Arnulfo Rubio fait du trafic d'armes pour un cartel mexicain. Un agent de l'ATF, Hank Harris, veut le capturer mais se fait capturer par Rubio à la place. Lorsque ce dernier cherche à l'amener à son boss, les deux hommes commencent à sympathiser.
The film revolves around a festival of mayordomía in the Mexican Oaxaca state, wich revolves around on something like the idea of "king for a day." When the town celebrates the feast day of its patron saint, the church appoints a layman as mayordomo or steward, an honor that in effect is gained by being able to organize and cover the high costs of most of the saint's local festivities. The post is however very coveted by the locals as it is socially prestigious.
Shot almost entirely in a seedy one-room apartment, this psychodrama details the grinding routine of Laura (Mónica del Carmen), a 25-year-old freelance journalist, who lives a very isolated life in her small apartment rarely venturing out besides getting men home from nightclubs and never going beyond one night in bed. Until she meets the quiet, inscrutable Arturo (Gustavo Sánchez Parra) and the pair enter into an intense, violent sexual relationship. The story focuses on the fascinating evolution of their relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover. It takes place in February on a leap year.
Mexico. L'inspecteur de police Martinez doit enquêter sur une série de meurtres de prostituées qui semblent toutes avoir été tuées par un orgasme si puissant qu'il leur a été fatal. Martinez fait équipe avec l'anthropologue Onofre et obtient l'aide inespérée du père Gorkisolo, un prêtre ayant des connaissances inattendues dans le domaine sexuel.
C'est l'histoire de trois jeunes femmes mexicaines, colocataires.
Lucia (Ana de la Reguera), a une relation compliqué avec Mathias(Alejandro Nones): ils s'entendent très bien sexuellement mais le reste ne suit pas forcement comme le voudrait Lucia.
It is Wednesday, October 2, 1968, and a middle-class Mexican family is about to start the day. At breakfast, the older brothers, Jorge (Demián Bichir) and Sergio (Bruno Bichir) argue with their father Humberto (Héctor Bonilla). The boys are studying at the university and their father works at the Departamento del Distrito Federal (Mexico City's local Government). The argument begins when the father complains that the boys have long hair. The argument escalates and then they begin to argue that what the boys are doing is wrong, and that "no one should question the government". The boys say that the autonomy of the university was violated and that the government does things against the constitution. Their grandfather Roque (Jorge Fegan) (who fought the Mexican Revolution), says that "If they were on a real revolution, they would be executed". The younger siblings Carlos (Ademar Arau) and Graciela (Estela Robles), who study primary and secondary school, barely understand what the argument is all about, because of their young age. The boys then talk about the injustice of the government. Their prime example is the occupation of the U.N.A.M. and that some students hid in the bathroom, and their corpses were found the day before (October 1). The mother, Alicia (María Rojo) tries to calm down the situation and tells the boys to "come early and cut their hair". The boys jokingly state that Miguel Hidalgo had long hair (whether this is true or not is unknown, for no paintings of him alive survive), then leave.
Babel focuses on four interrelated sets of situations and characters, and many events are revealed out of sequence. The following plot summary has been simplified and thus does not reflect the exact sequence of the events on screen.
Marcos (Marcos Hernández) is a working class man in Mexico, employed by "the general." Marcos learns that the baby that he and his wife kidnapped for ransom had accidentally died. The remainder of the film follows a despondent Marcos, seemingly haunted by the moral and/or legal implications of his actions.
Uxbal lives in a shabby apartment in Barcelona with his two young children, Ana and Mateo. He is separated from their mother Marambra, a woman suffering from alcoholism and bipolar disorder. Having grown up an orphan, Uxbal has no family other than his brother Tito, who works in the construction business. Uxbal earns a living by procuring work for illegal immigrants and managing a group of Chinese women producing forged designer goods along with the African street vendors who are selling them. He is able to talk to the dead and is sometimes paid to pass on messages from the recently deceased at wakes and funerals. When he is diagnosed with terminal prostate cancer leaving him with only a few months to live, his world progressively falls apart.
The action begins with Mexico City policemen banging on the door of what seems to be an abandoned house. Ulises (Damian Alcazar) and his partner enter the house and find gruesome remnants of animal sacrifices and human remains. The two are ambushed by the occupants and Ulises is forced to watch them torture and mutilate his partner until he is decapitated. Ulises is shot in the leg and is allowed to live to warn other law enforcement officials to stay out of their way.
Le film relate les aventures d'Álvar Núñez Cabeza de Vaca, un des premiers explorateurs espagnols, lors de sa traversée de ce qui allait devenir le sud-ouest des États-Unis et le Mexique, devenant un chaman.