Avec We Feed the World, le documentariste Erwin Wagenhofer propose aux spectateurs un regard sur l'agriculture mondiale moderne. En passant par la Roumanie, l'Autriche, le Brésil, la France et l'Espagne, son enquête se focalise sur la manière dont est fabriqué ce qui arrive dans notre assiette. Il montre que la domination du Nord sur le Sud est prégnante. Comment est-il possible qu'en Afrique l'on achète des produits européens ou asiatiques comme le poulet thaïlandais ? Le réalisateur présente une face peu connue de la mondialisation : en achetant un poulet industriel, on contribue au défrichement de l'Amazonie car le Brésil déforeste pour cultiver le soja qui sert à nourrir les volailles élevées en batterie (90 % de la production de soja du Brésil est exportée). Le documentaire souligne également la différence entre industrie agroalimentaire et petite exploitation. We Feed the World adopte un style « coup de poing » visant à éveiller les consciences.
Our Children Will Accuse Us tells the story of an initiative in Barjac, a commune located in the Gard department in southern France, that decided to introduce organic produce into the town's school cafeteria. The film depicts without concessions the environmental tragedy which threatens the young generation: the poisoning of our country sides by agricultural pesticides (76 000 tons of pesticides used each year in France) and the harm caused to public health and safety.
Super High Me documents Benson avoiding cannabis for a cleansing period and then smoking and otherwise consuming cannabis every day for 30 days in a row. Benson says that Super High Me is "Super Size Me with cannabis instead of McDonald's". The film also includes interviews with marijuana activists, dispensary owners, politicians and patients who are part of the medical cannabis movement. The DVD was released on April 20, 2008.
In Freedom Park, a squatter settlement in South Africa, a group of HIV-infected former sex-workers, created a network called Tapologo. They learned to nurse their community, transforming degradation into solidarity and squalor into hope. Catholic bishop Kevin Dowling participates in Tapologo, and raises doubts on the official doctrine of the Catholic Church regarding AIDS and sexuality in the African context.
The film consists of three short documentary films that show the faces and give voices to children orphaned by AIDS. The intentions of the documentary are to focus attention on the dismemberment of families in Mozambique due to AIDS, because it is a harsh reality and too often ignored.
En 1992, au Sommet de la Terre à Rio de Janeiro, Severn Cullis-Suzuki, une enfant de 12 ans interpellait les dirigeants du monde entier sur la situation humanitaire et écologique de la planète.
We Were Here documents the coming of what was called the “Gay Plague” in the early 1980s. It illuminates the profound personal and community issues raised by the AIDS epidemic as well as the broad political and social upheavals it unleashed.
Tous cobayes ? se compose de deux volets. Le premier volet montre la supposée dangerosité d'une alimentation contenant des organismes génétiquement modifiés (OGM) alors que le second expose les risques engendrés par les centrales nucléaires. Le film tente de montrer que l'Homme s'est approprié ces technologies sans tests sanitaires ni environnementaux approfondis alors que la contamination irréversible du vivant est réelle. Le film pose la question « Serions-nous tous des cobayes ? ».
To the Evuzok, a tribe in the south of Cameroon, there are two kinds of diseases that are cured different ways: the "natural" ones and the ones from the night world, caused by sorcery. Dance to the Spirits is the story of Mba Owona Pierre, the village chief and ngengan (healer). He deals with the sicknesses that come from the night world where spirits live and attack his people. Pierre has a special gift and a responsibility towards his fellow villagers. The dance to the spirits is his main healing ritual.
Zelal is an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
Small town girl Jane Bradford falls for Nick, a guy from the big city who offers her the opportunity to get away from her small town life. He also offers her "headache powder", she not knowing that it's cocaine and that Nick is a drug pusher. By the time they get to the city, she's hooked on her new medicine. Jane's brother, Eddie, goes to the city to look for his sister, who has not kept in touch with her family. Eddie gets a job as a carhop at a drive-in and is befriended by a drive-in's waitress named Fanny. Fanny is one of Nick's customers, and Fanny soon gets Eddie hooked on the headache powder. Due to this vice, Eddie and Fanny's life soon goes downhill. They're both fired from their jobs and are unable to find other work in their drugged out state. On the periphery of both Eddie and Jane's life is Dorothy Farley, a customer at the drive-in. Dorothy, dating Dan, comes from a wealthy family and she throws her money around easily. She's willing to assist financially those in need.