Milena, une mère de famille bourgeoise mène une vie confortable dans un faubourg aisé de Belgrade. Elle prend soin de son apparence, cuisine avec application, reçoit en bonne maîtresse de maison, chante dans une chorale et fait l’amour avec son mari. Le couple a une vie sociale bien remplie et retrouve souvent un groupe d’amis de longue date. Mais des éléments troublants commencent à pénétrer l’inconscient de Milena et vont fissurer son univers bien rangé. Un jour, alors qu’elle fait le ménage, elle tombe sur une cassette vidéo où elle découvre que son mari est coupable d’effroyables crimes de guerre.
Semi-retired porn star Miloš (Srđan Todorović) lives with his wife, Marija (Jelena Gavrilović), and six-year-old son, Petar (Luka Mijatović). His brother, Marko (Slobodan Beštić), a corrupt police officer, is attracted to Marija. Marija is curious about her husband's past and is concerned about the family's income. Lejla (Katarina Žutić), a former co-star, offers Miloš a starring role in an art film directed by Vukmir (Sergej Trifunović), an independent pornographer, who wishes to cast Miloš for his powerful erection. Having already caught Petar watching one of his films and unaware of the details of Vukmir's film, Miloš is hesitant to participate and continue his career, but accepts to secure his family's financial future. While meeting Vukmir, Miloš passes a bald man and his entourage, regarding them warily.
Le film retrace la fuite d'un criminel de guerre serbe, calquée en partie sur celles de Slobodan Milosevic et de Ratko Mladic, connu sous le nom de « boucher de Bosnie » ou boucher des Balkans.
The main character Saša Gordić (Vuk Kostić) is a talented shooter who went footsteps of older brother Igor Gordić (Srđan Todorović), a 1991 Junior European shooting gold medallist. However, Igor has voluntarily gone to war in former Yugoslavia, from which he returned as a drug addict. In order to repay debt of local dealers, Igor is forced to sale their property sales, which their parents left them. So Saša decides to get revenge on everyone who destroyed life of his brother.
The movie's plot is set during the 1920s in post-World War I Serbia. Rebuilding after a gruelling armed conflict in which it lost a sizable part of its young male population, the nation is struggling to recover demographically. The situation is especially visible in certain rural parts where this shortage of men threatens to extinguish life completely.
The teenage Jasna (Isidora Simijonović) copes with her troubled life by recording the world around her using her cell phone camera. Her father is dying from a terminal illness and her mother is ill-prepared to cope with both the inevitable death of her husband and her day-to-day life as a mother. When Jasna's crush Đole realizes her feelings and that she will do anything for him, he begins to take advantage of her sexually without actually reciprocating her feelings. As the movie progresses, Jasna begins taking drugs and skipping school.
Here and There follows two interconnected stories on two different continents. Robert (Thornton), a depressed New Yorker, tries to make quick cash and ends up in Serbia, where instead of money he finds his soul. At the same time, a young Serbian immigrant, Branko (Trifunović), struggles in an unforgiving New York, desperately trying to bring his girlfriend from Serbia to the United States. Mirijana Karanović plays Branko's mother.
À travers le témoignage de Leka Konstantinovic, projectionniste personnel du président Josip Broz Tito durant 32 ans, l'histoire d'une nation disparue, la Yougoslavie. Tito aimait le cinéma et lui accordait une grande importance. Dès 1945, il créa, à Belgrade, les studios Avala censés devenir le Hollywood de l'Europe de l'Est. Mila Turajlic, la réalisatrice, a accompli un travail titanesque en rassemblant un nombre remarquable d'archives inédites et notamment des séquences de films yougoslaves jusque-là inconnus hors de son pays.
Le film a comme cadre le quartier des Blokovi, les « blocs », dans le quartier de Novi Beograd, à Belgrade. Il raconte l'histoire de Mačak (le « chat »), un jeune homme de dix-huit ans qui vit chez ses grands-parents depuis le décès de ses parents et qui joue du ballon dans la rue. Il joue à 1 contre 1 pour se faire de l'argent. Il a comme ami Guru, un paumé de 30 ans, qui reconnaît son talent pour le basket-ball et le pousse à changer de vie. Il est également l'ami de Ćime et de Slavke, de jeunes rappeurs qui vivent en marge de la loi. Le frère de Ćime doit de l'argent à une bande menée par Koma, et a été forcé de travailler pour eux pour rembourser sa dette. Mačak va accepter de jouer à 1 contre 1 avec le meilleur basketteur d'un autre quartier, pour payer la dette de son ami.
The film introduces a group of gay activists, trying to organize a pride parade in Belgrade. Among them Mirko Dedijer (Goran Jevtić), a struggling theater director who mostly makes a living by planning lavish and kitschy wedding ceremonies on the side. Organizing such a parade is no easy task in Serbia as evidenced by the violence at the 2001 parade attempt. Now, almost a decade later, the situation is not much better - nationalist and right wing groups pose just as much threat so despite repeated attempts through official channels, Mirko is getting nowhere since the police refuses to secure the event. Mirko's effeminate boyfriend Radmilo (Miloš Samolov) is a veterinarian - he is not nearly as political and is quite content keeping a low profile. Although the two try to live discreetly, both still experience various forms of abuse from the homophobic majority.
The film opens just as construction has been completed on a railway connecting a mountainous regions of eastern Bosnia and western Serbia in 1992. Luka, a Serbian engineer, has moved to Bosnia from Belgrade with his mentally unstable wife, Jadranka, and his football-playing son, Miloš, to run a railway station and act as caretaker. Luka is at work preparing the opening of the railway while Miloš attempts to become a professional footballer with the Partizan team. Utterly engrossed in his work and blinded by natural optimism, Luka remains deaf to the increasingly persistent rumblings of war, which has broken out in Croatia and threatens to spread.
Belgrade, Serbian and Yugoslav capital, circa 1930. The story follows eleven passionate, mostly anonymous but very talented soccer players and their journey from the cobblestone streets of impoverished Belgrade neighborhoods to the formation of the national team before the very first World Cup in faraway Uruguay. So far away that the country's capital, Montevideo, seems more a distant dream than a familiar reality. Named after the city where the inaugural World Cup was held, director Dragan Bjelogrlić's adaptation of journalist Vladimir Stanković's best-selling book centers on the relationship between the two top players: natural talent and poor boy Tirke (Miloš Biković) and playboy superstar Moša (Petar Strugar).