In the late 2030s, solar flares irradiate the Earth, killing over 99% of the world's population. The survivors gather in a network of safe cities and build primitive humanoid robots, called Pilgrims, to help rebuild and operate in the harsh environment. These robots have two unalterable protocols: they can not harm any form of life, and they may not modify any robot. Initially seen as mankind's salvation, they are relegated to manual labor when they fail to stop the advance of desertification. Society has regressed due to lack of technology besides the Pilgrims (lack of functional planes or other transport prevents travel and cars are a rare commodity) and humanity is on the brink of collapsing.
Un groupe de jeunes se prépare à ce que sera l'été de leur vie, y compris les secrets, les mensonges, les pick-up, le sexe, la confusion et surtout la grande fête nocturne.
The year is 1931. Spain is politically divided between Republicans and Traditionalists and on the verge of the Spanish Second Republic. Fernando, a young soldier, deserts. He befriends Manolo (Fernando Fernán Gómez), an old man with a large house in the country. Fernando meets and is enchanted by Manolo's four daughters. As he meets each of the first three one by one, he falls in love and has sex with each of them, determining to marry but with each one a complication arises: Clara (Miriam Díaz-Aroca), a widow who only recently lost her husband and who seeks solace with Fernando; Violeta (Ariadna Gil), a lesbian who is only attracted to Fernando when he is dressed as a woman for a costume ball and Rocío (Maribel Verdú), a social climber who is about to marry into a royalist family for the security it would provide and who only momentarily succumbs to Fernando's charms. Heartbroken each time, the father of the girls encourages him to have patience. Each of the daughters is beautiful and represents a different aspect of feminine sexuality. The youngest of the family, Luz (Penélope Cruz), represents naïveté. While Fernando is pursuing her sisters, Luz gets progressively angry and jealous but eventually Fernando realizes that she is the best one of the four to marry.
Detective Agustín Rejas is tracking the self-styled President Ezequiel, a Marxist-influenced guerrilla waging a brutal terrorist campaign against the corrupt democracy of an unnamed Latin American country. Contrasting with the violence and death in his professional life, Rejas begins to fall for Yolanda - his daughter's beautiful ballet teacher. But she may not be all she appears, and his growing attraction to her brings him in direct conflict with his prey.
Set in the year 1980. Two ideologically opposed homicide detectives from Madrid are sent to a forgotten town on the Guadalquivir Marshes to investigate the disappearance and murder of two teenage girls during the town's festivities. Together they will have to overcome their differences and face the heartless killer that has been murdering teenagers in the town for years.
The film opens with the GEOs sent in to recover Ángela. They begin setting bombs all over the apartments, but when they're ambushed by the infected Manu and the old man, they then kill them off and kill the officers infected as well. They then hear Ángela's screams for help and tell her it is time to get out.
A Russian peasant family is eating dinner when a truck stops in the front yard. The father opens the door of the truck to find a murdered woman and two crying infants in the seat next to her.
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible (Angulo), a death metal salesman from Carabanchel (Segura), and the Italian host of a TV show on the occult (De Razza). By committing multiple sins, the priest hopes to sell his soul, so that he can be at the birth of the Antichrist and kill it before it can destroy the world. The priest and the death metal salesmen kidnap the host, so he can help them in summoning the devil. The ritual requires the blood of a virgin and while on his quest to get it, the priest accidentally kills the salesmen's mother and close friend. During the ritual, in which the main characters go on an "acid trip", the devil manifests and, not being fooled by the priests actions, he does not reveal the location of the Antichrist. The trio eventually track down the birthplace of the Antichrist. The salesman is killed by the Antichrist and the devil's minions attack and badly burn the host, but the priest is able to kill them and the Antichrist. After the events, the priest and the host become homeless drifters.
Don Rodrigo, Count of Albrit, an old Spanish aristocrat, returns to turn-of-the-20th-century Spain after losing his fortune in America. The death of his only son has made him come back to his family estate, now in possession of his daughter-in-law Lucrecia. Upon his return, Don Rodrigo is pleased to meet his granddaughters, Dolly and Nelly, both of whom are adorable and attentive towards him. However, there is something nagging Don Rodrigo.
Rodrigo's life as a child was a noble and happy one, he entered school at a young age. Often he went on adventures with his best friend Sancho and often visited his beloved one Jimena, the daughter of the count of Gormaz. His happiness did not last forever, after the death of the king Fernando, Rodrigo is seen wrapped in a world of plots and conspiracies that to will put an end to the life of Sancho and the consequent coronation of the infant Alfonso. All of a sudden, Rodrigo loses all that he has acquired, his best friend and the love of its beloved one, and is unjustly exiled to Castile without honor.
In the harsh post-war years' Catalan countryside, Dionís, a bird dealer, is killed with his son by a man in a hooded cape. Andreu, an 11-year-old boy, discovers the bodies. The falangist mayor of the town blames Farriol, Andreu’s father. Farriol, who was Dionís’s business partner dealing with birds, is an easy target for incrimination due to his suspicious background as a supporter of the Second Spanish Republic. Years before, the mayor and Farriol were rivals vying for the love of Florència, Andreu’s mother, cementing the major resentment against both of them. Fearing for his life, Farriol decides to flee and cross the border into France. Florència has to work in a factory in Vic so Andreu is sent to live with his paternal relatives in a house full of women and children. Àvia, Andreu’s old grandmother and Ció, a widower aunt who has a son a few years older than Andreu, work looking after the country home of the richest family of the region, the Manuben. There is also a younger aunt, Enriqueta, who is being pressured into marrying an older neighbor she does not love. The grim household is completed by Andreu’s orphan cousin Núria, a maimed but beautiful girl around his age, who lost a hand while playing with a grenade.
Des personnes au caractère différent sont prises au piège, un matin, dans un café en plein centre-ville de Madrid : si l’une d’elles tente de quitter le bar, elle est vite abattue par un tireur d’élite venant du haut des immeubles. Le temps passe, et l’atmosphère du café devient peu à peu intolérable…
Tout commence lors d’une réunion des sexopathes anonymes où Javier et Miranda se rencontrent. Javier, scénariste-producteur, avait un avenir brillant jusqu’au jour où il s’est livré à un jeu sexuel au téléphone qui a détruit son mariage et Miranda, animatrice d’une émission radio. Attirés l’un vers l’autre, ils succombent à leur envie en faisant l’amour dans une voiture abandonnée dans un parking souterrain dans lequel on trouvera plus tard un cadavre.
Tristana is an orphan adopted by nobleman don Lope Garrido. Don Lope falls in love with her and thus treats her as daughter and wife from the age of 19. But, by age 21 Tristana starts finding her voice, to demand to study music, art and other subjects with which she wishes to become independent. She meets the young artist Horacio Díaz, falls in love, and eventually leaves Toledo to live with him. When she falls ill, she returns to don Lope. The illness results in her losing a leg, which changes her prospects; here, the film substantially varies from the novel.
Paco (Alfredo Landa), Régula (Terele Pávez), and their three children live on a ranch in Extremadura, where they dutifully serve an upper-class family. One day, Azarías (Paco Rabal), Régula's mentally-handicapped brother, arrives on the ranch. Now, they must face poverty together.