukhara, hoping to visit Iran on the way back. The Polo brothers had opened up the land route to China, known as the Silk Road years before Polo. In Uzbekistan the two were required to have a visa for every city that they visited. Belliveau and O'Donnell, however, initially faced difficulty from the Federal Security Service (the successor of the Soviet KGB) in crossing the Friendship Bridge into Afghanistan, but were able to do so after waiting approximately three weeks, forging their visas and paying a $100 bribe. The two noticed the stark difference between this former Republic of the Soviet Union and Afghanistan—the lack of roads, goods and electricity. To get across Afghanistan, Belliveau and O'Donnell were inspired by a plan implemented by Marco Polo: Kublai Khan had provided Polo and his companions with a golden tablet or paiza on which was written that they should be given all the "lodging they might need and horses to escort them from one land to another." The American adventurers similarly received a letter from a comrade of an Afghan warlord that enabled them to obtain twenty-five heavily armed bodyguards. While traveling to Balkh, the group was ambushed and held captive by ethnic Hazaras, the direct descendants of a tribe that attacked Polo’s caravan. Denis and Francis then made their way to the Wakhan Corridor in far northeastern Afghanistan. The narrow corridor has been described by the two modern explorers as being the jewel in the crown of their achievement. The leader of the Wakhi people, a living remnant of the days of feudal lords, Shah Sayid Muhammad Ishmael, told the travelers that they were the first Westerners to traverse the legendary corridor in a generation. Belliveau and O'Donnell then crossed the Pamirs into Tajikistan on horseback, passing structures made of sheep horns (ovis poli), that guided the sojourners along the snowy trails just as described by Marco Polo and dictated by local custom.
Iran Is Not the Problem, 1h19
Genres War, Documentary

The 79-minute feature documentary argues that the American media does not reliably report on Iran's differences with the US. It also presents a view countering the international perspective that Iran’s nuclear proliferation is aimed at destroying Israel, contrary to fact of the US domination of the world and its diplomatic double speak. It also appraises the democratic movement within Iran, attributes reasons for the conflicts with the USA and Israel, and offers some solutions. Many opinions are screened which express their individual views.
My Italian Secret: The Forgotten Heroes, 1h32
Genres War, Documentary
Themes Films about racism, Films about religion, Documentary films about racism, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentary films about religion, Political films, Films about Jews and Judaism, Documentary films about World War II

The film tells its story by relating the accounts of Jewish survivors "who return to Italy in their late adulthood to revisit the scenes of their worst nightmares: hidden in terror, fleeing in desperation, separated from loved ones, saying final goodbyes without knowing they were final."
Nuremberg: The Nazis Facing their Crimes
Genres Documentary, Historical
Themes Films about films, Films about racism, Films about religion, Documentary films about business, Documentary films about the film industry, Documentary films about racism, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentary films about religion, Political films, Films about Jews and Judaism, Documentary films about World War II, Documentary films about films
Actors Christopher Plummer, Budd Schulberg

Le 20 novembre 1945 commence, au palais de justice de Nuremberg, le premier procès intenté par une instance judiciaire internationale. Sur le banc des accusés : 24 responsables du IIIe Reich nazi. Ce film, montage des principaux moments du procès, place le spectateur au coeur des audiences...
Overnight
Overnight (2003)
, 1h22
Origin USA
Genres Documentary
Themes Documentary films about business, Documentary films about the film industry
Actors Troy Duffy, Chris Brinker, Cassian Elwes, Emmanuelle Béart, Vincent D'Onofrio, Sean Patrick Flanery

Overnight is the story of Troy Duffy, a bartender and aspiring screenwriter who is also a musician in a band called "The Brood," along with his brother Taylor.
Youssou Ndour: I Bring What I Love
Genres Documentary
Themes Films about music and musicians, Films about religion, Documentary films about music and musicians, Documentary films about religion, Films about Islam
Actors Peter Gabriel

Youssou N’Dour: I Bring What I Love is a music-driven film that reveals one man's power to inspire global change. The film unfolds at a pivotal moment in the life of Youssou N’Dour—the best-selling African pop artist of all time. N'Dour has long been renowned for bringing people of diverse nations and backgrounds together through his collaborations with such musical superstars as Bono, Paul Simon, and Peter Gabriel. But when he releases his most personal and spiritual album yet, he instead alienates his Muslim fans in Africa. Although he garners accolades in the West, N’Dour must brave controversy and rejection at home as he sets out to win his audience back.
Nickelback - Live at Home, 2h18
Origin Canada
Genres Documentary, Musical
Themes Films about music and musicians

"Live at Home" est un concert live sorti en 2002, filmé dans la province natale de Nickelback en Alberta, au Canada, pendant la tournée soutenant leur album Silver Side Up. Le concert a eu lieu à Edmonton le 25 février 2002 au Skyreach Centre. Le concert a réuni un public de 25 000 personnes, le plus grand nombre de personnes à avoir jamais assisté à l'arène. Vers la fin du spectacle, Jerry Cantrell a rejoint le groupe pour interpréter la chanson "It Ain't Like That". Pendant le rappel, le groupe interprète une version acoustique de la chanson Mistake, une reprise de Big Wreck.