The film features interviews with Perry and her loved ones documenting the trajectory of her life, containing various clips from her childhood and teenage years as well as her career and personal life (ranging from December 1999 to March 2012). The film is spliced with performances from her worldwide California Dreams Tour, which had 127 concerts from February 20, 2011 to January 22, 2012. Most of the performances were recorded on November 23, 2011, at the Staples Center in Los Angeles, but also included performances in Tokyo and São Paulo. Some of her friends such as Rihanna, Lady Gaga, and Jessie J make cameos in the film. The documentary includes scenes of Perry dealing with the breakdown of her marriage with English actor/comedian Russell Brand.
Plus d'un tiers des enfants et des adolescents américains ont un problème de poids. Deux adultes sur trois aux États-Unis d'Amérique sont atteints de surcharge pondérale ou d'obésité. Comment les États-Unis sont-ils devenus aussi gros ? Les chaînes de restauration rapide sont souvent montrées du doigt mais plusieurs procès qui leur ont été intentés par des clients devenus obèses ont été perdus faute de preuves.
According to Sicko, almost fifty million Americans are uninsured while the remainder, who are covered, are often victims of insurance company fraud and red tape. Furthermore, Sicko points out that the U.S. health care system is ranked 37 out of 191 by the World Health Organization with certain health measures, such as infant mortality and life expectancy, equal to countries with much less economic wealth. Interviews are conducted with people who thought they had adequate coverage but were denied care. Former employees of insurance companies describe cost-cutting initiatives that give bonuses to insurance company physicians and others to find reasons for the company to avoid meeting the cost of medically necessary treatments for policy holders, and thus increase company profitability.
Chronicling the rise of McDonald's fast food empire, The Founder tells the true story of how Illinois salesman Ray Kroc met brothers Mac and Dick McDonald, who were operating a hamburger restaurant in southern California in the 1950s. Kroc subtly maneuvered himself into a position to take control of their company, which grew into one of the world's best-known brands after he bought the chain for $2.7 million in 1961.
Cette nostalgique leçon d'histoire recèle les trésors cachés des plus grandes comédies musicales de la MGM ainsi que de nombreux autres extraits merveilleux mais moins célèbres, avec Esther Williams, Jimmy Durante, Eleanor Powell et même Clark Gable chantant et dansant. « Il était une fois Hollywood » est une véritable gourmandise pour cinéphiles et amateurs de comédies musicales.
The film begins with a series of security footages of armed bank robberies (one of the robbers was on a crutch) accompanied by the song Louie, Louie. Moore then uses an Encyclopædia Britannica archive video to compare and view modern-day America with the Roman Empire, by juxtaposing depictions of the fall of the Roman Empire with similar modern-day American issues. The film then depicts home videos of families being evicted from their homes, as well as the "Condo Vultures," a Florida real estate agency whose business flourished with the increasing number of foreclosures.
Director Andrew J. Kuehn has excerpted brief segments of terror and suspense in a wide variety of suspenseful (including humorously so, ex. Abbott & Costello Meet Frankenstein, Saturday the 14th) films and strung them together with added commentary, as well as some enacted narrative, to create a compilation of fright-inducing effects. Halloween actor Donald Pleasence and Dressed to Kill star Nancy Allen provide the commentary on topics such as "sex and terror" (Dressed to Kill, Klute, Ms. 45, The Seduction, When a Stranger Calls), loathsome villains (Dracula, Frankenstein, Friday the 13 1 and/or 2, Halloween I and II, Marathon Man, Nighthawks, The Texas Chain Saw Massacre, Touch of Evil, Vice Squad, Wait Until Dark, What Ever Happened to Baby Jane?), "natural terror" (Alligator, The Birds, Frogs, Jaws 1 and 2, Nightwing) and the occult (An American Werewolf in London, Rosemary's Baby, The Exorcist, The Omen, Carrie, The Shining). In one segment of the anthology, legendary filmmaker Alfred Hitchcock presents his concepts of how to create suspense in a clip from Alfred Hitchcock: Men Who Made The Movies.
The documentary is split into five parts. It begins by examining how Iceland was highly deregulated in 2000 and the privatization of its banks. When Lehman Brothers went bankrupt and AIG collapsed, Iceland and the rest of the world went into a global recession.
Michael Moore begins by introducing himself and his family through 8 mm archival home movies; he describes himself as the Irish American Catholic middle-class son of a General Motors employee assembling AC spark plugs. Moore chronicles how GM had previously defined his childhood in Flint, Michigan, and how the company was the primary economic and social hub of the town. He points out that Flint is the place where the Flint Sit-Down Strike occurred, resulting in the birth of the United Auto Workers. He reveals that his heroes were the Flint natives who had escaped the oppressive life in GM's factories, including "Flint's most famous native son," game show host Bob Eubanks.
A NASA spacecraft has landed on an unknown planet and begins to take rock and soil samples. Four aliens discover it and are sucked up through its vacuum, after which it makes its way back to Earth. The aliens are able to escape from a military base by using their powers (with which they can destroy or heal anything they touch). During the escape, the youngest one hides in a passing van, occupied by a wheelchair-bound boy named Eric Cruise, his older brother, Michael, and their single mother, Janet, who are moving to California from Illinois.
The film begins with a profile of Kenneth Lay, who founded Enron in 1985. Two years after its founding, the company becomes embroiled in scandal after two traders begin betting on the oil markets, resulting in suspiciously consistent profits. One of the traders, Louis Borget, is also discovered to be diverting company money to offshore accounts. After auditors uncover their schemes, Lay encourages them to "keep making us millions". However, the traders are fired after it is revealed that they gambled away Enron's reserves; the company is narrowly saved from bankruptcy by the timely intervention of executive Mike Muckleroy, who managed to bluff the market long enough to recover Borget's trading losses and prevent a margin call. After these facts are brought to light, Lay denies having any knowledge of wrongdoing.
Le film s’inspire de l’essai Fast Food Nation d’Eric Schlosser. Il traite de la production de nourriture à grande échelle aux États-Unis et conclut que la viande et les légumes produits par ce type d’industrie sont mauvais pour la santé et pour l’environnement malgré les messages et l'imagerie présents sur les emballages des aliments. Pour cela l'enquête s'attache sur l'élevage industriel de bovins et d'ovins en interrogeant des éleveurs enchaînés à leurs emprunts dans le but de suivre le cahier des charges des grandes firmes agroalimentaires comme Cargill ou Smithfield Foods ainsi que sur le rôle prépondérant du maïs la plupart du temps maïs génétiquement modifié dans la composition de la quasi-totalité des produits vendus en supermarché aux Etats-Unis et ailleurs dans le monde. Le témoignage d'une mère devenue défenseuse des droits des consommateurs à la suite du décès accidentel de son fils, Kevin Kowalcyk, empoisonné par la bactérie Escherichia coli après avoir mangé un hamburger apporte un argument supplémentaire. Cette famille a obtenu gain de cause avec l'adoption de la Kevin's Law.
The documentary shows the development of the contemporary business corporation, from a legal entity that originated as a government-chartered institution meant to affect specific public functions to the rise of the modern commercial institution entitled to most of the legal rights of a person. The documentary concentrates mostly upon North American corporations, especially those in the United States. One theme is its assessment of corporations as persons, as a result of an 1886 case in the United States Supreme Court in which a statement by Chief Justice Morrison R. Waite led to corporations as "persons" having the same rights as human beings, based on the Fourteenth Amendment to the United States Constitution.