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Films from the country "suede", sorted by rating

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Scenes from a Marriage, 4h41
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Romance
Actors Liv Ullmann, Erland Josephson, Bibi Andersson, Gunnel Lindblom, Jan Malmsjö, Anita Wall

Chronique de la vie d'un couple en six chapitres, s'étendant sur une période de vingt ans. Malgré leurs disputes incessantes, ils semblent voués à vivre ensemble.
Searching for Sugar Man, 1h26
Directed by Malik Bendjelloul, Malik Bendjelloul
Origin Suede
Genres Documentary, Musical
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Musical films
Actors Malik Bendjelloul, Clarence Avant

À la fin des années 1960, Sixto Rodriguez enregistre deux albums de chansons réalistes (édités par Sussex Records), proches par l'esprit d'un Bob Dylan. Ces disques, dont le premier, Cold Facts, contient le single Sugar Man, sont reçus favorablement par la critique mais n'obtiennent aucun succès public. Rodriguez est donc contraint de poursuivre son métier d'ouvrier-maçon. Mais, de l'autre côté de l'Atlantique, en Afrique du Sud, sous le régime de l'apartheid, ses disques rencontrent un grand succès auprès de la jeunesse, en particulier blanche. Le paradoxe d'un musicien, point prophète en son pays, et qui, sans le savoir, devient une idole dans une autre contrée. Le film suit l'enquête de deux fans du Cap sur la disparition supposée du chanteur. Toutefois, « loin de dissiper ce mystère, le film l'alimente plutôt ».
Persona
Persona (1966)
, 1h20
Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes L'adolescence, Films about films, Films about children, Pregnancy films, Medical-themed films, Films about sexuality, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Films about pedophilia, Vampires in film, Films about psychiatry, LGBT-related films, LGBT-related film
Actors Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Margaretha Krook

Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.
The Seventh Seal, 1h36
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Jeu, Medical-themed films, Films about religion, Films about sexuality, Sports films, Films about chess, Films about viral outbreaks, Films based on plays
Actors Gunnar Björnstrand, Bengt Ekerot, Nils Poppe, Max von Sydow, Bibi Andersson, Inga Gill

Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire Jöns (Gunnar Björnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game.
Wild Strawberries, 1h31
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Comedy-drama
Themes Transport films, Films about automobiles, Road movies
Actors Victor Sjöström, Bibi Andersson, Ingrid Thulin, Gunnar Björnstrand, Max von Sydow, Jullan Kindahl

Grouchy, stubborn and egotistical Professor Isak Borg is a widowed 78-year-old physician who specialized in bacteriology. Before specializing he served as general practitioner in rural Sweden. He sets out on a long car ride from Stockholm to Lund to be awarded the degree of Doctor Jubilaris 50 years after he received his doctorate from Lund University. He is accompanied by his pregnant daughter-in-law Marianne who does not much like her father-in-law and is planning to separate from her husband, Evald, Isak's only son, who does not want her to have the baby, their first.
Autumn Sonata, 1h39
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about families, Films about music and musicians, Films about classical music and musicians
Actors Ingrid Bergman, Liv Ullmann, Lena Nyman, Gunnar Björnstrand, Erland Josephson, Marianne Aminoff

Eva (Liv Ullmann), wife of the village pastor, invites her mother Charlotte (Ingrid Bergman) for a visit to her village. She has not seen her for over seven years. Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. Eva is not as talented as the mother (despite the fact that she has written two books, and has a passing talent at playing the piano). Eva's main concern is to be the mistress of her home, wife, mother and loving sister. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: a husband (Halvar Björk) she respects, but does not really have affection for, their son drowned when only 4 years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. As part of her day-to-day life, Eva takes her disabled and paralyzed sister Helena (Lena Nyman) out of the Hospital into her own home, and she appears to be the only person who can understand her sister's limited speech ability.
Fanny and Alexander, 3h8
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Films about children, Films about families, Christmas films, Films about religion, Films about Jews and Judaism
Actors Börje Ahlstedt, Anna Bergman, Lena Olin, Harriet Andersson, Gunn Wållgren, Bertil Guve

The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids.
Edvard Munch, 3h30
Directed by Peter Watkins
Origin Suede
Genres Drama, Biography, Documentary, Fantasy, Historical
Themes Peinture
Actors Peter Watkins

Edvard Munch, la danse de la vie, présenté comme un documentaire d'époque, retrace les débuts de la carrière artistique du peintre expressioniste norvégien Edvard Munch (1887-1901). De ses recherches picturales à la réception de son œuvre par le public et les critiques, des drames amoureux à la peur de la maladie qui s'abat sur sa famille telle une malédiction, de son rejet de la société bourgeoise à son accueil par des groupes anarchistes ou d’artistes révolutionnaires, le film brosse un portrait subjectif et intime de Munch tout en liant l’artiste à son époque et aux grands mouvements culturels et sociaux qui agitent cette fin du XIX siècle.
Cries and Whispers, 1h31
Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson

Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
The Virgin Spring, 1h29
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Fantasy, Horror, Crime
Themes Seafaring films, Films based on mythology, Films about sexuality, Transport films, Rape in fiction, Erotic films, Films set in the Viking Age, Rape and revenge films, Films based on Norse mythology, Auto-justice
Actors Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta Pettersson, Axel Düberg, Allan Edwall

The Virgin Spring tells the story, set in the late medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson), is appointed to take candles to the church. Karin is accompanied by her pregnant servant Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, Ingeri becomes frightened when they come to a stream-side mill and the two part and Karin sets out on her own.
The Phantom Carriage, 1h33
Directed by Victor Sjöström
Origin Suede
Genres Drama, Fantastic, Fantasy, Horror
Themes Films about alcoholism, Medical-themed films, Films about drugs, Ghost films
Actors Hilda Borgström, Victor Sjöström, Tore Svennberg, Astrid Holm, Nils Ahrén, Mona Geijer-Falkner

On New Year's Eve, dying Salvation Army Sister Edit has one last wish: to speak with David Holm. David, a drunkard, is sitting in a graveyard, telling his two drinking buddies about his old friend Georges, who told him about the legend that the last person to die each year has to drive Death's carriage and collect the souls of everybody who dies the following year. Georges himself died on New Year's Eve the previous year.
The Emigrants, 2h15
Directed by Jan Troell
Origin Suede
Genres Drama, Adventure, Historical, Western
Themes Films about immigration, Seafaring films, Transport films
Actors Max von Sydow, Liv Ullmann, Eddie Axberg, Monica Zetterlund, Pierre Lindstedt, Allan Edwall

The film begins in 1844 in the Swedish province of Smaland, where in Ljuder Parish lives the Nilsson family. They live on a small farm in the woods at Korpamoen, which consists of a small plot of infertile land riddled with stones. They have three children; Their oldest son, Karl Oskar, is in line to inherit the farm from his father Nils, who has been crippled from an injury sustained after a failed attempt to dig a large boulder out of the earth in one of their fields. A daughter, Lydia, works as a maid in the nearby town of Akerby, while their youngest son Robert works as a farmhand at another farm at Nybacken. While Karl Oskar is in the process of inheriting the farm, Nils informs him that he needs a wife to be a successful farmer. Afterwards, Karl Oskar meets a young girl named Kristina Johansdotter, who soon becomes his bride. She moves to Korpamoen to live with him and his parents. In the following years, Karl Oskar and Kristina start a family, starting with a daughter, Anna, followed by a son, Johan, then another daughter, Marta, and finally another son, Harald. Times are difficult: there is bad weather, the harvests are poor, and hunger prevails. Karl Oskar's rebellious younger brother Robert first comes across the idea of emigrating to America, tired of being treated poorly as a farmhand. He first asks his friend Arvid, another farmhand at Nybacken to come along with him, who eagerly agrees to do so, but the pair's hopes are dashed when they realize they haven't the money needed for their passage. Robert confronts Karl Oskar about selling his share of the farm in order to afford the passage, only to find out that Karl Oskar himself had been considering the idea of moving his family to the United States. Despite the offerings of a better life, Kristina adamantly rejects the notion, not wanting to leave her homeland as well as being fearful of risking the lives of their four young children on the ocean. However, one night, hunger compels the couple's eldest daughter Anna to secretly eat food that was not ready to be eaten. She eats so much that it causes her stomach to burst, and she dies the following morning.
The New Land, 2h15
Directed by Jan Troell
Origin Suede
Genres Drama, Historical, Western
Themes Films about immigration, Films about capital punishment
Actors Max von Sydow, Liv Ullmann, Eddie Axberg, Monica Zetterlund, Pierre Lindstedt, Allan Edwall

The film begins where the previous film, The Emigrants ended, with Karl Oskar bringing Kristina and their three small children, Johan, Marta and Harald, along with Karl Oskar's brother Robert, Robert's friend Arvid, through the woods to the land he claimed at Lake Ki Chi Saga. Upon their arrival, Karl Oskar leads them to a small shanty he found on the land, telling them it will provide them shelter until he can build them a farmhouse, and he points out to Kristina how fertile the topsoil is. With three small children and Kristina expecting another child, Karl Oskar pours all their resources into building them a house before winter arrives. He begins clearing the land of the tall pine trees, and with the help of Robert, Arvid and some of their Swedish neighbors, construct for them a small farmhouse.
Kung Fury
Kung Fury (2015)
, 31minutes
Origin Suede
Genres Science fiction, Martial arts, Comedy, Fantasy, Action
Themes Films about animals, Dinosaur films, Seafaring films, Films based on mythology, Sports films, Transport films, Time travel films, Comedy science fiction films, Martial arts films, Hitler, Films set in the Viking Age, Films based on Norse mythology, Political films, Kung fu films, Alternate history films
Actors Magnus Betnér, Björn Gustafsson, Jorma Taccone, David Hasselhoff

Sometime in the early 1980s, Miami-Dade Police Department detective Kung Fury and his partner Dragon apprehend a red ninja in a back alley, but Dragon is sliced in half by the ninja while Kung Fury is suddenly struck by lightning and bitten by a cobra, giving him extraordinary kung fu powers that enable him to defeat his foe. Years later in 1985, after defeating a rogue arcade machine robot, Kung Fury quits the force when he is assigned to partner with Triceracop, fearing that he would lose another partner in the line of duty. Meanwhile, Adolf Hitler, a.k.a. "Kung Führer", enters the timeline and remotely guns down the police chief and attacks the precinct through a mobile phone. Intent to avenge the chief, Kung Fury has computer whiz Hackerman send him back in time to kill Hitler in Nazi Germany. A glitch in the system, however, sends him back into the Viking Age. After Kung Fury meets the Viking valkyries Barbarianna and Katana, the Norse god Thor sends him to Nazi Germany for him to finish his job.
The Sacrifice, 2h29
Directed by Andreï Tarkovski
Origin Suede
Genres Drama
Themes Philosophie, Arme nucléaire
Actors Erland Josephson, Allan Edwall, Susan Fleetwood, Sven Wollter, Valérie Mairesse, Guðrún Gísladóttir

The film opens on the birthday of Alexander (Erland Josephson), an actor who gave up the stage to work as a journalist, critic, and lecturer on aesthetics. He lives in a beautiful house with his actress wife Adelaide (Susan Fleetwood), stepdaughter Marta (Filippa Franzén), and young son, "Little Man", who is temporarily mute due to a throat operation. Alexander and Little Man plant a tree by the sea-side, when Alexander's friend Otto, a part-time postman, delivers a birthday card to him. When Otto asks, Alexander mentions that his relationship with God is "nonexistent". After Otto leaves, Adelaide and Victor, a medical doctor and a close family friend who performed Little Man's operation, arrive at the scene and offer to take Alexander and Little Man home in Victor's car. However, Alexander prefers to stay behind and talk to his son. In his monologue, Alexander first recounts how he and Adelaide found this lovely house near the sea by accident, and how they fell in love with the house and surroundings, but then enters a bitter tirade against the state of modern man. As Tarkovsky wrote, Alexander is weary of "the pressures of change, the discord in his family, and his instinctive sense of the threat posed by the relentless march of technology"; in fact, he has "grown to hate the emptiness of human speech".