"The Elephant's Journey", in which Saramago narrates the adventures and antics of an elephant transported from the court of King John III of Portugal to that of the Austrian Archduke Maximillian, is the starting point of José and Pilar.
In general terms, the story involves epic incidents between two warring families, the Pandavas (representing the good side) and the Kauravas (representing the bad side). Both sides, being the offspring of kings and gods, fight for dominion. They have both been advised by the god Krishna to live in harmony and abstain from the bloody lust for power. Yet their fights come to threaten the very order of the Universe. The plot is framed by a dialogue between the Brahmin sage Vyasa and the Hindu deity Ganesha, and directed towards an unnamed Indian boy who comes to him inquiring about the story of the human race.
Vasco (Vasco Santana) is a medical student in Lisbon, supported by his rich aunts from Trás-os-Montes, whom he had falsely told he had already graduated. In fact, he devotes himself to a bohemian life, preferring the popular fairs and pretty women, especially Alice (Beatriz Costa), a seamstress from the Castelinhos quarter, which rather upsets her ambitious father, tailor Caetano (António Silva), who is familiar with Vasco's debts.
Le film illustre les aventures et les amours de quelques gamins, entre 10 et 12 ans, dans la ville de Porto. Tous élèves dans la même classe, ils se retrouvent après l'école pour se baigner dans le port. Une rivalité se développe entre le sensible Carlitos et le plus entreprenant Eduardito, chef de la bande, pour conquérir l'attention de Teresinha, la petite fille modèle. Moins fort physiquement, Carlitos se résout à voler une poupée que convoite Teresinha pour s'attirer ses faveurs. C'est un voyage en enfance, à travers l'œil de la caméra : l'œil de la mémoire.
Belarmino comprises two strands: an experiential and an interview strand, and constantly alternates between the two. Although these are carefully intertwined on both the sound and image track, they can be separated for ease of discussion.
The film initially focuses on João (João Arrais), an orphan boy at a school run by the priest Father Dinis (Adriano Luz) during Portugal's Revolução Liberal. João becomes ill after being bullied by another boy who tells him he is a criminal’s child and awakens in a delirium to find a lovely woman watching over his bed. After recovering, Dinis takes João to see the woman who is indeed João’s mother, Countess Ângela de Lima (Maria João Bastos). For João's entire life, she had been imprisoned in her own home by her husband, the Count of Santa Bárbara (Albano Jerónimo). Dinis helps Ângela flee from her husband’s house when he’s away fighting the revolutionaries.
It's been 193 days since Alice was last seen. Every day, her father, Mário, leaves home and follows exactly the same route the day Alice disappeared. In his quest, Mário creates a video surveillance network on the places she might walk, the airport, anything that may provide a clue.
Banlieue de Lisbonne, entre Noël et le Jour de l'an. Deux frères ayant grandi trop vite, Vicente (17 ans) et Nino (10 ans), partagent avec la sensuelle Clara, employée à l'école, le secret de la disparition de leur père. Leur oncle kidnappe Nino.
Fin du Moyen Âge au Portugal. Dom Rodrigo décide de marier une de ses filles à un riche voisin. Le vieux seigneur se rend à la cour pour convier en personne le roi aux noces. Mais en son absence, sa fille Silvia s’engage dans l’armée sous le nom de Silvestre.
Lisbonne, 1989. Jean De Dieu est un quinquagénaire qui languit dans une vieille pension de famille. Maladif, épicurien et obsédé par les femmes, il trompe l’ennui de sa misérable vie en observant à la dérobée la fille de sa logeuse.