Le documentaire filme, sans voix off, 24 femmes noires issues de l'histoire coloniale européenne en Afrique et aux Antilles. Il traite de leur expérience de la différence en tant que femme noire et des clichés qui leur sont associés en tant que « femme » et « noire » dans une optique à l'intersection des différentes discriminations.
The Uncondemned recounts the 1997 trial of Jean-Paul Akayesu for his alleged knowledge of the rapes and other war crimes during the Rwandan Genocide in 1994. The film features three women, who were victims of rape and anonymously testified in the trial, as well as American prosecutors Pierre-Richard Prosper and Sara Darehshori recalling their building the case against Akayesu.
Quand, en 1966, à Oakland en Californie, Bobby Seale et Huey Newton fondent les Black Panthers, il s'agit pour eux de créer un groupe de défense des droits des Noirs, très discriminés dans cet Etat et en butte aux violences policières. Des militants de la première heure racontent les débuts du groupe, ses actions, ses coups d'éclat, comme l'irruption au parlement de Californie d'une trentaine de Black Panthers armés. Le courage et le culot dont ses membres font preuve assurent la renommée du parti et attirent de nombreux adhérents. Dès lors, la croissance est rapide. Au moment où le mouvement cherche à s'ancrer davantage dans la communauté noire, Edgar Hoover, le patron du FBI, prend le parti pour cible.
Centré sur un entretien où Claude Lanzmann revient sur sa vie et sur la réalisation de Shoah - les choix initiaux, les embûches, les dangers, la recherche de moyens pour mener à bien cette entreprise, l’épuisement…, Adam Benzine donne aussi à voir des fragments des rushes de Shoah.
The film depicts the journey of lawyer Raphael Lemkin and his efforts in lobbying the United Nations to establish the Genocide Convention. The movie also focuses on four people inspired by Lemkin: Samantha Power, United States Ambassador to the United Nations; Benjamin B. Ferencz, Chief Prosecutor in the Einsatzgruppen trial at Nuremberg; Luis Moreno Ocampo, first Prosecutor of the International Criminal Court; and Emmanuel Uwurukundo, head of operations for refugee camps in Chad set up by the United Nations High Commissioner for Refugees in the War in Darfur. The film is based on Power's Pulitzer Prize-winning book, A Problem from Hell.
The film narrates the events of the 1964 Mississippi Freedom Summer, when more than 700 student activists took segregated Mississippi by storm because of underscored by the systematic exclusion of African Americans from the political process. Robert Parris Moses of the Student Nonviolent Coordinating Committee developed a campaign to bring a thousand volunteers to canvassed for voter registration, creating freedom schools and establishing the Mississippi Freedom Democratic Party.
A middle-aged Indonesian man, whose brother was brutally murdered in the 1965 purge of "communists," confronts the men who carried out the killings. Out of concern for his safety, the man is not fully identified in the film and is credited only as "anonymous," as are many of the film's crew positions. Some shots consist of the man watching (what seems to be) extra footage from The Act of Killing, which includes video of the men who killed his brother. He visits some of the killers and their collaborators—including his uncle—under the pretense of an eye exam. Although none of the killers express any remorse, the daughter of one of them is clearly shaken when she hears, apparently for the first time, the details of the killings.
The film tells its story by relating the accounts of Jewish survivors "who return to Italy in their late adulthood to revisit the scenes of their worst nightmares: hidden in terror, fleeing in desperation, separated from loved ones, saying final goodbyes without knowing they were final."