Au Caire, Asfour (Farid El Atrache) est chanteur dans un théâtre. Il est amoureux de sa partenaire la danseuse Aliya, elle-même fille du directeur du théâtre et sur le point d'épouser l'homme d'affaires Mimi Bey qui leur apporte une dot importante. À cause d'un quiproquo, Asfour se croit aimé d'Aliya et entreprend de demander sa main à son père. Ce dernier prend la demande en considération, mais à la condition qu'Asfour offre une dot plus élevée. Comme ce dernier est sans le sou, la demande échoue. Alors qu'Asfour désespéré se lamente dans un jardin, il fait la rencontre d'un vieil homme à l'air bienveillant, personnage mystérieux qui lui apparait parfois brièvement. L'apparition lui donne rendez-vous dans une grotte le soir même. Accompagné de son alter ego Bou'ou, personnage à la fois énergique et gaffeur, Asfour va au rendez-vous où l'homme lui remet un objet qui pourra lui donner le bonheur à la condition qu'il en fasse bon usage : c'est une lampe magique dont sort une séduisante ifrit, Kahramana (Samia Gamal). Celle-ci, invisible pour tout autre que lui, le confond avec son amour, le démon Astaroth, dont Asfour a joué le rôle.
Zelal is an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
The story of Cairo Exit takes place in a small town in the outskirts of Cairo, Dar El Salaam, a city that inhabits mostly lower class, working class Egyptians. In the ancient time until the 60s this was the most fertile land but now it's slums inhabitant by all kinds of people.
Built at the dawn of the 20th century, the neighborhood of Garden City was a small residential area bordering on downtown Cairo, Egypt, where international political leaders had their residences. Giran walks us through this neighborhood as it is nowadays. Abandoned mansions, luxurious salons, embassies, shops or rooftops, where a whole family lives. The houses and their occupants, witnesses of the changes in History, tell tales of break-ups, hopes and survival.
Garbage Dreams follows three teenage boys born into the trash trade and growing up in the world's largest garbage village, on the outskirts of Cairo, Egypt. It is the home to 60,000 Zaballeen, also spelled as Zabbaleen, Arabic for "garbage people." Far ahead of any modern "Green" initiatives, the Zaballeen survive by recycling 80 percent of the garbage they collect. When their community is suddenly faced with the globalization of its trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community.
Behind the Rainbow explores the transition of the African National Congress (ANC) from its role as a liberation organization to its position as South Africa's ruling party, by means of the evolution of the relationship between two of its most prominent leaders, Thabo Mbeki and Jacob Zuma. Exiled under Apartheid, brothers in arms following Mandela's leadership, they loyally labored to build a non-racial state. Now they are bitter rivals. Their confrontation threatens to tear apart the ANC and the country, mean while the poor desperately seek hope in change and the elite fight for the spoils of victory.
Mai falls in love with Ayman, who passes away chasing her brother Mohammad, a drug addict, who stole her bag. The story repeats itself with the same exact dates a year later with her new boyfriend Yaser. Mai asks for her friend's help, Riham who works as a psychiatrist as she detects Ayman's diaries with the help of his father and figures that the same story happened to Ayman, whose girlfriend died a year prior his death.
Starting out at a concert at Saint Nazaire, passing through London and finally arriving in Cairo’s uproar, the film depicts a series of fragmented musical sketches that, together, form the portrait of the singer from the sands, Natacha Atlas. From one migration to the next, one sole journey, one sole melancholic dream from East to West following in the footsteps of a rose of Pop...
Sadate est exécuté le 6 octobre 1981 par des fondamentalistes islamiques, sous l’impulsion des chefs d’État arabes qui l’avaient exclu de la ligue arabe pour « traîtrise ».
Four young Egyptians take different paths to find the place they can each call "Home". Due to economical, religious or educational reasons, they are faced with difficulties that will force them to look for a way out through emigration or trying to live with the people that surround them.
This documentary follows in the tracks of teenage girls living on the streets of Cairo, Egypt, a universe of violence, but also of freedom. These girls own a surprising strength, mixing necessary laughter with the toughness needed to survive day after day. Their existence, their lives and the codes they follow challenge the social model. Their days are sown with threats; sometimes it is the police and their raids, other times, the kidnappings carried out by their street fellows as well as the fights that sometimes get out of hand. Yet, through their dances, laughter and acrobatics these women and mothers offer us a glimpse which reminds us that they are still children.
Une histoire d’amour et de quotidienneté. Un quelconque lundi se révélera spécial dans la vie d'un couple marié. Ils se découvriront de nouveau grâce à un changement dans leur routine.