The film makes an overview of animation in Brazil, since the first animation created in 1917, called The Kaiser, until the success of the animation film series Ice age and Rio, directed by Carlos Saldanha. Besides him, other big names were also heard, like Maurício de Souza, Otto Guerra and Chico Liberato, who report their experiences on the market and give a current panorama of Brazilian production.
The feature length documentary highlights the painter's complex creative process with rare footage of the artist at work in his studio in the Swiss mountain village of Rossinière. Conversations with Balthus and his wife Setsuko, his daughter Harumi, his sons Stanislaus and Thadée, interviews with art critics Jean Leymarie, Jean Clair, Pierre Rosenberg, and James Lord, and with French painter François Rouan (who often assisted Balthus during his tenure at the Villa Medici), contribute to form a psychological portrait of a secretive and controversial artist.
The story begins in the mind of Cashril Plus, a twelve-year-old animator and son of graffiti artist Faith47. Through Cashril's eyes, we see his mother paint the streets and forgotten townships haloing Cape Town. Weaving through the lives of Faith47, Warongx (afro-blues), Emile Jansen (hip hop), Sweat.X (glam rap), Blaq Pearl (spoken word) and Mthetho (opera), the film culminates in an intertwined story. Born into separate areas of a formerly-segregated South Africa, the artists recraft history—and the impacts of apartheid—in their own artistic languages. The lens reveals the impulse behind the artists’ social consciousness, the individuals’ eccentricities, and each creator’s unique form of expression. Diving into the current of subversive art which fuels South Africa’s many clashing and merging cultures, The Creators brings into focus the invisible connections among strangers' disparate lives—and the creative expression used to traverse the divide. The result is an intimate, refreshing, and deeply revealing portrait of those remolding the legacy of apartheid.
In 2001 Japanese American painter, Jimmy Mirikitani (born Tsutomu Mirikitani), and over 80 years old, was living on the streets of lower Manhattan. Filmmaker, Linda Hattendorf, took an interest and began
Andy Warhol fut l’un des artistes les plus importants – sinon le plus important – de la deuxième moitié du XXe siècle. Ce documentaire captivant et souvent émouvant, brosse un portrait de ce personnage aussi génial que décrié, qui sut capter les turbulences d’une époque marquée par le changement. Ce fi lm est le premier à exploiter les immenses archives du musée Andy Warhol de Pittsburgh.À travers quantité d’images et de séquences inédites complétées d’interviews, il explore la vie et l’œuvre de celui qui deviendra le pape du Pop Art – depuis son enfance solitaire et sa formation à Pittsburgh – jusqu’à l’explosion de sa carrière à New York et sa mort prématurée 1987.
Crumb is about the experiences and characters of the Crumb family, particularly Robert Crumb's brothers, Maxon and Charles, his wife and children (his sisters declined to be interviewed). Though Zwigoff had the consent of the Crumb brothers, some questioned the ability of the more disturbed brothers to provide that consent.
Thierry Guetta is a French immigrant living in Los Angeles, making a comfortable living with his vintage clothing shop. He also has a strange obsession with carrying a camera everywhere he goes, constantly filming his surroundings. On a holiday in France, he discovers his cousin is Invader, an internationally known street artist. Thierry finds this fascinating, and accompanies Invader and his friends, including the artists Monsieur André and Zevs on their nocturnal adventures, documenting their activities. A few months later, Invader visits Thierry in LA, and arranges a meeting with Shepard Fairey. Thierry continues filming Fairey's activities even after Invader has returned home to France. While Fairey is confused by Thierry's enthusiasm, Thierry states that he wishes to make a complete documentary about street art, and the two cross the nation, shooting other artists at work, including Poster Boy, Seizer, Neck Face, Sweet Toof, Cyclops, Ron English, Dotmasters, Swoon, Azil, Borf and Buffmonster. What Guetta fails to tell Fairey is that he has no plan to compile his footage into an actual film, and indeed never looks at his footage.
Animator Richard Williams attempts to finish his masterpiece, a long-term vanity project called The Thief and the Cobbler. Though he did not participate in the making of the film, archival footage of Williams is combined with interviews with his co-workers.
"We all get dressed for Bill", says Vogue editor Anna Wintour. The Bill in question is New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high-society charity soirées for the Times 's Style section in his columns "On the Street" and "Evening Hours".
The documentary chronicles the artist Chuck Connelly as he struggles with his temperament, alcoholism, and disillusionment with reality. These factors culminate in the alienation of gallery owners, collectors, and his wife; serving to depress Connelly further. The documentary details the tragedy of the fallen artist as he fights to maintain his dignity and integrity in the face of a world that refuses to accept him.