University student Seo In-ha meets a young woman on the subway and instantly falls in love. After joining a local book club, he is pleasantly surprised to find that the woman, Mun Hie-jae, is also a member. Although he makes a poor first impression, In-ha and Hie-jae eventually become friends, though he is left disappointed when she later rejects him, as she is more interested in another student, Kang Seong-ho.
Two kids debate about if they should go to school or not. One of the kids, Stanley, decides to go to school because they might actually learn something this time which makes the other kid shrug and walk away. His teacher, Miss Given, hands out the answers to everything and the only problem is that he has to share his copy with a school bully named Garth.
Paul Kane is suffering from short-term memory loss after his plane crashes. Kelton Reed and Dr. Harriet Fellows help Kane to remember his earlier life.
A young woman named Hyun-chae is on train looking through an art book. As she turns the pages, she discovers a written message underneath a picture of bears playing together in the springtime. She reads:
It is set in Thailand and includes a romance. The main character, Fatin, is a late 20s, lower middle class man from Cairo who travels to Thailand. No intimate contact, including a kiss, is seen.
The miniseries is an adaptation of The Diary of Ellen Rimbauer: My Life at Rose Red (2001), written by Ridley Pearson under the pseudonym Joyce Reardon, Ph.D. Pearson's novel was based on the script of Stephen King's Rose Red.
When a group of Amish schoolgirls are taken hostage and killed in their classroom, their parents and the Amish community of Nickel Mines, Pennsylvania, stun the outside world by immediately forgiving the killer. Ida Graber (Kimberly Williams-Paisley), mother of one of the murdered children, has a tougher time than the others accepting the tragedy, but in her anguish and pain, she begins a personal journey of renewed faith, ultimately accepting the heart-wrenching tragedy of losing a child; reconnecting with her husband (Matt Letscher), family, and community; offering forgiveness to the killer; and even showing kindness and compassion to the killer’s widow (Tammy Blanchard) and children – all in the form of Amish Grace.
Mexican revolutionary Pancho Villa (Antonio Banderas) finds himself without adequate funding to finance his war against the military-run government. He also finds himself at odds with the Americans because of the Hearst media empire's press campaign against him. To counter both of these threats, he sends emissaries to movie producers to convince them to pay to film his progress and the actual battles. Producer D.W. Griffith (Colm Feore) is immediately interested and convinces Mutual Film Studios boss Harry E. Aitkin to send a film crew. Aitkin's nephew Frank Thayer is initially a mere errand boy for the studio, but he makes a good impression with Villa, who demands that Thayer be placed in charge of the project. Thayer and a camera crew team film Villa leading his men to victory in battle. Despite the failure of this initial footage (which draws derisive laughter from potential backers) Thayer convinces Aitkin to invest even more money in a second attempt, and also convinces Villa to participate in making a more narrative film.
It is 1985: Ronald Reagan is in the White House, and AIDS is causing wide-scale death in America. In Manhattan, Prior Walter tells Louis, his lover of four years, that he has AIDS; Louis, unable to handle it, leaves him. As disease and loneliness ravage Prior, guilt invades Louis. Joe Pitt, a Mormon and Republican attorney, is pushed by right-wing fixer Roy Cohn toward a job at the United States Department of Justice. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and image. Pitt's wife Harper is strung out on Valium, causing her to hallucinate constantly (sometimes jointly with Prior during his fever dreams), and she longs to escape from her sexless marriage. An angel with ulterior motives commands Prior to become a prophet. Pitt's mother and Belize, a close friend and drag queen, help Prior choose. Joe leaves his wife and goes to live with Louis, but the relationship doesn't work out due to ideological differences. Roy is diagnosed with AIDS early on, and as his life comes to a close he is haunted by the ghost of Ethel Rosenberg.
Lydia Blessing (Mary Tyler Moore) is an 82-year-old heiress of wealthy background who, since the death of her husband decades earlier, has been living as a bitter and reclusive widow at her mansion called 'Blessings'. Meanwhile, a man named Skip Cuddy (Liam Waite) has just been released on parole from county jail following an armed robbery gone wrong, only to find his girlfriend Shelley (Laura Regan) cheating on him with an old friend, Chris (Joris Jarsky). Deciding to abandon his old customs, Skip accepts an offer to work for Lydia at her mansion. Lydia's personal maid Jennifer (China Chow) is aware of Skip's mistakes in the past, and warns him not to betray Lydia, as does her daughter Meredith (Kathleen Quinlan).
The film focuses on the trial of George Smith and flashbacks showing how he met each of his wives. Smith is married to his wife Edith. He often goes away on the pretext of business. Whilst he is away he meets wealthy women, marries them within a few weeks, insures their lives and then drowns them in the bath. He returns with the insurance money (sometimes he brings the latest victims possessions to Edith as gifts). He is eventually arrested and ultimately hanged for his crimes. At the trial it is revealed that his marriage to Edith is bigamous; in total he had eight wives, most of which he left after stealing all their possessions.
Richard is a new art teacher at a high school. Cornelia Englebrecht (played by Glenn Close) is a history teacher who invites Richard to see a painting of a young girl at a table, which she believes to be a genuine Vermeer, where she tells him stories, which are portrayed as flashbacks about the people who owned the painting in the past. All of the stories take place in the Netherlands, and the flashbacks happen mostly before the one preceding it. The first story, from the late 1800s, involved a romance and had flashbacks within flashbacks. Another story took place in the early 1700s when a baby was abandoned during a flood after a dike break. The painting accompanied the baby and was intended to be sold for the baby's expenses.